José Rey de la Torre

Rey combined a teaching career with his active concert life until his retirement from the stage, at which point he devoted all of his efforts to teaching. He spent a brief period (1975–1977) teaching in New York, before relocating to San Francisco, where he spent the final two decades of his life, teaching in spite of a spiraling debilitation caused by his rheumatoid arthritis.

Around 1961, right at a time when his career was flourishing, he suffered a setback: the middle finger of his right hand became less responsive and was a challenge for a number of years until Marianne Eppens, a physical therapist, was able to isolate the cause and offer a remedy. In 1969 they were married and moved to California. In 1975 at the zenith of his career Rey was diagnosed with rheumatoid arthritis, a disease which ended his performing career a year later.

His American début was at The Town Hall in New York City in 1940. He subsequently made many appearances in the US, Canada and elsewhere. He gave radio broadcasts and played in two television plays. Rey de la Torre gave the US première of Concierto de Aranjuez by Joaquín Rodrigo on November 19, 1959, with the Cleveland Orchestra under the baton of Robert Shaw. He also premièred the Introduction to the Chôros by Heitor Villa-Lobos in New York, in August 1962, and Three Pieces for Guitar by Carlos Chávez in New York on November 14, 1969. A number of works were written for him by various composers, among them Julián Orbón.

In December, 1950 he recorded the Quintet in D, G. 448 by Luigi Boccherini with the Stuyvesant String Quartet on the short-lived Philharmonia record label. His most significant solo recording was made originally under the Philharmonia label in 1952, and was later re-released, first by Elektra records, and then by Nonesuch. Additionally, a recording exists of "Five Songs on Poems by Federico García Lorca" by Noël Lee with soprano Adele Addison and flutist Samuel Baron in 1961 on the Composers Recordings Inc. (CRI 147).

Rey made a number of recordings, the earliest of which he found unsatisfactory. In the mid 1940s he recorded his first two LP albums for the Spanish Music Center (SMC) label. The first was titled The Music of Francisco Tárrega - A Guitar Recital, vol. 1 SMC-516 and the second was The Music of Fernando Sor - A Guitar Recital, vol. 2 SMC-517. While it is believed that Andrés Segovia may have been the first to record the F. Sor studies, it was Rey's recordings of these important studies that first made it to vinyl. In the early part of 1950, Rey recorded another two LP albums for the Allegro label. The first was titled Fernando Sor - Grand Sonata, Op.22 AL 76 and the second was German Song from the Minnesingers to the 17th Century AL 90. The later released was a collaborative effort with tenor Earl Rogers. The former album dedicated to Sor was later re-released by Allegro under a different title Rey de la Torre Plays Fernando Sor LEG 9013. The recording was later licensed to other minor record labels (such as Ember, Everest and EL) and it was generally released under the title Rey de la Torre Plays Spanish Guitar Classics.

On May 9, 1934, Llobet presented him in a concert at the Academia Marshall together with a pianist and then shortly after in a solo recital. Both received rave reviews from the tough Barcelona critics. Catalan composer and critic Jaime Pahissa described Rey as the most complete guitarist he had heard. Another critic compared him not only with Llobet but also with Pablo Casals.

Rey studied with Severino López in Havana, Cuba. After establishing a career as a child prodigy in Cuba, his family sent him to Barcelona in 1932 to study under the retired virtuoso guitarist Miguel Llobet (1878–1938).

José Rey de la Torre (December 9, 1917 – July 21, 1994) was one of the most significant classical guitarists of the mid-twentieth century, and considered by many to be the father of "modern classical guitar technique".