Lewis Gordon

Gordon analyzes a variety of issues in the study of anti-black racism, such as black antiblack racists, exoticism, racial “qualities,” and theological-ethical dimensions of racism. He prefers to focus on anti-black racism instead of “white supremacy” because, he points out, that anti-black racism could exist without white supremacy. There are many people who reject white supremacy but affirm notions of black inferiority. A prime example is that there are black antiblack racists. Gordon analyzes this phenomenon through a discussion of black use of the word “nigger,” which he argues is bad faith effort at black self-exceptionalism—of, in the case of the user of the term, not being its object. Exoticism is the other extreme. It is a rejection of the humanity of black people under the pretense of loving black people. The exoticist valorizes black people because he or she regards black people as, like animals, incapable of valid judgment.

Most of these ideas first emerged in the work that gave Gordon a reputation in Fanon studies—namely, Fanon and the Crisis of European Man: An Essay on Philosophy and the Human Sciences (1995). Gordon introduced a new stage in Fanon studies by announcing that he was not interested in writing on Fanon but instead working with Fanon on the advancement of his (Gordon's) own intellectual project. Fanon was thus an occasion or point of departure but not the main object of the study. The work is, then, a statement more of Gordon's philosophy than that of Fanon, who, in this text, is more a major influence. The book offers several innovations to the question of colonialism and the human sciences. First, Gordon argues that crises are really human communities refusing to make the choices necessary for the transformation of realities created by human agency. In short, they are forms of choices against choice or choosing not to choose, which amounts to bad faith. History, he argued, must transcend the imposition of world history (and thus become structured as a crisis) and move toward an existential-historical understanding of human communities on the basis of critical good faith. Phenomena such as racism and colonialism, because they attempt to erase the humanity of the colonized and object of racism, place challenges on whether it is possible to study human communities without collapsing into acts of discursive, imperial practices.

Gordon argues that in theological form, studies of anti-black racism reveal that a particular assumption of Western ethical thought must be rejected – the notion of similarity as a condition of ethical obligation. That black woman could worship a god with whom they are neither similar nor could ever be identical demonstrates that love does not require similarity. Gordon argues that the ethical issue against anti-black racism is not one of seeing the similarity between blacks and whites but of being able, simply, to respect and see the ethical importance of blacks as blacks. The fight against racism, in other words, does not require the elimination of race or noticing the racial difference but instead demands to respect the humanity of the people who exemplify racial difference. In Existence in Black, Gordon outlines themes of black existentialism in the text's introduction. He argues that black existentialism addresses many of the same themes of European existentialism but with some key differences. For instance, although both sets argue that the notion of a human being makes no sense outside of human communities and that individuals make no sense without society and societies make no sense without individuals, European existentialists had to defend individuality more because they were normative in their societies, whereas black existentialists had to focus on community more in order to demonstrate their membership in the human community. The question of individuality for black existentialists becomes one of showing that not all black people are the same. Themes of anguish, dread, freedom, absurdity, and death are examined, as well, through the historical reality of anti-black racism and colonialism and, along with it, the meaning of black suffering and the legitimacy of black existence. The logic of anti-black racism demands blacks offering justifications for their existence that are not posed for whites.

Other ideas he borrows from Fanon are his rejection of the dialectics of recognition and his unique view on racism's impact on ethics and the concept of the Other. Like Fanon, Gordon argues that to seek white recognition leads to dependency on whites. It also means to make whites the standard of value. Yet Gordon rejects the thesis that racism is about a Self–Other dialectic. Antiblack racists do not see blacks as the Other or others, in Gordon's view. Such relations only exist between whites and whomever else they see as human beings or genuine others. Thus, the struggle against anti-black racism is ironically for blacks to become others. This displacement of otherness means that the fight against racism is governed not by moral laws but by tragic ones in which innocence becomes irrelevant. Gordon concludes the work with a look at how two scholars read Fanon's importance: Henry Louis Gates, Jr., argued that only Fanon's biography is of any contemporary interest, and that is as good literature. Cedric Robinson argued that Gates failed to see the political dimensions of Fanon's thought and that he should be read as a Marxist-oriented revolutionary. Gordon points out that both scholars were committing acts of disciplinary decadence by, in effect, condemning other disciplines for not being theirs. It was at the end of that book that the concept of disciplinary decadence was introduced. He returned to the concept most recently in his book Disciplinary Decadence (2006). Gordon's reputation in Fanon Studies grew through his co-edited anthology, Fanon: A Critical Reader (1996), and his many articles over the past decade on various dimensions of Fanon's thought. In those works, he introduced what he calls “five stages of Fanon’s studies,” and he offers a variety of unique readings of Fanon's work. He has shown connections between Du Bois and Fanon on double consciousness; he has written on how Fanon's critique of white normativity leads to the question of whether modern society has any notion of a normal black person; Fanon, he argues, seeks a coherent notion of how it is possible.

Gordon considers all of his works to be part of a humanist tradition. The role of intellectuals, in his view, is to challenge the limits of human knowledge and, in so doing, achieve some advancement in what he calls "the Geist war". For him, the importance of intellectual work could be summarized by his claim that one "achieves" as a human being for humanity but one always fails alone. Gordon's work has also been characterized as a form of existential sociology. The sociological dimensions of his writings have received much attention, and the readers of his most recent book, Disciplinary Decadence: Living Thought in Trying Times (2006), have described it as a work that is not only in philosophy (of disciplinarity) but also in education and the sociology of the formations of disciplines themselves. Gordon, however, describes what he is attempting to do as a teleological suspension of disciplinarity.

A problem of Western thought, Gordon argues, is that it has yoked reason to instrumental rationality and created an antiblack notion of reason's geographical landscape. Shifting the geography of reason, he argues, would entail a war on the kinds of decadence that treat any human community as incapable of manifesting reason. But more, Gordon argues that reason is broader than rationality since it must be used to assess rationality. Rationality could only attempt to impose consistency on reason, but the reason could point out that maximum consistency, although rational, may be unreasonable. Gordon's recent work has been a development of these issues. His co-edited books with Jane Anna Gordon, Not Only the Master's Tools: African-American Studies in Theory and Practice (2005) and A Companion to African-American Studies (2006), offer some important new concepts in the ongoing development of his thought. In the first, he offers a comprehensive treatment of African-American philosophy and the importance of Africana existential phenomenological thought through a critique of Audre Lorde's admonition of using the master's tools. The two Gordons' response is that (1) tools should not only be used to tear down houses but also to build them up; (2) the master's tools are not the only tools available; and (3) the construction of alternative houses (theoretical models, philosophies) could decenter the value of the master's house, denuding it of mastery. In his essay "African-American Philosophy, Race, and Racism", which is his main contribution in that volume, he provides a comprehensive and concise statement of his work to date. In the introduction to the Companion, he and Jane Gordon formulate a theory of African-American Studies as a form of double consciousness. But the key here is the introduction of their concept "the pedagogical imperative". This imperative refers to a teacher's duty to learn and keep learning the broadest and most accurate picture of reality available to humankind. The editors also advance a theory of internationalism, localism, and market nihilism in the face of the rise of an independent managerial class to describe the dynamics of the contemporary academy.

Gordon points these dynamics out through discussions of W. E. B. Du Bois's observation that black people are often treated as problems instead of people who face problems in the world and Frantz Fanon's call for black people to become actional through transcending the dialectics of seeking white recognition. Gordon also argues that black existential philosophy is an area of thought, which means that contributions to its development can come from anyone who understands its problematics. In other words, one does not have to be black to contribute to this area of thought. Existence in Black reflects his point since it has articles by other authors from a variety of racial and ethnic backgrounds discussing themes ranging from African and Afro-Caribbean existential struggles with beliefs in predestination to black feminist struggles with postmodern anti-essentialist thought. Gordon's chapter in the book focuses on the problem of black invisibility, which he points out is paradoxical since it is a function of black people being hyper-visible. Gordon's place in this area of thought was solidified in 2000 with the publication of his book Existentia Africana: Understanding Africana Existential Thought. That book explores themes of existence—which he points out, from its Latin etymology, means to stand out or to appear—over the course of examining a set of new philosophical themes that emerge from their convergence with realities faced by African diasporic peoples. Gordon argues that traditional philosophical questions are not the only ones that philosophers should look at. Gordon examines, as a matter of philosophical interest, topics ranging from the stratification of blacks in biographical discourses to the difficulty of studying black people as human beings. He rejects the notion that existential philosophy is incompatible with religious thought. To support his position, he examines how religion poses not only unique questions of paths to be taken in struggles for liberation, but also of the conditions that make religious practices such as worship possible. He ends that work with a reflection on writing, in which he advances his own commitment to transcendental philosophical approaches, those, in other words, that explore the conditions by which and through which certain phenomena are able to manifest themselves or become possible. Crucial here is that Gordon does not pit existential philosophy against transcendental philosophy but, instead, argues for both.

Gordon's writings have continued expansion of his and related philosophical approaches and lexicon. In his book of social criticism, Her Majesty's Other Children: Sketches of Racism from a Neocolonial Age (1997), he explored problems in critical race theory and philosophy and introduced one of his most famous thought experiments. In the chapter "Sex, Race, and Matrices of Desire", Gordon purports to have created a racial-gender-sex-sexuality matrix and used it to challenge our assumptions of the mixture. A white woman in that matrix, for instance, is mixed because her whiteness makes her masculine but her womanness makes her black. Or certain relationships are transformed, where same-sex interracial relationships are not necessarily homosexual or lesbian ones. What is striking about the book is a theme that some of his critics noticed in his earlier books, and that is the role of music in his prose and analysis. Gordon here builds on his argument about the everyday in his earlier work to argue that danger of most theories of social transformation is that they fail to take seriously the aesthetic dimensions of everyday life. Moral and political thought and economy are good at constructing contexts in which people could sustain biological and social life, but they are terrible at articulating what it means to live in a livable world. Gordon argues that a genuinely emancipatory society creates spaces for the ordinary celebration of everyday pleasure. In his more recent work, Gordon has been arguing about the geography of reason and the importance of contingency in social life. However, it needs to be noted that the legitimacy of his "mixture-matrix" is largely dependent upon his controversial applications of semiotics to race and gender.

Gordon is considered among the leading scholars in black existentialism. He first came to prominence in this subject because of his first book, Bad Faith and Antiblack Racism (1995), which was an existential phenomenological study of anti-black racism, and his anthology Existence in Black: An Anthology of Black Existential Philosophy (1997). The book is written in four parts, with a series of short chapters that at times take the form of phenomenological vignettes. Bad faith, as Gordon reads it, is a coextensive phenomenon reflective of the metastability of the human condition. It is a denial of human reality, an effort to evade freedom, a flight from responsibility, a choice against choice, an assertion of being the only point of view on the world, an assertion of being the world, an effort to deny having a point of view, a flight from displeasing truths to pleasing falsehoods, a form of misanthropy, an act of believing what one does not believe, a form of spirit of seriousness, sincerity, an effort to disarm evidence (a Gordon innovation), a form of sedimented or institutional version of all of these, and (another Gordon innovation) a flight from and war against social reality. Gordon rejects notions of disembodied consciousness (which he argues are forms of bad faith) and articulates a theory of the body-in-bad-faith. Gordon also rejects authenticity discourses. He sees them as trapped in expectations of sincerity, which also is a form of bad faith. He proposes, instead, critical good faith, which he argues requires respect for evidence and accountability in the social world, a world of intersubjective relations.

Gordon graduated in 1984 from Lehman College, CUNY, through the Lehman Scholars Program, with a Bachelor of Arts degree, magna cum laude and as a member of Phi Beta Kappa. He completed his Master of Arts and Master of Philosophy degrees in philosophy in 1991 at Yale University, and received his Doctor of Philosophy degree with distinction from the same university in 1993. Following the completion of his doctoral studies, Gordon taught at Brown University, Yale, Purdue University, and Temple University, where he was the Laura H. Carnell Professor of Philosophy in the Department of Philosophy with affiliations in Religious and Judaic Studies. He is currently Professor of Philosophy and Africana Studies, with affiliations in Judaic Studies and the Caribbean, Latino/a, and Latin American Studies, at the University of Connecticut at Storrs. He also is Visiting Euro philosophy Professor at Toulouse University, France, and Nelson Mandela Visiting Professor in Political and International Studies at Rhodes University in South Africa (2014–2016).

Lewis Ricardo Gordon (born May 12, 1962) is an American philosopher at the University of Connecticut who works in the areas of Africana philosophy, existentialism, phenomenology, social and political theory, postcolonial thought, theories of race and racism, philosophies of liberation, aesthetics, philosophy of education, and philosophy of religion. He has written particularly extensively on Africana and black existentialism, postcolonial phenomenology, race and racism, and on the works and thought of W. E. B. Du Bois and Frantz Fanon. His most recent book is titled: What Fanon Said: A Philosophical Introduction To His Life And Thought.