Max Afford

In early 1960, Thelma Afford endeavoured to obtain a Commonwealth Literary Fund grant to support posthumous publication of a book of Max Afford's stage plays. Tom Inglis Moore, who was in charge of the negotiation of its guarantee, was from 1945 to 1971 a member of the Fund's advisory board. He championed the cause of hundreds of authors and numerous literary journals, and acted as an advocate for left-wing writers in the 1950s. Freddie Howe, head of HarperCollins, proposed the CLF sponsor a collection of three plays and submitted it to Mr. W. R. Cumming, Secretary of the CLF, along with the manuscripts. The amount required for guarantee varies from about £80 to £100 for small works up to £500 or more for very large works, while Thelma thought of a guarantee from £200 to £300. Howe was doubtful about publishing the plays since the amount of publishing and preadvertising costs had been far heavier than his expectation. Moore, however, considered it practical and beneficial as CLF had just approved a new scheme of helping publishers with literary, not commercial, books. Collins should not lose out for the publication. Thelma then gave a book of Afford's radio plays to Sam Ure Smith, an Australian arts publisher and promoter, just in case Freddie was disinclined to publish the stage plays. At this stage, Thelma insisted on both volumes (the stage plays and the radio plays produced on the ABC) be published. In May, Howe agreed to go ahead with a book of stage plays providing he can obtain the Commonwealth of Australia's sponsorship. With this promise, Thelma decided to drop the attempt to publish radio plays with Sam Ure Smith. In June, Collins brought forward this collection of stage plays with two purposes in mind: First, to present a prestige book as a memorial to the late Max Afford, who won outstanding success as both stage and radio dramatist; Second, to make the plays available in published form for the repertory theatres. Howe submitted the proposition to CLF. The proposition is "quite unacceptable", said Tom Inglis Moore, "Lowe's guarantee requested of £1114 is far too high and cannot be entertained. The size of the edition is too large at 2,500 and the retail price too high at £35." He recommended altering the proposition either by omitting Dark Enchantment to cut down the volume and the costs and to give a better balance of light and serious plays, or by replacing the collection with a series of single volumes suitable for the repertory societies to perform.

Afford died of cancer on 2 November 1954 at Mosman, Sydney, and was cremated. Thelma Afford survived him until 1996.

Afford's radio plays and serials have been re-broadcast in Canada, England, South Africa, New Zealand, Poland, and Egypt. His radio plays have been produced by the Canadian Broadcasting Corporation, as well as by BBC London, by Lux Radio Theatre in South Africa, by the National Broadcasting Service in New Zealand, and also in Cairo. The BBC, for example, bought his serial Fly By Night and his radio plays Labours of Hercules, Oh, Whistle When You're Happy, The Four Specialists and For Fear of Little Men. Lady in Danger was the second play by an Australian dramatist ever to be performed at a Broadway theatre in front of an American audience. Consulting Room was broadcast in South Africa in 1954, in both English and Afrikaans, by the Lux Radio Theatre. It is a one-actor serious play about the love between the young couple who try to commit suicide. It Walks By Night was also broadcast in English and Afrikaans. In 1937, the Geneva Conference selected The Four Specialists for translation into Polish to be broadcast by Polskie Radio.

Lux Radio Theatre, in South Africa, wrote to Afford in 1954 expressing their pleasure at his play Consulting Room, and asked him for more of his radio plays.

In 1952, Afford signed a contract with the A.B.C. engaging his services as a radio writer for 26 weeks, during which time he was to write five 15-minute installments based on immigration, as a serial on 5 days of the week, twice per day if required.

Other radio plays included Lazy in the Sun and Out of This Nettle, and the long-running 1951 A.B.C. serial, Stranger Come In, which explored the subject of immigration.

Afford was president of the Sydney PEN Club in 1950. His play, Dark Enchantment, toured England's provincial theatres in 1950.

In 1945, Afford created an all-time record in Australian theatrical history by having two three-act plays presented professionally by the J. C. Williamson theatre company at the Theatre Royal, Sydney. These two plays were Lady in Danger and Mischief in the Air, and were presented within two months of one another – a significant feat, as prior to the production of Lady in Danger, Williamson had not presented a locally written play for 20 years.

In 1942, Afford resigned from the ABC and joined the radio station 2GB, for whom he wrote two long-running commercial serials: First Light Fraser (400 episodes), and Digger Hale's Daughters (208 episodes).

Afford's play Lady in Danger (1942), successfully produced at Sydney's Independent Theatre by Doris Fitton, was then staged by J. C. Williamson Ltd and was staged in the US, adapted to American tastes by Jack Kirkland. The Broadway production received poor reviews and closed after 12 performances. He also wrote Mischief in the Air and co-wrote with Ken G. Hall the story for the Columbia Film Corporation's film, Smithy (1946), based on the aviator Sir Charles Kingsford Smith.

Max married Thelma Thomas on 16 April 1938 at St Michael's church, Vaucluse, Sydney. Thelma, a costume designer whom he met on the set of Colonel Founder / Awake my Love two years earlier, was originally from Broken Hill, then Adelaide, and had moved to Sydney to design the costumes for the New South Wales sesqui-centenary pageant. Max and Thelma did not have children.

After winning the centenary competition in Adelaide, he moved to Sydney in 1936, on contract to the Australian Broadcasting Commission (ABC) as a playwright and producer in the Federal Productions Department.

Afford was one of the first contract writers to be engaged by the ABC. In 1936, he won three playwriting awards, and was appointed Staff Dramatist by the ABC, with whom he was contracted for six years. During this time he wrote 30 one-and-a-half-hour plays, 15 serials, more than 100 play adaptations, and produced a number of his own plays. From 1941 he wrote children's and adult radio serials including Hagen's Circus (800 episodes) for radio 2GB and 2UE.

The South Australian Tourism Commission said of its presentation during the Adelaide Centenary, 1936: "This play was a great success... completely accurate historically." The Bulletin called it "Dramatic dynamite." Sydney Morning Herald labelled it "a significant milestone for Australian drama." The Sun called it "An outstanding contribution to Australian literature."

Max Afford wrote three novels while in his twenties, which were later published in England and America. He worked as a reporter at the News and Mail from 1926 to 1931. His first story was published in Smith's Weekly in 1928. In 1936 he won the Advertiser's centenary play competition with William Light The Founder (later titled Awake My Love). His 'Jeffrey and Elizabeth Blackburn' novels included Blood on His Hands! (London, 1936) and Death's Mannikins (London, 1937). Many were dramatised for radio, variously starring Peter Finch and Neva Carr Glyn, Nigel Lovell and Lyndall Barbour or Peter Finch and Bettie Dickson as the husband-and-wife detective team. Afford wrote eight crime novels, usually employing English settings, and more than sixty radio and stage plays, usually stories of crime involving the sifting of situations that ultimately uncover the perpetrators. He was considered somewhat of a pioneer of the "whodunit" in radio broadcasting. A science fiction story, The Gland Men of the Island, appeared in Wonder Stories in January 1931.

Malcolm R. Afford (8 April 1906 – 2 November 1954) known as Max Afford, was an Australian playwright and novelist.