Luis Van Rooten

In addition to his talents as a stage, screen, radio and television actor, van Rooten was an accomplished artist and author of three sophisticated humor books: "Van Rooten's Book of Improbable Saints" (Viking, 1975); "The Floriculturist's Vade Mecum of Exotic and Recondite Plants, Shrubs and Grasses, and One Malignant Parasite" (Doubleday, 1973); and "Mots D'Heures: Gousses, Rames" (Viking, 1967). Of the three, "Mots D'Heures" is the most brilliant. In it, van Rooten uses actual French words and phrases which, when spoken aloud, become Gallic Mother Goose Rhymes.

In later years (the 1960s), Van Rooten was seen less and less. He eventually retired during the decade to become an author and expert on horticultural subjects. He also enjoyed painting as a creative sideline.

Occasionally played on Broadway including Eugene O'Neill's "A Touch of the Poet" in 1958 and John Osborne's "Luther" in 1963.

He played fight manager Knobby Walsh in the popular 50s TV series , "The Joe Palooka Story" (1955).

_ He is remembered by 50s TV fans as the fight manager in "The Joe Palooka Story"(1954-55). His slick, cultivated tones were utilized quite frequently in various documentaries and narrative projects.

One notable exception from the usual villainous typecast was his role as a plainclothes cop in the classic film Detective Story (1951).

By the 1950's Van Rooten had moved with ease into TV drama, performing in a number of live dramas during its vital "Golden Age.

" His regular work in TV series included One Man's Family (1949) and _"Major Dell Conway of the Flying Tigers" (1951).

Robinson in Night Has a Thousand Eyes (1948) and Kirk Douglas in "Champion" (1949).

In between he backed up the various studio's top stars including Alan Ladd in the rugged adventures Two Years Before the Mast (1946), Beyond Glory (1948) and Saigon (1947); Ray Milland and Charles Laughton in the exceptional film noir The Big Clock (1948);, Edward G.

Ethnic bald-domed character actor Luis Van Rooten was born November 29, 1906, in Mexico City, but raised in the United States and would become known in post-war Hollywood as a specialist in multiple dialects. Studying at the University of Pennsylvania, he received his B. A. and set up a sturdy practice as an architect before making a dramatic transition into acting sometime during WWII. He built up his reputation initially on stage at the Cleveland Playhouse, then in radio serials, notably playing the titular sleuth in "The Adventures of Nero Wolfe. " He also did special French, Italian and Spanish broadcasts during the warAfter serving in the Armed Forces, he settled into post-war films, playing outright villains or slick, shady suspects.

Interestingly, he bookended his film career impersonating the nefarious Nazi ringleader Heinrich Himmeler (1900-1945), who organized the extermination of millions of Jews during the Third Reich, in the films Hitler's Madman (1943) and Operation Eichmann (1961).