Age, Biography and Wiki
Maria Pallante was born on 5 February, 1964, is an Attorney. Discover Maria Pallante's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 60 years old?
| Popular As |
N/A |
| Occupation |
Attorney |
| Age |
60 years old |
| Zodiac Sign |
Aquarius |
| Born |
5 February 1964 |
| Birthday |
5 February |
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on 5 February.
She is a member of famous Attorney with the age 60 years old group.
Maria Pallante Height, Weight & Measurements
At 60 years old, Maria Pallante height not available right now. We will update Maria Pallante's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Maria Pallante Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Maria Pallante worth at the age of 60 years old? Maria Pallante’s income source is mostly from being a successful Attorney. She is from . We have estimated
Maria Pallante's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Attorney |
Maria Pallante Social Network
Timeline
On October 21, 2016, Pallante was abruptly removed from her position. Librarian of Congress Carla Hayden said she had been appointed senior advisor for digital strategy, an appointment made without Pallante's prior knowledge. Rather than accept the position, Pallante submitted her resignation on October 24, 2016. Recording artist Don Henley said Pallante’s ouster was “an enormous blow” to artists, and that Pallante was "a champion of copyright and stood up for the creative community." . Pallante was criticized by public interest groups for having supported controversial legislation such as the Stop Online Piracy Act, having objected to a proposal by the FCC to enable an open platform for television set-top boxes, based on consultation with the content industry, and the Office having spent $12 million over five years on a failed attempt to implement a new computer system at the Copyright Office. Karyn Temple became acting register of copyrights.
Prior to her appointment, Pallante had served in the Copyright Office as Associate Register for Policy and International Affairs (2008–2010); Deputy General Counsel (2007–2008); and Policy Advisor (1996–1997).
Aside from working for the Copyright Office, Pallante had been intellectual property counsel for the Guggenheim Museums (1999-2007), Executive Director of the National Writers Union (1993-1995), and Assistant Director of the Authors Guild (1991-1993).
Maria A. Pallante (born February 5, 1964) is the president and chief executive officer of the Association of American Publishers, a publishing industry trade association. Pallante is an American attorney who previously served as the 12th United States Register of Copyrights. She was appointed Acting Register effective January 1, 2011, succeeding Marybeth Peters, who retired effective December 31, 2010. On June 1, 2011, she was appointed to the position which was intended to be permanent.
Shortly after becoming the Register of Copyrights, Pallante proposed an ambitious plan to reinvent and update copyright law and move the Copyright Office into the 21st century. In her paper, titled The Next Great Copyright Act she states in part "it is difficult to see how a twenty-first century copyright law could function well without a twenty-first century agency". In a letter to congressman John Conyers Jr. she said that the copyright office should no longer be part of the library, citing several concerns including "mounting operational tensions."
