Age, Biography and Wiki
Jeroen Jongeleen was born on 2 November, 1967 in Apeldoorn, Netherlands. Discover Jeroen Jongeleen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 57 years old?
| Popular As |
Jeroen Jongeleen |
| Occupation |
N/A |
| Age |
57 years old |
| Zodiac Sign |
Scorpio |
| Born |
2 November 1967 |
| Birthday |
2 November |
| Birthplace |
Apeldoorn, Netherlands |
| Nationality |
Netherlands |
We recommend you to check the complete list of Famous People born on 2 November.
He is a member of famous with the age 57 years old group.
Jeroen Jongeleen Height, Weight & Measurements
At 57 years old, Jeroen Jongeleen height not available right now. We will update Jeroen Jongeleen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Jeroen Jongeleen Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Jeroen Jongeleen worth at the age of 57 years old? Jeroen Jongeleen’s income source is mostly from being a successful . He is from Netherlands. We have estimated
Jeroen Jongeleen's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
|
Jeroen Jongeleen Social Network
Timeline
In 2003, Jongeleen moved to Paris where he stayed at Atelier Holboer. Here he expended his contact with the Paris pre-street art scene resulting into the Art of Urban Warfare. Jongeleen's street interventions carry the project name “influenza”, functioning as well as a semi-anonymous signature. The alias “Influenza” connotes his repeated attacks on the well-oiled social body, while qualifying the development of his artistic practice as a self-reflexive exercise engaged in feeding its own momentum.
In 1997 he moved to Rotterdam. Here he did one of his first interventions in public space. With a spray can he wrote the word ‘HOME’ on the outside wall of Museum Boijmans Van Beuningen. He was arrested for this action, but it was the start of a close relationship with the museum. In 1999 he participated in the group exhibition Exorcism/Aesthetic Terrorism, 2000 in the Boijmans Van Beuningen.
Jongeleen lives and works in Rotterdam and Paris. He studied at the AKI Academy for Art and Design in Enschede, where he graduated in 1994.
Jeroen Jongeleen (born 2 November 1967, Apeldoorn) is a Dutch artist. His artwork has been influenced by graffiti art and textual art and is often created in public space. In his artworks Jongeleen criticizes today’s over regulated society.
Jongeleen's work is clearly inspired by the ideas of the Situationist International (SI), a revolutionary group, founded in 1957, which reached its peak of influence in the general strike of May 1968 in France. During the Paris uprising the influential leader of this group was the writer and theorist Guy Debord (1931-1994). His influential and renowned work Society of the Spectacle is considered to be the cause for the uprising. Like the Situationists, Jongeleen turns against consumerism and over-regulated society by interrupting the public space. Utilizing means and visual forms associated with guerilla protest – graffiti, stickers and placard cut-outs – his interventions draw attention to a particular form of militant activism while questioning the nature, value and transformative potential of artistic production.
