Lafcadio Hearn

The first museum in Europe for Lafcadio Hearn was inaugurated in Lefkada, Greece, his birthplace, on 4 July 2014, as Lefcadio Hearn Historical Center. It contains early editions, rare books and Japanese collectibles. The visitors, through photos, texts and exhibits, can wander in the significant events of Lafcadio Hearn's life, but also in the civilizations of Europe, America and Japan of the late eighteenth and early nineteenth centuries through his lectures, writings and tales. The municipalities of Kumamoto, Matsue, Shinjuku, Yaizu, Toyama University, the Koizumi family and other people from Japan and Greece contributed to the establishment of Lefcadio Hearn Historical Center.

The Lafcadio Hearn Memorial Museum and his old residence in Matsue are still two of the city's most popular tourist attractions. In addition, another small museum dedicated to Hearn opened in Yaizu, Shizuoka in 2007 (ja:焼津小泉八雲記念館).

His life journey later connected its both ends; Lefkada and Shinjuku became sister cities in 1989. Another pair of cities he lived, New Orleans and Matsue did the same in 1994.

In 1984, four episode Japanese TV series Nihon no omokage (ja:日本の面影, Remnants of Japan), depicting Hearn's departure from the United States and later life in Japan, was broadcast with Greek-American actor George Chakiris as Hearn. The story was later adapted to theatrical productions.

The Japanese director Masaki Kobayashi adapted four Hearn tales into his 1964 film, Kwaidan. Some of his stories have been adapted by Ping Chong into his puppet theatre, including the 1999 Kwaidan and the 2002 OBON: Tales of Moonlight and Rain.

While working for the Commercial Hearn agreed to be carried to the top of Cincinnati's tallest building on the back of a famous steeplejack, Joseph Roderiguez Weston, and wrote a half-terrified, half-comic account of the experience. It was also during this time that Hearn wrote a series of accounts of the Bucktown and Levee neighborhoods of Cincinnati, "...one of the few depictions we have of black life in a border city during the post-Civil War period." He also wrote about local black song lyrics from the era, including a song titled "Shiloh" that was dedicated to a Bucktown resident named "Limber Jim." In addition, Hearn had printed in the Commercial a stanza he had overheard when listening to the songs of the roustabouts, working on the city's levee waterfront. Similar stanzas were recorded in song by Julius Daniels in 1926 and Tommy McClennan in his version of "Bottle Up and Go" (1939).

Hearn's writings for the New Orleans newspapers included impressionistic descriptions of places and characters and many editorials denouncing political corruption, street crime, violence, intolerance, and the failures of public health and hygiene officials. Despite the fact that he is credited with "inventing" New Orleans as an exotic and mysterious place, his obituaries of the vodou leaders Marie Laveau and Doctor John Montenet are matter-of-fact and debunking. Selections of Hearn's New Orleans writings have been collected and published in several works, starting with Creole Sketches in 1924, and more recently in Inventing New Orleans: Writings of Lafcadio Hearn.

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Hearn, Lafcadio". Encyclopædia Britannica. 12 (11th ed.). Cambridge University Press. p. 128.

On 26 September 1904, Hearn died of heart failure in Tokyo at the age of 54. His grave is at the Zōshigaya Cemetery in Tokyo's Toshima district.

Hearn enthusiastically became a Japanese citizen, took the name Yakumo Koizumi, and acquired a teaching position at Imperial University, which he held until 1903.

In the late 19th century, Japan was still largely unknown and exotic to Westerners. However, with the introduction of Japanese aesthetics, particularly at the Paris Exposition Universelle of 1900, Japanese styles became fashionable in Western countries. Consequently, Hearn became known to the world by his writings concerning Japan. In later years, some critics would accuse Hearn of exoticizing Japan, but because he offered the West some of its first descriptions of pre-industrial and Meiji Era Japan, his work is generally regarded as having historical value.

They were married in 1891.

At the age of 6, Lafcadio Hearn, who had been born in Leucos in the Greek Ionian Islands to a Greek mother and an Irish father, was made a ward of his Irish great-aunt, who packed him off to Jesuit boarding schools in France and Britain. At the age of 16, he was sent to the US, where he worked as a journalist in Cincinnati, Ohio, and New Orleans, Louisiana. He translated French literature into English and began to develop his own taste, which was for the foreign, the exotic, and--sometimes--the macabre. Hearn's life changed radically when he traveled to Japan in 1890. He fell in love with the place and then with Setsu Koizumi, the daughter of a samurai family whose husband had deserted her and left her penniless.

Harper's sent Hearn to the West Indies as a correspondent in 1887. He spent two years in Martinique and in addition to his writings for the magazine, produced two books: Two Years in the French West Indies and Youma, The Story of a West-Indian Slave, both published in 1890.

Hearn also published in Harper's Weekly the first known written article (1883) about Filipinos in the United States, the Manilamen or Tagalogs, one of whose villages he had visited at Saint Malo, southeast of Lake Borgne in St. Bernard Parish, Louisiana.

Charles petitioned to have the marriage with Rosa annulled, on the basis of her lack of signature on the marriage contract, which made it invalid under English law. After being informed of the annulment, Rosa almost immediately married Giovanni Cavallini, a Greek citizen of Italian ancestry who was later appointed by the British as governor of Cerigotto. Cavallini required as a condition of the marriage that Rosa give up custody of both Lafcadio and James. As a result, James was sent to his father in Dublin and Lafcadio remained in the care of Sarah, who had disinherited Charles because of the annulment. Neither Lafcadio nor James saw their mother again, who had four children with her second husband. Rosa was eventually committed to the National Mental Asylum on Corfu, where she died in 1882.

At the end of 1881, Hearn took an editorial position with the New Orleans Times Democrat and was employed translating items from French and Spanish newspapers as well as writing editorials and cultural reviews on topics of his choice. He also continued his work translating French authors into English: Gérard de Nerval, Anatole France, and most notably Pierre Loti, an author who influenced Hearn's own writing style. Milton Bronner, who edited Hearn's letters to Henry Watkin, wrote: "[T]he Hearn of New Orleans was the father of the Hearn of the West Indies and of Japan," and this view was endorsed by Norman Foerster. During his tenure at the Times Democrat, Hearn also developed a friendship with editor Page Baker, who went on to champion Hearn's literary career; their correspondence is archived at the Loyola University New Orleans Special Collections & Archives.

Hearn lived in New Orleans for nearly a decade, writing first for the newspaper Daily City Item beginning in June 1878, and later for the Times Democrat. Since the Item was a 4-page publication, Hearn's editorial work changed the character of the newspaper dramatically. He began at the Item as a news editor, expanding to include book reviews of Bret Harte and Émile Zola, summaries of pieces in national magazines such as Harper's, and editorial pieces introducing Buddhism and Sanskrit writings. As editor, Hearn created and published nearly two hundred woodcuts of daily life and people in New Orleans, making the Item the first Southern newspaper to introduce cartoons and giving the paper an immediate boost in circulation. Hearn gave up carving the woodcuts after six months when he found the strain was too great for his eye.

During the autumn of 1877, recently divorced from Mattie Foley and restless, Hearn had begun neglecting his newspaper work in favor of translating into English works of the French author Gautier. He had also grown increasingly disenchanted with Cincinnati, writing to Henry Watkin, "It is time for a fellow to get out of Cincinnati when they begin to call it the Paris of America." With the support of Watkin and Cincinnati Commercial publisher Murat Halstead, Hearn left Cincinnati for New Orleans, where he initially wrote dispatches on the "Gateway to the Tropics" for the Commercial.

In 1874, Hearn and the young Henry Farny, later a renowned painter of the American West, wrote, illustrated, and published an 8-page weekly journal of art, literature and satire entitled Ye Giglampz. The Cincinnati Public Library reprinted a facsimile of all nine issues in 1983. The work was considered by a twentieth century critic to be "Perhaps the most fascinating sustained project he undertook as an editor."

By the strength of his talent as a writer, Hearn obtained a job as a reporter for the Cincinnati Daily Enquirer, working for the newspaper from 1872 to 1875. Writing with creative freedom in one of Cincinnati's largest circulating newspapers, he became known for his lurid accounts of local murders, developing a reputation as the paper's premier sensational journalist, as well as the author of sensitive accounts of some of the disadvantaged people of Cincinnati. The Library of America selected one of these murder accounts, Gibbeted, for inclusion in its two-century retrospective of American True Crime, published in 2008. After one of his murder stories, the Tanyard Murder, had run for several months in 1874, Hearn established his reputation as Cincinnati's most audacious journalist, and the Enquirer raised his salary from $10 to $25 per week.

For a time, he was impoverished, living in stables or store rooms in exchange for menial labor. He eventually befriended the English printer and communalist Henry Watkin, who employed him in his printing business, helped find him various odd jobs, lent him books from his library, including utopianists Fourier, Dixon and Noyes, and gave Hearn a nickname which stuck with him for the rest of his life, The Raven, from the Poe poem. Hearn also frequented the Cincinnati Public Library, which at that time had an estimated 50,000 volumes. In the spring of 1871 a letter from Henry Molyneux informed him of Sarah Brenane's death and Molyneux's appointment as sole executor. Despite Brenane having named him as the beneficiary of an annuity when she became his guardian, Hearn received nothing from the estate and never heard from Molyneux again.

By 1869, Henry Molyneux had recovered some financial stability and Brenane, now 75, was infirm. Resolving to end his expenditures on the 19-year-old Hearn, he purchased a one-way ticket to New York and instructed Hearn to find his way to Cincinnati, to locate Molyneux's sister and her husband, Thomas Cullinan, and to obtain their assistance in making a living. Upon meeting Hearn in Cincinnati, the family had little assistance to offer: Cullinan gave him $5 and wished him luck in seeking his fortune. As Hearn would later write, "I was dropped moneyless on the pavement of an American city to begin life."

In 1867, Henry Molyneux, who had become Sarah Brenane's financial manager, went bankrupt, along with Brenane. There was no money for tuition, and Hearn was sent to London's East End to live with Brenane's former maid. She and her husband had little time or money for Hearn, who wandered the streets, spent time in workhouses, and generally lived an aimless, rootless existence. His main intellectual activities consisted of visits to libraries and the British Museum.

In 1863, again at the suggestion of Molyneux, Hearn was enrolled at St. Cuthbert's College, Ushaw, a Catholic seminary at what is now the University of Durham. In this environment, Hearn adopted the nickname "Paddy" to try to fit in better, and was the top student in English composition for three years. At age 16, while at Ushaw, Hearn injured his left eye in a schoolyard mishap. The eye became infected and, despite consultations with specialists in Dublin and London, and a year spent out of school convalescing, went blind. Hearn also suffered from severe myopia, so his injury left him permanently with poor vision, requiring him to carry a magnifying glass for close work and a pocket telescope to see anything beyond a short distance (Hearn avoided eyeglasses, believing they would gradually weaken his vision further). The iris was permanently discolored, and left Hearn self-conscious about his appearance for the rest of his life, causing him to cover his left eye while conversing and always posing for the camera in profile so that the left eye was not visible.

In 1861, Hearn's aunt, aware that Hearn was turning away from Catholicism, and at the urging of Henry Hearn Molyneux, a relative of her late husband and a distant cousin of Hearn, enrolled him at the Institution Ecclésiastique, a Catholic church school in Yvetot, France. Hearn's experiences at the school confirmed his lifelong conviction that Catholic education consisted of "conventional dreariness and ugliness and dirty austerities and long faces and Jesuitry and infamous distortion of children's brains." Hearn became fluent in French and would later translate into English the works of Guy de Maupassant and Gustave Flaubert.

Charles Hearn, who had left Lafcadio in the care of Sarah Brenane for the past four years, now appointed her as Lafcadio's permanent guardian. He married his childhood sweetheart, Alicia Goslin, in July 1857, and left with his new wife for a posting in Secunderabad, where they had three daughters prior to Alicia's death in 1861. Lafcadio never saw his father again: Charles Hearn died of malaria in the Gulf of Suez in 1866.

Despite Sarah's efforts, Rosa suffered from homesickness. When her husband returned to Ireland on medical leave in 1853, it became clear that the couple had become estranged. Charles Hearn was assigned to the Crimean Peninsula, again leaving his pregnant wife and child in Ireland. When he came back in 1856, severely wounded and traumatized, Rosa had returned to her home island of Cerigo in Greece, where she gave birth to their third son, Daniel James Hearn. Lafcadio had been left in the care of Sarah Brenane.

Koizumi Yakumo (小泉 八雲 , 27 June 1850 – 26 September 1904) , born Patrick Lafcadio Hearn (/h ɜːr n / ; Greek: Πατρίκιος Λευκάδιος Χερν ), was a Japanese writer of Greek-Irish descent. He is best remembered for his books about Japanese culture, especially his collections of legends and ghost stories, such as Kwaidan: Stories and Studies of Strange Things. In the United States, he is also known for his writings about New Orleans, based on his decade-long stay there.