Luke Matheny

Matheny's first feature film writing credit, A Birder's Guide to Everything, a coming-of-age comedy that was co-written with Rob Meyer, was released by Focus World and Screen Media on March 21, 2014.

Matheny's feature film directorial debut, Lovesick (2014), a romantic comedy starring Matt LeBlanc, was released in theaters and on demand in 2015.

For his thesis project at NYU, Matheny wrote, directed and starred in the Academy Award-winning film, God of Love. The film is a comedy about a lounge-singing darts champion Raymond Goodfellow (portrayed by Matheny) "who finds his prayers are answered – literally – when he receives a mysterious package of passion-inducing darts." The catch is that the woman he loves, a drummer in his band, is in love with Ray's best friend, the guitarist in the band. Matheny funded God of Love with a combination of student loans, his savings and some production grants, and shot the film in 10 days. Matheny described the bohemian feel he sought to establish for the film as follows:

Between 2013 and 2015, Matheny also directed ten episodes of the comedy television series Maron.

On February 27, 2011, Matheny won the Academy Award for Best Live Action Short Film for "God of Love." The film had previously been rejected by Sundance and Slamdance. In a pre-Oscars interview, Matheny noted, "The Oscar nomination means a lot to me. I've been kind of a psycho Oscar fan my whole life and even, at one point, memorized every Best Picture winner -- which is still a pretty good party trick -- so to actually get a nomination is an amazing event in my life."

Matheny moved to New York in 2004 and enrolled at NYU Tisch School of the Arts as a graduate student in the film program. His first student film at NYU was Earano, a comic twist on Cyrano de Bergerac, with the title character having unusually large ears instead of a large nose. Earano won the King Award for Screenwriting at the NYU First Run Festival and Best Student Short at the Dam Short Film Festival in Boulder City, Nevada. In its review of Earano, New York Magazine wrote: "One of our favorites of recent years comes in the form of Earano, a charming and hilarious short film directed by and starring Luke Matheny, in which our lead hero has not a giant proboscis but two giant ears, and longs for a beautiful librarian (Emily Young), who has eyes for a hunky Ukrainian janitor."

In 1998 Matheny developed a plan with three friends to shoot a movie about three under-appreciated losers from Chicago who quit their jobs, move to Paris, and become street musicians. Matheny and his friends quit their jobs, moved to Paris, and started shooting the film in May 2001. The film premiered at the 2003 Wilmington Independent Film Festival. Matheny recalled, "It was weird; we hit the ground and started casting people off the street. We were hanging out with Parisian models. It was like this weird Cinderella experience. At the end of it we were all completely broke and living with our parents. ... There're probably 33 funny minutes in it, but we really had no idea what we were doing at all. And at some point I decided that I really wanted to keep doing this."

Matheny was born in Mechanicsburg, Pennsylvania and raised in Wilmington, Delaware, the son of DiAnn and Mat Matheny, a pipe welder and furniture designer. He graduated from Wilmington's Concord High School in 1993 and received a Bachelor of Science degree in 1997 from Northwestern University's Medill School of Journalism.

Luke Matheny (born December 23, 1976) is an American actor, writer, and director. Matheny is an Academy Award winner, receiving the Academy Award for Best Live Action Short Film for God of Love.

"I'm a huge jazz fan, and I've always loved jazz photography from the 1950s and '60s. I knew that the film would open in a kind of bohemian-ish jazz setting, so I thought that this kind of black-and-white visual treatment would give the movie an overall cool, romantic, nostalgic quality. And, of course, my cinematographer Bobby Webster was a key player in helping me bring that idea to life. We looked at lots of films that featured jazz scenes: 'I Want to Live!' and 'Paris Blues' were two visual touchstones, in particular. The French New Wave was an aesthetic influence, as well, in some of the film's montage scenes."