Karin Mack

In 1994, Mack moved to the Netherlands, where she lived until 2005. Since 2008, she has been a member of the Lower Austrian photo and media initiative Fluss and the Künstlerhaus Wien. Between 2014 and 2018, she has served as a Curator for several exhibitions including, "Buchstaben, Worte, Texte in fotografischen Bildern", "Experiment Analog", and "Ultima Thule/ Island als Naration." She works as a freelance photo artist, author, and curator in Vienna.

Karin Mack is an Austrian post-war photo artist, who belongs to the avant-garde feminist art of the 1970s. She is known primarily for generating her themes from very personal introspection and then presenting them as if "in a theater of self-events".

Mack was given her first camera at the age of 16 by her father, who gave her first instructions concerning the composition of an image. Later in the 1970s she saw Photocostallations of Gerhard Rühm, which gave her the idea of combining several photos to tell a story. She started her artistic work with photo series such as Ironing Dream (1975) and Demolishing an Illusion (1977), reflecting a woman's role as housewife only. In the 1980s she started to work with photocollage, consisting of 3 photographs with a selfportrait in the center. These works focused on the feelings of a woman. Between 2012 and 2018, she worked on European Identity in a Global World, which showed her political interest in the truth of journalism. She got the idea of Scratching the Surface by the "unreflected use of fashion by young women" as presented by publicity and fashion magazines as the ideal of attraction and not underlining their identity. Some part of her work deals with nature as something that has to be protected.

Mack was born in Vienna in 1940, and was married to Friedrich Achleitner (1962-1972). Before completing her studies in the history of art and Italian at the University of Vienna, she worked as an photographer of architecture till 1978. She did several documentaries based on the art and culture of Vienna till 1980. From 1977 to 1982, she was involved in the group "Intakt" (International Action Group for Women Artists) to improve the situation of women artists.