Age, Biography and Wiki
Mario Davidovsky was born on 4 March, 1934 in Médanos, Buenos Aires Province, Argentina, is a composer. Discover Mario Davidovsky's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 85 years old?
| Popular As |
N/A |
| Occupation |
Composer |
| Age |
90 years old |
| Zodiac Sign |
Pisces |
| Born |
4 March 1934 |
| Birthday |
4 March |
| Birthplace |
Médanos, Buenos Aires Province, Argentina |
| Date of death |
(2019-08-23) New York City |
| Died Place |
New York City |
| Nationality |
Argentina |
We recommend you to check the complete list of Famous People born on 4 March.
He is a member of famous composer with the age 90 years old group.
Mario Davidovsky Height, Weight & Measurements
At 90 years old, Mario Davidovsky height not available right now. We will update Mario Davidovsky's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Mario Davidovsky Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Mario Davidovsky worth at the age of 90 years old? Mario Davidovsky’s income source is mostly from being a successful composer. He is from Argentina. We have estimated
Mario Davidovsky's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
composer |
Mario Davidovsky Social Network
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Timeline
Davidovsky married Elaine Blaustein in 1962; she died in 2017. They had two children, and three grandchildren. He died in New York City on August 23, 2019 at the age of 85.
In 1982, Davidovsky was elected a member of the American Academy of Arts and Letters.
Davidovsky's association with the Columbia-Princeton Electronic Music Center continued, and from 1981 to 1993 he was the lab's director as well as professor of music at Columbia. In 1994 he became professor of music at Harvard. During his career, Davidovsky has also taught at many other institutions: University of Michigan (1964), the Di Tella Institute of Buenos Aires (1965), the Manhattan School of Music (1968–69), Yale University (1969–70), and the City College of New York (1968–80).
Most of his published compositions since the 1970s have been nonelectronic. His only published electroacoustic compositions since that time are Synchronisms No. 9 (1988) and Synchronisms No. 10 (1992). However, Davidovsky received a commission by a group led by the Society for Electro-Acoustic Music in the United States (SEAMUS) to compose two more electroacoustic works in the Synchronisms series. No. 11 and No. 12 premiered in 2007 at the SEAMUS National Conference in Ames, Iowa.
In 1958, he studied with Aaron Copland and Milton Babbitt at the Berkshire Music Center (now the Tanglewood Music Center) in Lenox, Massachusetts. Through Babbitt, who worked at the Columbia-Princeton Electronic Music Center, and others, Davidovsky developed an interest in electroacoustic music. Copland encouraged Davidovsky to emigrate to the United States, and in 1960, Davidovsky settled in New York City, where he was appointed associate director of the Columbia-Princeton Electronic Music Center. It was at that time he began to compose electo-acoustic works called Synchronisms.
Mario Davidovsky (March 4, 1934 – August 23, 2019) was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.
