Jane Hammond

In 2015 Hammond spoke on a panel about drawing at the CAA conference with artists Hollis Hammonds, Richard Moninski and Elise Engler. She is a Governor for Skowhegan School of Painting and Sculpture where she was a resident in 1997 and faculty in 2005.

2011 FLAG Art Foundation, New York - USA Galerie Lelong, New-York - USA The Detroit Institute of the Arts, Michigan - USA 2010 Galerie Lelong, Paris - FRANCE 2009 Museum of Contemporary Art, San Diego – ETATS UNIS Museum of Contemporary Art, Denver – ETATS UNIS Brevard Art Museum, Melbourne– ETATS UNIS 2008 Galerie Lelong, New York – ETATS UNIS 2007 McNay Art Museum, San Antonio – ETATS UNIS 2005 Galerie Lelong, New York – ETATS UNIS 2001 Galerie Lelong, New York – ETATS UNIS 1998 Cincinnati Museum of Art, Cincinnati – ETATS UNIS

On August 11, 2007, Hammond's painting "All Souls (Piedras Negras)" sold for $75,000 at an auction at the Anderson Ranch Arts Center in Aspen, Colorado.

Hammond's work "Fallen" was first displayed at the artist's one-person exhibition at Galerie Lelong in New York in March 2005. The sculpture was accompanied by a wall text which read, "Each unique handmade leaf is inscribed by the artist with the name of a U.S. soldier killed in Iraq. The exhibition begins with 1511 leaves." The work was acquired and exhibited by the Whitney Museum of American Art in 2006 and subsequently shown at the Mildred Lane Kemper Art Museum, St. Louis, MO, the Wexner Center for the Arts, Columbus, OH and the Museum of Contemporary Art, San Diego, CA. The artist has continued to update this memorial piece. The most recent exhibition opened with 4229 leaves.

In 2003, Hammond became the first woman to create the poster for the French Open tennis tournament; her poster became the cover of Tennis Week magazine. Primarily a painter, Hammond also works with photographs and makes prints. She made prints at Universal Limited Art Editions and at Shark's Ink. She is represented by the Galerie Lelong in New York and the Greg Kucera Gallery in Seattle.

According to a 2002 article in the New York Times, “Ms. Hammond [aims] to make paintings 'as complicated, inconsistent, varied, multifaceted as you are, as I am, as life is.... I think my work deals very directly with the time that we live in,' Ms. Hammond said. 'There's a surfeit of information, increasingly bodiless because of the computer, and I bring to this an interest in how meaning is constructed'.... The best metaphor for the method behind her rollicking, erudite, street-smart, angst-ridden, encyclopedic paintings is writing."

In 1993, the Cincinnati Art Museum organized her first museum exhibition.

In June 1993, Hammond asked Ashbery to recommend titles for future paintings. A week later he faxed her 44 titles. By December 1994, she had employed 13 of the titles, "reusing one four times and another twice." In 1994, several of their collaborative paintings were exhibited at Jose Freire Fine Art, New York City, New York; The Freedman Gallery, Albright College, Reading, Pennsylvania and the Orlando Museum of Art, Orlando, Florida.

In 1989, Hammond received her first one-person exhibition at the New York alternative space, Exit Art. Since 1989, Hammond has exhibited internationally in Spain, Sweden, Italy, and the Netherlands.

In 1989, Hammond was invited by Bill Goldston to print at ULAE. After experimenting with monoprints, she turned to a combination of lithography, silkscreen, intaglio, and collage to achieve the complex layering of her trademark images.

“Jane Hammond: Paper Work” an exhibition which contained all manner of works on paper from 1989 through 2006 recently traveled with presentations at the Tucson Museum of Art; the Chazen Museum of Art, Madison, WI (formerly the Elvehjem Museum); the Arkansas Arts Center, Little Rock, AR; the Herbert F. Johnson Museum, Cornell University, Ithaca, NY; the Achenbach Foundation at the DeYoung Museum, San Francisco, CA and the Detroit Institute of Art, Detroit, MI. The show was accompanied by a fully illustrated catalogue published by Penn State Press and the Mt. Holyoke College Museum, containing essays by Faye Hirsch and Nancy Princenthal and an interview with the artist by Douglas Dreishspoon. The exhibition was organized and first presented by the Mt. Holyoke College Museum of Art (2006).

"Language has always been important to Hammond, who was the editor of her high school literary magazine" and studied poetry and biology at Mount Holyoke College before earning her BA in art in 1972. After studying ceramics at Arizona State University, she received her MFA in sculpture from the University of Wisconsin, Madison. In 1977, she moved to New York and began compiling images from instructional or scientific manuals, children's books, books on puppetry and magic, as well as charts on alchemy, animals, religion, and phrenology. From this collection she culled 276 images that functioned as her image bank for subject matter.

Jane R. Hammond (born 1950) is an American artist who lives and works in New York City. She was influenced by the late composer John Cage. She collaborated with the poet John Ashbery, making 62 paintings based on titles suggested by Ashbery; she also collaborated with the poet Raphael Rubinstein.