Age, Biography and Wiki
Michael Devlin (bass-baritone) was born on 27 November, 1942 in Illinois, is a singer. Discover Michael Devlin (bass-baritone)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 81 years old?
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Age |
82 years old |
Zodiac Sign |
Sagittarius |
Born |
27 November 1942 |
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27 November |
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United States |
We recommend you to check the complete list of Famous People born on 27 November.
He is a member of famous singer with the age 82 years old group.
Michael Devlin (bass-baritone) Height, Weight & Measurements
At 82 years old, Michael Devlin (bass-baritone) height not available right now. We will update Michael Devlin (bass-baritone)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Michael Devlin (bass-baritone) Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Michael Devlin (bass-baritone) worth at the age of 82 years old? Michael Devlin (bass-baritone)’s income source is mostly from being a successful singer. He is from United States. We have estimated
Michael Devlin (bass-baritone)'s net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
singer |
Michael Devlin (bass-baritone) Social Network
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Timeline
In 2020, Opera Depot published a 1971 performance of Charpentier's Louise, from the City Opera, with Devlin as the Father, conducted by Charles Wendelken-Wilson.
In January 2012, Mr Devlin portrayed Pope St Leo I, "the Great," in Attila for the Seattle Opera. He is now retired and resides in Seattle.
Devlin made his Metropolitan Opera debut in 1978 as Escamillo in Carmen. His other performances at that venue have included Hänsel und Gretel (as Peter), Les contes d'Hoffmann (as the Villains, opposite Plácido Domingo), Die Fledermaus (as Dr Falke), Bluebeard's Castle (with Jessye Norman), Salome (as Jokanaan), Samson et Dalila (as Abimélech), Faust, and Wozzeck (as the Doctor), altogether singing 229 performances in over thirty years with the Met. He has also appeared with companies in Chicago, Amsterdam, Salzburg, Verona, Madrid, London (Salome at Covent Garden), Paris, Prague, Los Angeles (Don Pizarro in Fidelio, with Karan Armstrong), San Francisco (Il prigioniero), Santa Fe (Figaro, Count Almaviva, Don Giovanni, Onegin),etc.
Works in his discography include Handel's Giulio Cesare (as Nireno, conducted by Rudel, 1967), Ginastera's Bomarzo (with Salvador Novoa, 1967), Haydn's L'infedeltà delusa (with Edith Mathis and Barbara Hendricks, conducted by Antal Doráti, 1980), Rameau's Dardanus (with Frederica von Stade, conducted by Raymond Leppard, 1980), and Schönberg's Moses und Aron (as the Ephraimite, conducted by Boulez, 1995).
At the New York City Opera, Devlin first sang the Ermitaño Ciego in the North American premiere of Ginastera's Don Rodrigo, conducted by Julius Rudel and staged by Tito Capobianco, in 1966. Further appearances there included L'amour des trois oranges (as Léandre), Giulio Cesare (as Nireno, later the title role), The Crucible (opposite Chester Ludgin), Bomarzo (1968), Nine Rivers from Jordan (world premiere, by Weisgall), La bohème (as Colline), Le coq d'or, Lucia di Lammermoor, Manon, Œdipus rex, Le nozze di Figaro (in the title role), Mefistofele (with Harry Theyard), Louise, Carmen, Maria Stuarda, Susannah, Così fan tutte, Les contes d'Hoffmann, Faust (in Frank Corsaro's production) and Pelléas et Mélisande (as Golaud). He returned to the company in 2000, for The Mother of Us All, portraying Daniel Webster.
The protégé of the great Norman Treigle, Devlin began his career with the New Orleans Opera Association, where he debuted in a small role in La bohème (with Audrey Schuh as Mimì), in 1963. His next appearance was as Spalanzani in Les contes d'Hoffmann (a performance now available on Compact Discs, from VAI), with Beverly Sills and Treigle, in 1964. He was subsequently seen in Werther (opposite Giuseppe di Stefano), Carmen, Ariadne auf Naxos, Aïda (as Amonasro, with Marisa Galvany) and, in 1999, returned for The Ballad of Baby Doe (as William Jennings Bryan).
Michael Devlin (born November 27, 1942, in Chicago, Illinois) is an American opera singer who is internationally known as a bass-baritone and singing-actor.