Laurel Ulrich

Ulrich's revelatory history was honored with the Pulitzer Prize. A Midwife's Tale also received the Bancroft Prize (prompting a speech by Ulrich which compares her own diary and life to Ballard's), the John H. Dunning Prize, the Joan Kelly Memorial Prize, the Berkshire Conference of Women Historians Book Prize, the Society for Historians of the Early Republic Book Prize, the William Henry Welch Medal of the American Association for the History of Medicine, and the New England Historical Association Award. A Midwife's Tale was later developed into a docudrama film for the PBS series American Experience by producer Laurie Kahn-Levitt and director Richard P. Rogers. The film was based upon both Ulrich’s book and her archival process, and Ulrich served as a consultant, script collaborator, and narrator. The book also helped her secure a "Genius Grant" from the MacArthur Fellows Program.

In January 2017, Ulrich's book A House Full of Females: Plural Marriage and Women's Rights in Early Mormonism, was released. This text explores Mormon women living in Utah during the 19th century who had entered into plural marriages. Ulrich argues that this system was both complicated and empowering for the women in these relationships.

After completing her Ph.D., Ulrich joined the faculty at the University of New Hampshire, gradually working her way up from graduate assistant to tenured faculty member. She remained on the faculty at UNH through 1995. In 1991, Ulrich received both the Pulitzer Prize and the Bancroft Prize for her work of history, A Midwife's Tale. In 1992, the MacArthur Foundation chose Ulrich as a MacArthur Fellow.

In late 1992, Brigham Young University's board of trustees vetoed without comment a BYU proposal to invite Ulrich to address the annual BYU Women's Conference. Ulrich did give addresses at BYU in 2004 and 2006.

In a 1976 scholarly article about little-studied Puritan funeral services, Ulrich included the phrase "well-behaved women seldom make history." In its original iteration, Ulrich meant the quote to indicate that well-behaved women should make history, not to encourage women to rebel or be less well-behaved. The phrase was taken out of context and picked up and soon went viral, being widely quoted and printed across the country. It continues to be seen on greeting cards, T-shirts, mugs, plaques, and bumper stickers. She recounted how her now-famous quote has taken on a life of its own in an October 2007 interview: "It was a weird escape into popular culture. I got constant e-mails about it, and I thought it was humorous. Then I started looking at where it was coming from. Once I turned up as a character in a novel—and a tennis star from India wore the T-shirt at Wimbledon. It seemed like a teaching moment—and so I wrote a book using the title." Well-Behaved Women examines the ways in which women shaped history, citing examples from the lives of Rosa Parks, Christine de Pizan, Elizabeth Cady Stanton, Harriet Tubman, and Virginia Woolf.

In 1971, she earned a master's degree in English at Simmons College, and subsequently a doctorate in history from the University of New Hampshire, in 1980.

While she was an undergraduate student, she married Gael Ulrich, now emeritus professor of chemical engineering at the University of New Hampshire. Together they had five children: Karl (b. 1960), Melinda (b. 1963), Nathan (b. 1964), Thatcher (b. 1969), and Amy (b. 1975).

Laurel Ulrich was born on July 11, 1938 in Sugar City, Idaho, USA as Laurel Thatcher Ulrich.

The book became a landmark in women's labor history since it provides scholars with rich insights into the life of a lay American rural healer around 1800. It rests not on the observations of outsiders, but on the words of the woman herself. At first glance, Ballard's encoded, repetitive, and quotidian diary often appears trivial, but as Ulrich found, "it is in the very dailiness, the exhaustive, repetitious dailiness, that the real power of Martha Ballard's book lies... For her, living was to be measured in doing." By knitting together "ordinary" sources to produce a meaningful, extraordinary socio-cultural narrative, Ulrich shows how a skilled practitioner functioned within the interstices of the private and public spheres. The book, divided into 10 sections, takes the "dailiness" of Ballard's diary and transforms it into a rich historical source.

1796, the focus of section 6, is a physically taxing year for her and her husband. She is traveling to deliver babies in flea-infested cabins while her husband works in swamps swarming with mosquitos. Their children also have some health issues that year. In November, her husband Ephraim is at muskie-point and all of his instruments were stolen at the outset of a planned extended surveying journey - canceling the trip, he returned five days later. On the same day, consequently (or around the same time), Martha delivered her 600th baby, a milestone. Ephraim’s work continues to be difficult. Martha prays for strength to continue faring through her difficult and laborious life.

This chapter details the fifty-three deliveries Ballard performed in 1793. Ulrich emphasizes that an average of one baby a week seems easy, but Martha often sat for weeks doing nothing, and for others, facing multiple births in a short time during poor weather.

This section is concerned with the three Ballard family marriages which occurred in 1792, in which Ulrich explores the understanding of marriage and sex at this time. The mid-eighteenth century is seen as a turning point in history when children began only then to choose their own partners and Ballard’s diary entries support this. It seems as though all the Ballard marriages in 1792 were courtships chosen by the children as opposed to arrangements proposed for economic benefits. Additionally, there is pre-marital sex.

A Midwife's Tale was not only methodologically influential for scholars, but also theoretically important. By showing clearly the economic contributions that midwives made to their households and local communities, and demonstrating the organizational skill of multitasking as a source of female empowerment, the book revises the understanding of prescribed gender roles. While A Midwife's Tale is obviously limited in terms of time (1785–1812) and place (rural Maine), it has attracted sustained attention of historians—especially those interested in gender relations and wage-earning, the economic value of domestic labor, and women's work before industrialization. Ulrich invokes these contributions to historical knowledge in a 2009 interview, stating, “I don’t think anonymous people need to be included in the historical record just because of fairness or justice. Studying them more carefully makes for more accurate history,” highlighting the potential for work like hers on historically non-dominant voices. The book has also been taught as an exemplar of archival and historical work and explored in conjunction with Ulrich's own life as a historian, writer, and activist.