Joan Tower

Jeoung, Ji-Young. An analysis of Joan Tower's solo keyboard works. 2009.

In 2002 Tower won the Annual Composer's Award from the Lancaster Symphony. During the 2003–2004 season two new works were debuted, DNA, a percussion quintet commissioned for Frank Epstein, and Incandescent. In 2004 the Nashville Symphony's recording of Tambor, Made in America, and her Concerto for Orchestra earned a Grammy nomination. In 2004 Carnegie Hall's "Making Music" series featured a retrospective of Tower's body of work, performed by artists including the Tokyo String Quartet and pianists Melvin Chen and Ursula Oppens. In 2005 Tower became the first composer commissioned for the "Ford Made in America" program, the only project of its kind to involve smaller-budget orchestras as commissioning agents of new work by major composers, in which her 15-minute Made in America was performed in every state of the union during the 2005–2007 season. In 2008, Tower's Made in America and the recording of it by the Nashville Symphony conducted by Leonard Slatkin won three Grammy Awards: in the categories Best Orchestral Performance, Best Classical Album and Best Classical Contemporary Composition.

Tower became the first woman recipient of the Grawemeyer Award for Music in 1990 for her composition Silver Ladders. In 1993, under commission from the Milwaukee Ballet, Tower composed Stepping Stones, a selection from which she would go on to conduct at the White House. Other compositions from the 1990s include the third Fanfare for the Uncommon Woman, several piano concertos (notably 1996's Rapids (Piano Concerto no. 2) and Tambor (1998) written for the Pittsburgh Symphony Orchestra. In 1999 Tower accepted a position as composer-in-residence with the Orchestra of St. Luke's and in 1998 she won the Delaware Symphony's prestigious Alfred I. DuPont Award for Distinguished American Composer.

Among her most notable work is the six-part Fanfare for the Uncommon Woman, each dedicated to 'women who are adventurous and take risks'. Inspired by Aaron Copland's Fanfare for the Common Man, four of the six parts are scored for 3 trumpets, 4 horns, 3 trombones, tuba and percussion. The first was debuted in 1987 and conducted by Hans Vonk. For the second, which premiered in 1989, Tower added one percussion while the third, debuted in 1991 was scored for a double brass quintet. The fourth and sixth are scored for full orchestra. The fifth part was commissioned for the Aspen Music Festival in 1993 and was written specifically for Joan W. Harris. The first five parts were added to the National Recording Registry in 2014.

In 1985, a year after leaving the Da Capo Players, Tower accepted a position at the St. Louis Symphony Orchestra where she was a composer-in-residence until 1988.

In 1969 Tower, along with violinist Joel Lester and flautist Patricia Spencer, founded the New York-based Da Capo Chamber Players where she served as the group's pianist. Throughout the late 1970s and early 1980s Tower wrote a number of successful works for the Da Capo Players, including Platinum Spirals (1976), Amazon I (1977) and Wings (1981). Though the group won several awards in its early years, including the Naumburg Award in 1973, Tower left the group in 1984, buoyed by the immediate success of her first orchestral composition, Sequoia (1981). In 1972 Tower accepted a faculty position at Bard College in composition, a post she continues to hold today. Tower received a Guggenheim fellowship in 1976.

Joan Tower (born September 6, 1938) is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.

Born in New Rochelle, New York, in 1938, Tower moved to Bolivia when she was nine years old, an experience which she credits for making rhythm an integral part of her work. For the next decade Tower's talent in music, particularly on the piano, grew rapidly due to her father's insistence that she benefit from consistent musical training. Tower's relationship with her mineralogist father is visible in many aspects of her work, most specifically her "mineral works" including Black Topaz (1976) and Silver Ladders (1986). She returned to the United States as a young woman to study music, first at Bennington College and then at Columbia University where she studied under Otto Luening, Jack Beeson, and Vladimir Ussachevsky and was awarded her doctorate in composition in 1968.