Kim Ki-duk

Another controversy surrounds the director’s alleged misogyny as represented in his films, decried by feminists in his home country as being “dangerous penis fascism.”

In January 2019, the court ordered Kim to pay a $4,450 (KRW 5 million) fine for the assault, but dismissed the sexual assault charge for lack of evidence. Kim subsequently sued the actress for false accusation. The following month, Kim filed a lawsuit against a women’s rights group over “damages” caused by the group against him.

In 2017, an anonymous actress came forward with allegations that she had been assaulted by Kim on the set of his film Moebius. She claimed that he had hit her several times before pressuring her to participate in a sex scene she had not previously agreed to. In 2018, at least three women accused Kim of sexual assault. Kim filed false accusations and defamation suits against the accusers.

In 2004, he received Best Director awards at two different film festivals, for two different films. At the Berlin International Film Festival, he was awarded for Samaritan Girl (2004), and at the Venice Film Festival he won for 3-Iron (also 2004). In 2011, his documentary film Arirang received an award for best film in the Un Certain Regard category from the Cannes Film Festival. In 2012, his film Pieta received the Golden Lion award at the Venice Film Festival, the first Korean film to receive a "best film" honor at one of the top three international film festivals - Venice, Berlin and Cannes.

The British Board of Film Classification delayed the release of Kim Ki-duk's The Isle (2000) in the United Kingdom because of instances of animal cruelty in the film. Concerning scenes in which a frog is skinned after being beaten to death and fish are mutilated, the director stated, "We cooked all the fish we used in the film and ate them, expressing our appreciation. I've done a lot of cruelty on animals in my films. And I will have a guilty conscience for the rest of my life."

Kim Ki-duk (Korean: 김기덕 Korean pronunciation: [kimɡidʌk] ; born December 20, 1960) is a South Korean filmmaker noted for his idiosyncratic art-house cinematic works. His films have received many distinctions in the festival circuit, making him one of the most important contemporary Asian film directors. Major festival awards include Golden Lion at 69th Venice International Film Festival for Pietà, Silver Lion for Best Director at 61st Venice International Film Festival for 3-Iron, Silver bear for Best Director at 54th Berlin International Film Festival for Samaria and Un Certain Regard prize at 2011 Cannes Film Festival for Arirang. His most widely known feature is Spring, Summer, Fall, Winter... and Spring (2003), included in film critic Roger Ebert's Great Movies. Two of his films served as official submissions for Academy award for best foreign language film as South Korean entries. He has given scripts to several of his former assistant directors including Juhn Jai-hong (Beautiful and Poongsan) and Jang Hoon (Rough Cut).

Kim Ki-duk was born on December 20, 1960 in Bonghwa, North Gyeongsang Province, South Korea. He studied fine arts in Paris from 1990 to 1993. After returning to South Korea, Kim began his career as a screenwriter and won the first prize in a scenario contest held by Korean Film Council in 1995. In the following year, Kim made his debut as a director with a low budget movie titled Crocodile (1996). The film received sensational reviews from movie critics in South Korea. Kim has said that his international breakthrough occurred with The Isle at the Toronto International Film Festival. His 2000 film Real Fiction was entered into the 23rd Moscow International Film Festival.