Age, Biography and Wiki

Lemuel Ayers was an American art director, director, and writer. He was born in New York City, New York, and began his career in the film industry in the late 1930s. He worked as an art director on several films, including The Big Sleep (1946), The Lady from Shanghai (1948), and The Man Who Knew Too Much (1956). He also directed several films, including The Big Combo (1955) and The Young Don't Cry (1957). He wrote the screenplay for the film The Big Combo, and also wrote the story for the film The Young Don't Cry. Lemuel Ayers passed away in Los Angeles, California, on April 15, 1997, at the age of 82. He was survived by his wife, two sons, and two daughters.

Popular As Lemuel DeLos Ayers
Occupation art_director,director,writer
Age 40 years old
Zodiac Sign Aquarius
Born 22 January 1915
Birthday 22 January
Birthplace New York City, New York, USA
Date of death 14 August, 1955
Died Place New York City, New York, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 22 January. He is a member of famous Art Director with the age 40 years old group.

Lemuel Ayers Height, Weight & Measurements

At 40 years old, Lemuel Ayers height not available right now. We will update Lemuel Ayers's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Who Is Lemuel Ayers's Wife?

His wife is Shirley Osborn (May 1939 - 14 August 1955) ( his death) ( 2 children)

Family
Parents Not Available
Wife Shirley Osborn (May 1939 - 14 August 1955) ( his death) ( 2 children)
Sibling Not Available
Children Not Available

Lemuel Ayers Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Lemuel Ayers worth at the age of 40 years old? Lemuel Ayers’s income source is mostly from being a successful Art Director. He is from United States. We have estimated Lemuel Ayers's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Art Director

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Timeline

1962

In the Spring of 1962, seven years after Lemuel Ayers demise, Edwin Lester and his Los Angeles/San Francisco Civic Light Opera Association, remounted the original Broadway 1953 "Kismet" production for their summer revival season. The production's original costumes and scenery had been purchased by the Dallas Light Opera and warehoused in Texas. The Lemuel Ayers Estate loaned all of the original set and costume designs, including 1/2" = 1'-0" scenic drop and set paint illustrations and conceptual designs to Edwin Lester's scenic shop. Phil Raiguel, the scenic supervisor who had painted the original production, supervised the scenic restoration; most of the scenic artists and stage carpenters employed had built and painted the original production.

1949

Won two 1949 Tony Awards for "Kiss Me Kate": for Best Producer (Musical) and Best Costumes.

1948

" (1948); "Kiss Me Kate" (1948) and "Out Of This World" (1950), both of which he co-produced; Edwin Lester's "Kismet" (1953-sets and costumes); and "Pajama Game" (1954). A prolific Broadway theatrical scenic and costume designer, Ayers was a master at creating a sense of vast spaciousness within a stage proscenium frame.

1946

Louis Woman" (1946); "Inside U. S. A.

1945

Louis", the Arthur Freed unit went into film production on "Ziegfeld Follies" (1945). Lemuel Ayers designed scenery for the film, as well, directing the musical segment "Love", which was featured in the production. During filming on "Meet Me In St.

1943

His stylized settings for "Oklahoma!" (1943), "Kiss Me Kate" (1948), and his richly beautiful settings for "Out of This World" (1950), "Kismet" (1953), were noteworthy examples of this gift. One critic suggested that despite Cole Porter's superb score and Charlotte Greenwood's memorable performance, Lemuel Ayers' settings were the "real star" of "Out of This World". Ayers sometimes designed costumes for shows, as well, but frequently collaborated with costume designer Miles White. The Arthur Freed MGM Unit and Vincente Minnelli brought Ayers to the Culver City MGM Studios to design "Meet Me in St. Louis". As was the custom with a NYC "imported Broadway theatre designer", Cedric Gibbons, MGM art department supervisor, appointed Jack Martin Smith, assigned to co-art direct the film. Upon completion of "Meet Me in St.

1942

Louis", Lemuel Ayers recommended the Alfred Lunt-Lynn Fontanne Broadway play "The Pirate" (1942-177 performances) to Vincente Minnelli and Judy Garland for his next follow up feature.

1941

Major recognition came with his costume designs for the Maurice Evans - Judith Anderson "Macbeth" in 1941.

Lemuel Ayers Broadway production designs subsequently were seen in, among others, "Angel Street" (1941); "The Pirate" (1942); "Harriet" (1943); "Oklahoma!" (1943); Edwin Lester's "Song of Norway" (1944); "Bloomer Girl" (1944); "Cyrano de Bergerac" (1946); "St.

1915

Lemuel Ayers (1915-1955), a New Yorker, studied at Princeton University and the University of Iowa before being chosen, at the age of 29, by Leonard Sillman to design the sets for the 1939 Broadway revivals of "Journey's End" and "They Knew What They Wanted".