Age, Biography and Wiki
Jane Hart was born on 1958. Discover Jane Hart's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 65 years old?
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She is a member of famous with the age 65 years old group.
Jane Hart Height, Weight & Measurements
At 65 years old, Jane Hart height not available right now. We will update Jane Hart's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Jane Hart Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Jane Hart worth at the age of 65 years old? Jane Hart’s income source is mostly from being a successful . She is from . We have estimated
Jane Hart's net worth
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Jane Hart Social Network
Timeline
In January 2017, Hart curated the exhibition “Champions: Caribbean Artists Breaking Boundaries in South Florida,” which ran through February 11, 2017 at the Armory Art Center in West Palm Beach, Florida. This exhibition featured a selection of Caribbean artists living in South Florida, highlighting them through the narratives of their art, working in a broad spectrum of mediums.
In November 2017, Hart curated an exhibition titled “SIXTH” at Miami's non-profit gallery Bridge Red, exploring how artists are increasingly exploring issues of critical environmentalism.
In 2015, Hart returned to focus on independent curating. Among other exhibitions, she organized a multi-venue exhibition and book (published by [NAME] Publications,) “100+ Degrees in the Shade: A Survey of South Florida Art,” spotlighting the work of more than 170 South Florida artists. From August 2015 to January 2017, she curated three concurrent exhibits at the Hilliard Museum of Art in Lafayette, Louisiana, focusing on, respectively, contemporary portraiture by Louisiana artists; the “COMUS” series of portraits by Francie Bishop Good; and studio portraits by Oliver Wasow.
A show of LEGO artist Nathan Sawaya she organized in the 2010 was the center's most well-attended exhibition, attracting 13,000 viewers in eight weeks. During her tenure as curator Hart curated over one hundred exhibitions, including shows by José Alvarez (D.O.P.A.), Aline Kominsky-Crumb, Dave Muller, Charles M. Schulz, TM Sisters, Ed Templeton, Wayne White, and Agustina Woodgate. Notable among the exhibits was the 2011 show “Artist Unknown/The Free World” featuring vernacular photography of hundreds of images selected by the artists, John D. Monteith and Oliver Wasow. A book, which accompanied the exhibition, includes texts by Hart, the artists, and art historians Jerry Saltz and Marvin Heiferman.
Concurrently from 2007 to 2015, Hart was curator of exhibitions for the Art and Culture Center in Hollywood, Florida. She was named Best Curator in 2011 and again in 2015 by “New Times Magazine” in its annual “Best of” issue, working with artists from the region and elsewhere, organizing fundraisers and guest lectures.
lemon sky is a commercial contemporary fine arts enterprise, having included a fine arts studio and editions publishing firm (until 2003). In 2020, lemon sky reopened a physical location in New York’s Catskill Mountains, at Glen Falls House, a historic hotel which opened in the late 1800s. Since its original founding, the gallery has received critical acclaim from a variety of internationally distributed contemporary fine art limited edition periodicals including ARTFORUM, Artnet, The Contemporary, and others.
From 1996 to present, Hart has been sole proprietor at lemon sky, which she founded in 1996 and ran in Los Angeles through 2003 before moving the business to Miami. lemon sky presently exists as an online portal for artists Hart collaborates with, as well as promoting her various exhibitions and special projects.
As director at the fine arts publisher Muse [x] Editions from 1994 to 1999, she worked with artists such as Doug Aitken, John Baldessari, Uta Barth, Gregory Crewdson, Lyle Ashton Harris, Mike Kelley, Christian Marclay, Catherine Opie, Diana Thater, Pae White and Andrea Zittel.
Subsequently, she worked at Marlborough Fine Art in New York until 1990, designing numerous publications for many of the gallery's artists. Upon leaving Marlborough, she moved to Los Angeles, where she remained for over a decade.
In Los Angeles, Hart served from 1990 to 1992 as an assistant director at the L.A. Louver Gallery, where she helped organize significant projects of Wallace Berman, Kienholz, and Jimmie Durham. From 1992 to 1994, she worked as international sales director at Gemini G.E.L., an artists’ workshop and publisher of limited edition prints and sculptures.
Afterward, she returned to New York, where she was at the Piezo Electric Gallery until 1984, before moving to London, where she took a position as assistant director in the Angela Flowers Gallery through 1985.
Hart has an extensive background as a gallery director, beginning at the Moos Gallery in Miami, where she worked in that capacity from 1980-82.
In 1978, Hart began attending the School of Visual Arts in New York, where she pursued her bachelor's degree until 1979. She continued her studies towards a BFA in 1980, at the University of Miami.
At the age of 18, Hart enrolled in the Academy Psychopolis in the Netherlands, where she studied in 1976. She returned to the United States the following year, where she obtained her associate degree from Miami-Dade College in Miami, Florida.
Jane Hart (born 1958) is an American curator, gallerist and artist in New York City. She has worked as an art curator since 1993, having been a gallery owner in Los Angeles and Miami, and a contemporary art professional in Manhattan and London. As an artist (working under the alias TJ Ahearn) she has exhibited internationally, with solo exhibitions in South Florida and Cleveland, Ohio. Her specialty is contemporary collage, with works in private collections in the United States and abroad.