Age, Biography and Wiki

Marie Étienne was born on 1938 in France, is a poet. Discover Marie Étienne's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 85 years old?

Popular As N/A
Occupation Novelist
Age N/A
Zodiac Sign
Born 1938
Birthday 1938
Birthplace France
Nationality France

We recommend you to check the complete list of Famous People born on 1938. She is a member of famous poet with the age years old group.

Marie Étienne Height, Weight & Measurements

At years old, Marie Étienne height not available right now. We will update Marie Étienne's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Marie Étienne Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Marie Étienne worth at the age of years old? Marie Étienne’s income source is mostly from being a successful poet. She is from France. We have estimated Marie Étienne's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income poet

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Timeline

2009

Marie Étienne is a French poet and novelist. In 2009, her book Roi des cent cavaliers (published in France in 2002) and now translated into English as King of a Hundred Horseman won the PEN Award for Poetry in Translation. Étienne is the author of eleven books of poems and nine books of prose, which her translator Marilyn Hacker says "could be variously classed as fiction, memoir, and cultural history, some partaking of all three".

1979

From 1979 to 1988, Marie Étienne worked as assistant to the innovative French theater director Antoine Vitez, whose courses on the theater she had followed as part of her doctoral thesis research, at the Théâtre d’Ivry and the Théâtre national de Chaillot. Her work with Vitez, including transcriptions of her notebooks of the era, resulted in Antoine Vitez: Ie roman du théâtre (2000), a book Hacker describes as "in a genre Americans would call literary memoir published a decade after the director’s death and almost twenty years after their collaboration. It offers an invaluable aperçu of a collaborative artistic endeavor and a signal era in contemporary French theater".

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