Age, Biography and Wiki
John Cameron (musician) was born on 20 March, 1944 in Woodford, Essex, England, is a composer. Discover John Cameron (musician)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 79 years old?
Popular As |
N/A |
Occupation |
Composer, arranger, conductor, record producer |
Age |
80 years old |
Zodiac Sign |
Pisces |
Born |
20 March 1944 |
Birthday |
20 March |
Birthplace |
Woodford, Essex, England |
Nationality |
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We recommend you to check the complete list of Famous People born on 20 March.
He is a member of famous composer with the age 80 years old group.
John Cameron (musician) Height, Weight & Measurements
At 80 years old, John Cameron (musician) height not available right now. We will update John Cameron (musician)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
John Cameron (musician) Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is John Cameron (musician) worth at the age of 80 years old? John Cameron (musician)’s income source is mostly from being a successful composer. He is from . We have estimated
John Cameron (musician)'s net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
composer |
John Cameron (musician) Social Network
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Timeline
The song "Paper Habits" by Jet Life (Currensy's rap group), sampled Cameron's "Liquid Sunshine", and is from the group's collaboration album Jet World Order (2011).
Cameron also scored two British hits as a songwriter with "If I Thought You'd Ever Change Your Mind", a #20 UK hit for Cilla Black (which was also a #11 UK hit for former ABBA vocalist Agnetha Fältskog in 2004) and "Sweet Inspiration", a Top 10 single for Johnny Johnson and the Bandwagon.
In the early 1970s Cameron formed CCS, a jazz-rock big band that included Cameron, Mickie Most, Alexis Korner and Herbie Flowers; they scored four UK hits—a mainly instrumental version of Led Zeppelin's "Whole Lotta Love" (UK #13), a version of which was also used as the theme music for Top of the Pops from 1970 to 1981; the Donovan songs "Walkin'" (UK #7); and "Tap Turns on the Water" (UK #5) and "Brother" (UK #25), both written by Cameron and Korner.
In the late 1970s, Cameron was approached by Alain Boublil and Claude-Michel Schönberg to arrange and conduct a concept album based on Victor Hugo's Les Misérables. Initially staged in Paris by Robert Hossein, it was then produced in the UK by Cameron Mackintosh and the Royal Shakespeare Company, directed by Trevor Nunn and John Caird. Les Misérables became one of the most successful musicals of all time, winning Cameron the Drama Desk Award for Outstanding Orchestrations and a National Broadway Theatre Award. He also orchestrated the 1991 London Palladium revival of Joseph and the Amazing Technicolor Dreamcoat, Honk! and Spend Spend Spend.
Cameron's first venture in film composition was for director Ken Loach, who asked him to compose the score for Kes (1969). This led to further commissions, including The Ruling Class (1972) with Peter O'Toole, Night Watch (1973) with Elizabeth Taylor, and A Touch of Class (1973) with Glenda Jackson and George Segal, for which Cameron was nominated for an Academy Award. His other film scores included The Rise and Rise of Michael Rimmer (1970) and the cult horror film Psychomania (1973), among many others. He also collaborated with Keith Mansfield on albums of library music.
Cameron also began working in television; one of his first major credits in this area was as music director and arranger for three seasons of the TV variety series Once More with Felix with folk-singer Julie Felix (1967–69), The Bobbie Gentry Show and numerous episodes of the BBC's In Concert series (directed by Stanley Dorfman), which featured artists including James Taylor, Joni Mitchell and Randy Newman.
After leaving Cambridge, he played in jazz groups, often performing satirical material, and recorded an album, Cover Lover, in 1966. He also began working as an arranger for pop and rock artists, including Alex Harvey, before being introduced to folk-pop artist Donovan. His credits include Donovan's number 1 U.S. hit "Sunshine Superman" (co-arranged with Spike Heatley). Cameron eventually became Donovan's music director, but there was an unexpected hiatus of several months following the recording of the Sunshine Superman album. Donovan's British label, Pye Records, who had a US licensing deal with Warner Bros Records, filed a lawsuit when they found out that Donovan had signed an American recording deal with rival label Epic Records. The legal proceedings held up the UK release of the album, and prevented Donovan from touring or recording for several months in early 1966. In the interim Cameron was obliged to go back to conducting pantomime at his local Watford Palace Theatre.
From mid-1966, with the lawsuit resolved, Cameron began touring and recording regularly with Donovan, and he arranged and played on many of his hit singles "Jennifer Juniper" and "Epistle to Dippy", the albums Sunshine Superman and Mellow Yellow, as well as Donovan's music for the 1967 Ken Loach film Poor Cow.
John Cameron (born 20 March 1944) is a British composer, arranger, conductor and musician. He is well known for his many film, TV and stage credits, and for his contributions to pop recordings, notably those by Donovan, Cilla Black and the group Hot Chocolate. Cameron's instrumental version of Led Zeppelin's "Whole Lotta Love", became a hit for his group CCS and, for many years, a version of Cameron's arrangement was used as the theme music for the BBC TV show, Top of the Pops.