Age, Biography and Wiki
Lindsay Seers was born on 27 September, 1966 in Mauritius. Discover Lindsay Seers's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 58 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
58 years old |
| Zodiac Sign |
Libra |
| Born |
27 September 1966 |
| Birthday |
27 September |
| Birthplace |
Mauritius |
| Nationality |
Mauritius |
We recommend you to check the complete list of Famous People born on 27 September.
She is a member of famous with the age 58 years old group.
Lindsay Seers Height, Weight & Measurements
At 58 years old, Lindsay Seers height not available right now. We will update Lindsay Seers's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Lindsay Seers Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Lindsay Seers worth at the age of 58 years old? Lindsay Seers’s income source is mostly from being a successful . She is from Mauritius. We have estimated
Lindsay Seers's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
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Lindsay Seers Social Network
Timeline
Nowhere Less Now 2: in 'The Red Queen' MONA (Tasmania, Australia) (2014) https://www.mona.net.au/what%27s-on/exhibitions/
Entangled 2: Turner Contemporary, Margate (2012); Matt's Gallery, London (2013) Review: Charmian Griffin, Time Out, 24 October 2013
Monocular: Lofoten International Art Festival (2011); Quad, Derby (2013); Galleri Festiviteten, Oslo (2012); Kunstverein, Freiburg (2012); Sami Art Centre, Karasjok, Norway (2014) Review: Robert Clark & Skye Sherwin, ‘The best exhibitions of 2013’ The Guardian, 21 December 2013
Nowhere Less Now: Artangel, Tin Tabernacle, London (2012) Review: Ben Luke, London Evening Standard, 20 September 2012 Review: Laura McLean-Ferris, The Independent, 4 September 2012
It has to be this way 2: National Gallery Denmark, SMK (2010); Baltic, Gateshead (2011); Mead Gallery, Warwick (2010). Review: Paul Usherwood, Lindsay Seers: It has to be this way², Art Monthly, Issue 345, April 2011
Seers is associated with a genre defined by Mike Brennan as Neo-Narration. Nicolas Bourriaud in his book Altermodern (Tate Triennial 2009) describes her work as ‘ceaselessly re-editing the documentary of her life as a black woman in modern day Britain’, although in fact her works use biography more widely as a locus for a complex intertwining of events.
Her work Extramission 6 was acquired by the Tate in 2009.
The Truth Was Always There: The Collection, Lincoln (Sep 2006 – Jan 2007); Smart Project Space, Amsterdam (2007); Thurgau, Ittengen, Switzerland (2010); Lofoten International Art Festival, Norway (2011). Arts Council Collection. Review: Rosalie Doubal, Lindsay Seers: Human Camera, Interface, 15 November 2009
It has to be this way 1: Matt's Gallery, London (21 January–15 March 2009); FACT Liverpool (2010); Aspex, Portsmouth (2010); Nikolaj Art Centre, Copenhagen (2010–2011) Review: Rebecca Geldard, ArtReview magazine, Issue 31, ArtReview magazine, Issue 31 p. 116
Extramission 6: Smart Project Space, Amsterdam (2007); Bonniers Kunsthalle, Stockholm (2012); Kiasma, Helsinki (2012); Tate Britain (2009); TPW Toronto (2011) Review: Jorg Heiser, Frieze magazine, April 2009
She studied at the Slade School of Fine Art (BA Hons, Sculpture and Media 1991–94) and at Goldsmiths College (MA Fine Art 1999–2001).
Lindsay Seers (born 1966) is a British artist living and working in London. Her installation Extramission 6 (Black Maria) was included in Nicolas Bourriaud's Tate Triennial, 'Altermodern' in 2009. She was recently awarded the Derek Jarman Award with a commission of four short films for Channel 4; the Paul Hamlyn Award in 2010 and the Sharjah Art Foundation Award in 2012. She is represented by Matt's Gallery, London.
Seers was born in 1966 in Mauritius into a naval family. Seers didn't speak until she was seven years old after the family's departure from the island. During this time her mother claims her daughter possessed an eidetic memory (otherwise known as photographic memory) so vivid that she felt no need for verbal communication. She first spoke after seeing a photographic portrait of herself, which prompted her to ask "is that me?" Upon learning to speak she seems to have lost her ability of eidetic recall, and by the age of nine she became obsessively interested in photography. Seers found comfort behind the lens of the camera and used photography to recapture the immediacy of sensation that she enjoyed in the images of her eidetic memory. Issues of memory continued to haunt her work particularly after the loss of her step-sister Christine Parkes with whom she often collaborated. Christine was involved in a moped accident in 2001 and subsequently went missing in Rome. She has never been since.
