Juliana Hall

Hall was awarded the 2017 Sorel Commission from the American art song training program SongFest for a soprano song cycle, When the South Wind Sings. She was later invited to be the 2018 Guest Composer at the Fall Island Vocal Arts Seminar at SUNY Potsdam, and was also invited to be the 2018 Resident Composer at CollabFest at the University of North Texas.

Juliana Hall's art song catalogue was signed by publisher E. C. Schirmer in 2017. One earlier song cycle, Syllables of Velvet, Sentences of Plush, was published by Boosey & Hawkes in 1995.

During her professional career, Hall's music has been performed in dozens of countries around the world. In addition to the Library of Congress, other performances have been presented at venues including the 92nd Street Y, Ambassador Auditorium, Corcoran Gallery of Art, the French Library, Herbst Theatre, Morgan Library & Museum, Weill Recital Hall at Carnegie Hall, and Wigmore Hall. Festival appearances include the Buxton International Festival, London Festival of American Music, Norfolk Chamber Music Festival, Ojai Music Festival, Oxford Lieder Festival, Salisbury International Arts Festival, and Tanglewood Music Center.

In 1989 Hall was awarded a Guggenheim Fellowship in Music Composition. Since that time Hall has composed works for many singers, among them acclaimed countertenors Brian Asawa and Charles Humphries; mezzo-soprano Stephanie Blythe; and baritone David Malis. She has also composed several chamber works for the vocal duo of Korliss Uecker and Tammy Hensrud known as Feminine Musique.

After several years in New York, Hall went to graduate school at the Yale School of Music as a piano performance major (studying with Boris Berman), but also began formal composition lessons (with Martin Bresnick, Leon Kirchner, and Frederic Rzewski). At the urging of her composition teachers, she shifted her focus from piano to composition and in 1987 earned her master's degree. She then went to Minneapolis to finish her formal composition studies (with Dominick Argento).

While a student of Argento, Hall received her first commission in 1987 (from the Schubert Club of Saint Paul, Minnesota) for a song cycle – Night Dances – for soprano Dawn Upshaw, who with pianist Margo Garrett, premiered the work in December of that year. After a performance of the cycle at the Library of Congress in 1988, Joseph McLellan of The Washington Post wrote that, "Juliana Hall used every trick in the book – melodic and half-spoken, tonal and nontonal. She did this to enliven the words by Emily Dickinson, Sylvia Plath, Emily Bronte , Edna St. Vincent Millay and Elizabeth Bishop, to deepen the impact of the texts dealing with night and sleep, to explore the implicit emotions in sounds that ranged from a whisper to a scream, with the piano supplying illustrations and comment and engaging in vivid dialogue."

Juliana Hall (born 1958) is an American composer of art songs and vocal chamber music. She has been described by the NATS Journal of Singing as "one of our country’s most able and prolific art song composers for almost three decades" and, in discussing her 1989 song cycle Syllables of Velvet, Sentences of Plush, the Journal went on to assert that "Even at this very early stage in her life and career, Hall knew something about crafting music whose beauty could enhance the text at hand without drawing attention away from that text. This is masterful writing in every respect."

Juliana Hall was born in Huntington, West Virginia in 1958 and grew up across the river in Chesapeake, Ohio. Her mother was a pianist and began teaching Juliana piano when she was six years of age. She was active in the family church, where she played, sang, and wrote her first composition. Her grandparents provided inspiration too, exposing Juliana to folk music and poetry.