Age, Biography and Wiki

Lari Pittman was born on 1952 in Los Angeles, California, United States. Discover Lari Pittman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 71 years old?

Popular As N/A
Occupation N/A
Age 71 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Glendale, California
Nationality United States

We recommend you to check the complete list of Famous People born on . He is a member of famous with the age 71 years old group.

Lari Pittman Height, Weight & Measurements

At 71 years old, Lari Pittman height not available right now. We will update Lari Pittman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Lari Pittman's Wife?

His wife is Roy Dowell

Family
Parents Not Available
Wife Roy Dowell
Sibling Not Available
Children Not Available

Lari Pittman Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Lari Pittman worth at the age of 71 years old? Lari Pittman’s income source is mostly from being a successful . He is from United States. We have estimated Lari Pittman's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

Lari Pittman Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Lari Pittman Wikipedia
Imdb

Timeline

2019

In 2019, Lari Pittman had a solo retrospective show titled "Declaration of Independence" at the Hammer Museum in Westwood, Los Angeles. Christopher Knight of the Los Angeles Times recalled, "For the first time, the Hammer has turned over virtually all its main exhibition spaces to a comprehensive survey of a single artist — a testament to his singular achievement and broad influence." Knight expands, "Pittman’s work is often discussed in terms of its radical commitments to adornment. Spectacular gardens, decorated eggs, blue and white porcelains, Dutch still lifes and Spanish interiors, ladies and gentlemen taking tea in drawing rooms — the list is endless, stuffed into jam-packed paintings."[3]

2014

In David Pagel's interview with Pittman, he concludes that Pittman's paintings include "imaginary organic forms, runaway arrows, and arabesques, transform ornamentation into a contemporary narrative of life and death, love and sex." He also believes "Pittman's operatic pictures propose that the world's complexity does not override passion, sincerity, and individuality." When talking about his own work, Pittman states: "at times, I purposefully orchestrate the work so that you do have that comfortable laughter when looking at it—it's full-hearted and enjoyable internally—but it's also a laughter linked to nervousness. And that's the laughter I particularly like cultivating, parlor laughter, where there's always the subtext of conversation going on, but everyone is very agreeable." Mayer Russ of Architectural Digest writes, "Pittman’s obsessions—political and personal trauma, with an incisive eye on the lamentable state of current world affairs—is a welcome tonic to the glittery, Koons-and-Hirst-variety theatrics that often dominate contemporary art discourse."

1996

In 1996 his work was the subject of a mid career survey at the Los Angeles County Museum of Art. Describing his work as "encumbered, tethered, tied-in, [and[ chaperoned,” Leah Olmen of ArtNews asserts Pittman's work is about "History and sexuality, memory and experience, philosophy and poetry, humor and rage share the stage in exquisite imbalance, the whole a manifesto against reductionism and an endorsement.[2]" Pittman is included in several esteemed art collections including the Eli and Edythe Broad collection at The Broad in Los Angeles, United States.

1976

Pittman received his MFA from Cal Arts in 1976 studying with Elizabeth Murray, Vija Celmins, and Miriam Schapiro. Afterwards, Pittman began working in the interior design business with Angelo Donghia, where he worked with music and entertainment clientele. During this time, Pittman began showing his work at Rosamund Felsen Gallery. Pittman asserts, "One of my strongest memories from those years is of how patterning and color were so relentlessly gendered." He continues, "I’d show somebody a textile or something, and a common answer would be, no, that’s too feminine, or it’s too masculine. Always within the framework of gender construction binaries." In 1985, Pittman was shot at his Silver Lake studio and recovered from gun shot wounds.[1] This experience would forever impact his work and further his determination to paint large-scale.

1963

Pittman's American father met his Colombian mother while the former was working abroad in the latter's homeland. At the age of five, Pittman's family moved back to Colombia, returning to California in 1963. In contrast to his childhood in Colombia, Pittman's experience in the United States keeps him alert to "the overwhelming hatred that is exhibited by the American population and through actual legislation against homosexuals.”

1952

Lari George Pittman (born 1952 in Glendale, California) is a Colombian-American contemporary artist and painter. Pittman is a Distinguished Professor of Painting and Drawing at the UCLA School of the Arts and Architecture.

Pittman considers himself to be an atheist. At CalArts, Pittman met his partner Roy Dowell with whom he has lived ever since. Together Pittman and Dowell lived in a 1952 Richard Neutra home called the "Dorothy Serulnic Residence" and an adjacent Michael Maltzan home. Flea (musician) of the Red Hot Chili Peppers purchased the property in 2019 for $4.25 million. Pittman currently resides in the Los Feliz neighborhood of Los Angeles.