Age, Biography and Wiki
John A. Keel (Alva John Kiehle) was born on 25 March, 1930 in Hornell, NY, is an American journalist. Discover John A. Keel's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of John A. Keel networth?
| Popular As |
Alva John Kiehle |
| Occupation |
script_department,writer |
| Age |
79 years old |
| Zodiac Sign |
Aries |
| Born |
25 March 1930 |
| Birthday |
25 March |
| Birthplace |
Hornell, New York |
| Date of death |
July 3, 2009 |
| Died Place |
New York, New York, United States |
| Nationality |
United States |
We recommend you to check the complete list of Famous People born on 25 March.
He is a member of famous Script Department with the age 79 years old group.
John A. Keel Height, Weight & Measurements
At 79 years old, John A. Keel height
is 6' 2" (1.88 m) .
| Physical Status |
| Height |
6' 2" (1.88 m) |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
John A. Keel Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is John A. Keel worth at the age of 79 years old? John A. Keel’s income source is mostly from being a successful Script Department. He is from United States. We have estimated
John A. Keel's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Script Department |
John A. Keel Social Network
Timeline
He died on July 3, 2009 in New York City, at the age of 79.
He is known for his work on The Mothman Prophecies (2002), Mack & Myer for Hire (1963) and The Mothman's Photographer (2008).
In 1967, Keel popularized the term "men In black" in an article for the men's adventure magazine Saga, entitled "UFO Agents of Terror".
Like contemporary 1960s researchers such as J. Allen Hynek and Jacques Vallée, Keel was initially hopeful that he could somehow validate the prevailing extraterrestrial visitation hypothesis. However, after one year of investigations, Keel concluded that the extraterrestrial hypothesis was untenable. Indeed, both Hynek and Vallée eventually arrived at a similar conclusion. As Keel himself wrote:
In 1957, he published Jadoo, a book describing his time in Egypt and India investigating the Indian rope trick and the legendary yeti. In 1966 he produced the "spy and superhero" spoof novel The Fickle Finger of Fate. Influenced by writers such as Charles Fort, he began contributing articles to Flying Saucer Review and took up investigating UFOs and assorted Forteana as a full-time pursuit. Keel analyzed what he called "windows" and "waves" (or flaps, as they are often called) of reported UFO events, concluding that a disproportionate number occurred on Wednesdays and Saturdays. A member of the Screenwriters Guild, Keel reportedly wrote scripts for Get Smart, The Monkees, Mack & Myer for Hire, and Lost in Space.
John A. Keel was born on March 25, 1930 in Hornell, New York, USA as Alva John Kiehle.
In UFOs: Operation Trojan Horse Keel argues that a non-human or spiritual intelligence source has staged whole events over a long period of time in order to propagate and reinforce certain erroneous belief systems. For example, monsters, ghosts and demons, the fairy faith in Middle Europe, vampire legends, mystery airships in 1897, mystery aeroplanes of the 1930s, mystery helicopters, anomalous creature sightings, poltergeist phenomena, balls of light, and UFOs. Keel conjectured that ultimately all of these anomalies are a cover for the real phenomenon. He used the term "ultraterrestrials" to describe UFO occupants he believed to be non-human entities capable of taking on whatever form they want.
