Linda Solomon

After 39 years living in New York's Greenwich Village, Solomon relocated to Houston, Texas in 1999.

In addition to work as a publicist for Chess Records, Solomon was the New York editor of NME during the 1970s. She has been a freelance contributor to numerous magazines and newspapers, including Celebrity, Country Music, Crawdaddy!, Down Beat, Hit Parader, NME, The News World, Nostalgia Illustrated, SoHo Weekly News and Us. Reviewing country singer-songwriter James Talley for the February 4, 1979 issue of The News World, she wrote:

She has written liner notes for folk music recordings, such as All Star Hootenanny (Columbia, 1964), along with liner notes for such recording artists as Charlie Byrd, John Handy, Mahalia Jackson and Charlie Rich.

In 1963-64, Solomon edited ABC-TV Hootenanny, a magazine featuring the folk musicians who appeared on the television series Hootenanny, telecast on ABC from April 6, 1963 to September 12, 1964. For one of the magazine's cover stories she interviewed Chad Mitchell and asked, "I've heard criticism of the Chad Mitchell Trio to the extent that politics and entertainment don't mix, that people come to a club or concert to be entertained and not to be confronted with the troubles of the world. Do you feel that your group is becoming too messagey?"

"The Bet" is a memoir by Ted White describing Harlan Ellison, Linda Solomon and others involved in a curious incident at 95 Christopher in 1960. White wrote:

She began doing record reviews in the early 1960s. Her Village Voice review of The Freewheelin' Bob Dylan (1963) has been quoted in several books, including David Hajdu's Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña (Farrar, Straus and Giroux, 2001):

Linda Solomon (born May 10, 1937, Boston, Massachusetts) is an American music critic and editor. Although she has written about various aspects of popular culture, her main focus has been on folk music, blues, R&B, jazz and country music. Living at 95 Christopher Street in Greenwich Village during the early 1960s, she became a columnist for The Village Voice, capturing Village night life in club reviews for the weekly "Riffs" column.