Mary Sibande

Sibande has used her work to expose many different things, from postcolonial South Africa to stereotypes of women as well as stereotypes regarding black women in South Africa. Her work contains multiple types of mediums such as sculpture, photography, design, collage, and even theatrics. Sibande’s painting and sculpture uses the human form to explore the construction of identity in a postcolonial South African context, but also attempts to critique stereotypical depictions of women, particularly black women. Her work has been exhibited in the South African Pavilion at the 2010 Venice Biennale, and her work Long Live the Dead Queen was found in murals all over the city of Johannesburg in 2010. In 2016, her work The Purple Shall Govern toured South Africa. Sibande has also used her artwork to focus on giving voiceless people their voice back. Some have even said that her work confronts the very inkling of a disempowered African female and that her work aims to crack the morse code associated with western ideals of beauty and how they can appeal to black women.

Sibande's work is well known for both her whimsy and theatrics. The theatrics of her work plays a big role in how she showcases and portrays her characters as well as her messages. In an article by Leora Farber the author makes an analysis that many other critiques have said, "Sibande’s theatrical quotations of the language of dress and use of dramatic poses may be related to photographic representations of the Victorian female hysteric in various stages of a hysterical attack, in that they both evoke a sense of excess." The use Sibande has for positioning her sculpture, in addition to all of the other components of her work are to evoke an impression on the viewer.

Sibande was born in Barberton in apartheid South Africa and was raised by her grandmother. Her mother was a domestic worker herself, and her father was in the South African Army. She did not know her father when she was younger but got to know him when she was a teenager. Because her mother was a domestic worker she pays homage to domestic workers with her artworks. Artworks such as the ones from her exhibit, "Long Live the Dead Queen". Sibande would describe her childhood as being perfect; she states that "‘I had everything I needed, and I went to a good high school which was multiracial. Many families couldn’t afford to send their kids there but I was fortunate that my mum was able to. I guess that also pushed me in a certain direction."

Sibande has used photography to capture and construct her artworks. In 2013 she had seven enlarged photographs of her work displayed on the streets of French suburbs such as Ivry-sur-Seine, Vitry-sur-Seine and Choisy-le-Roi. Photography has not only played a big part on her big public displays but also in her day-to-day work. Sibande takes into consideration how her work will be photographed which is reflected in how she presents and structures her works and installations. Many of her shows include both a display of her sculptures as well as photographs she's taken of her work or installations.

At first, she would make little figures out of clay and that was about the full extent of artworks at the time. In the end, she would with the art route; however, Sibande states, "...I can now marry the two worlds – fashion and fine art aren’t far off from each other." Later on Sibande background and knowledge with sculpture became an extensive one. With exhibits such as her "Long Live the Dead Queen Series" in 2013, one is able to see the beginning of her character "Sophie" who is one of her best known and reappearing character in her sculptures. Sophie, the main feature in all of her works is a sculpture. Sophie is molded after Sibande herself and is like her alter-ego. Sibande's sculpture draws energy from the long history of female domestic workers, during the apartheid and post-apartheid. The sculpture, Sophie, attempts to critique the long history of oppression in South Africa, specifically regarding black women in South Africa.

Furthermore, Sibande takes Sophie into different exhibits throughout the years. She first portrays Sophie in her “Long Live the Dead Queen” exhibition from 2009–2013. "Long Live the Dead Queen" portray Sophie as a maid who is reclaiming who she post-colonialism. She is then brought back again in a different setting in “The Purple Shall Govern” in 2013–2017. This exhibit is when Sibande allows the "new" Sophie to come out and express herself. The exhibit takes a place of an installation which takes over the space. Finally Sophie makes a reappearance with Sibande's most current series, “I Came Apart at the Seams” which takes place from 2019 to the present.

Sibande received her diploma in Fine Arts from the Technikon Witwatersrand in 2004. She obtained a B-tech degree from the University of Johannesburg in 2007." At first Sibande wanted to be a fashion designer and art was more of an afterthought. Her aspirations of being a fashion designer are still prominent throughout all of her works. The usage of fashion and design are all over and displayed beautifully throughout every single one of her sculptures. In 2001, Sibande moved in with her mother to Johannesburg where she was studied at Witwatersrand Technikon.

Mary Sibande (born 11 April 1982) is a South African artist, based in Johannesburg. Her art consists of sculptures, paintings, photography, and design. Sibande uses these mediums and techniques to help depict the human form and explore the construction of identity in a postcolonial South African context. In addition, Sibande focuses on using her work to show her personal experiences through Apartheid. Her art also attempts to critique stereotypical depictions of women, particularly black women.