Jennifer Crusie

In 2010 Crusie published her first solo in six years, Maybe This Time. This is Crusie's version of Henry James' The Turn of the Screw. In Crusie's version the governess is not young and inexperienced, the children are not perfectly behaved, they are not isolated because house guests keep turning up and moving in, and the faraway guardian turns up and becomes part of the story.

In September 2004, Crusie met adventure novelist Bob Mayer at the Maui Writers Conference. By the end of the conference, they had become friends and begun the outline for a novel. Within a year, they had finished the manuscript, collaborating primarily via email. In the novel, Don't Look Down, Crusie wrote the scenes and dialogue for the female protagonist, while Mayer wrote the scenes and dialogue for the male protagonist. Crusie's longtime editor, Jennifer Enderlin, also edited this book, and had to ask Crusie who had written each section as she couldn't tell them apart. The novel was given an initial printing of 300,000 copies, Crusie's highest initial printing to date. In August 2007, their second collaborative novel, Agnes and the Hitman, was released and made the New York Times best seller list. They again partnered up for March 2010's release of Wild Ride. Crusie has also collaborated with Eileen Dreyer and Anne Stuart on The Unfortunate Miss Fortunes (2007), and on Dogs and Goddesses (2009) with Anne Stuart and Lani Diane Rich.

For the first three years of Crusie's career, her books were published as category romances under the Silhouette, Harlequin, and Bantam Loveswept lines. In 1995, Crusie signed with St. Martin's Press, and began writing single title novels, beginning with Tell Me Lies. The switch to longer, non-category novels was easy for Crusie, who says that "I was never conscious of writing category or single title or paperback or hardcover. You just have to tell the truest story you know." Her long partnership with her editor, Jennifer Enderlin, has made it possible for her to explore many different aspects of storytelling, and Crusie explained the depth of her relationship with her editor in an explanation of why she wasn't self-publishing]: "SMP still excels at the one thing I'd have to work full time to do half as well as they do: Tell people my book is out there. But okay, let's say I could market my own book riding on the coattails of everything my publisher has already established for me. SMP still holds one trump card: Jennifer Enderlin. I don't want to write a book without Jen. She makes me a better writer."

Crusie's MFA dissertation focused on the impact of gender on narrative strategies. To research the differences in the way men and women tell stories, Crusie read one hundred romance novels written by women, planning on following that by reading one hundred adventure novels written by men. The romance novels were so compelling that Crusie changed her dissertation to focus on romantic fiction and decided to try her hand at writing a romance novel. She quit her job in the summer of 1991 to devote herself full-time to writing. Crusie completed her first manuscript, called Keeping Kate, in 1991, but was unable to sell it. She entered a Silhouette-sponsored novella contest in the winter of 1991 and won one of twelve places with a novel called Sizzle. Shortly after that, Harlequin bought Keeping Kate and changed the name to Manhunting, which was Crusie's first published novel, appearing in February 1993.

Crusie married in 1971, and followed her Air Force husband to Wichita Falls, Texas. He was soon transferred to Dayton, Ohio and they have since divorced. They have one daughter.

Jennifer Crusie (born 1949) is a pseudonym for Jennifer Smith, an author of contemporary romance novels. She has written more than twenty novels, which have been published in 20 countries.

Crusie graduated from Wapakoneta High School, and then earned a bachelor's degree in Art Education from Bowling Green State University in Bowling Green, Ohio. She has a Master's degree from Wright State University in Professional Writing and Women's Literature, her master's thesis, "A Spirit More Capable Of Looking Up To Him," was on the role of women in mystery fiction from 1840 to 1920. Her second master's degree is an MFA in Fiction from Ohio State University. She has also completed all the coursework towards a Ph.D. at Ohio State University.