José Cisneros (artist)

In 2018, Cisneros's work was included in the El Paso Museum of Art group exhibition, Early West Texas: Waypoint and Home, alongside artists Manuel Gregorio Acosta and Tom Lea.

Cisneros married Vicenta Madera of Juarez in 1939, and together they had five daughters. In 1948, he became a US citizen through naturalization. He was a devout Catholic and would often go to services daily at St. Joseph’s Catholic Church in El Paso, up until his death.

In 1927 at the age of 17, he dropped out of school in order to help support the family with various odd jobs and it was during this time he creating artwork from discarded commercial signs. By 1930, his art and writing was published in magazines from Mexico including Revista de Revistas, Vida Mexicana, Todo, El León Juarense, and others. In Juarez, he joined an artists and writers club, El Ateneo Fronterizo (The Border Athenaeum).

José B. Cisneros (1910 – 2009) was a Mexican–born American artist. He is known for his historical illustrations and drawings of early Texas, specifically of horsemen including charro, vaquero, Texas rangers, and Texas cowboys. He illustrated over 300 books.

Cisneros was born on 18 April 1910 in Villa Ocampo, Durango, Mexico to parents Fernando Cisneros and Juanita (née Barragán) Cisneros. His father was a carpenter by trade, but worked various other jobs to support the family. The Cisneros family had to run away from Mexico by late 1917 due to the dangers of the Mexican Revolution, their village and family home were destroyed. The family eventually migrated to Ciudad Juárez, Chihuahua, Mexico, and Cisneros was allowed to study English in nearby El Paso, Texas at the Lydia Patterson Institute.

Cisneros saw an established artist, Tom Lea painting a mural on the El Paso Federal Courthouse, Cisneros introduced himself and shared his drawings. It was through his relationship with Lea, Cisneros was able to connect with J. Carl Hertzog (1902-1984), a printer and publisher that hired Cisneros for illustration work. Through his collaborations with Hertzog included illustration of books, book plates, greeting cards, calendars, programs and newspapers and more. And many of the book illustrations were for various 1940s history books, which required researching for the accuracy of the image.