Mikey Georgeson

On 23 February 2017, Georgeson held a celebration of the Deadends in the Studio One Gallery in Wandsworth. Alongside artefacts (abstract paintings and sculptures), the event featured 'speculative enactment as well as...the first ever discoveries of... artifacts.'

In 2015, Georgeson brought out a retrospective compilation album, The Best of the Vessel, including music recorded throughout his career. Ashley Hames, writing in the Huffington Post, described the album as a 'blinding triumph....it seems that only now are critics reassessing the undeniable pop sensibilities of David Devant & His Spirit Wife. And hearing the songs on this album, it's an absolute wonder that it has taken so long. 'This is For Real' and 'Pimlico' are hidden classics that, back in the day, would have sat comfortably on top of the charts. With hooks that could snare a whale and lyrics packed with pathos, they'd still be perfect additions today. I could repeat that for most of the songs here. This album is that good. There are particular gems: 'Life on a Crescent' is a heartbreakingly delicate and perfectly formed reflection on suburban life. 'Going To London' and 'My Heroine' are quite simply two of the purest pop songs I've ever heard. Best of all though is 'Half of It'. Again, it's a great tune, but significantly it's a new release, and a wonderful sign that even though this album is a retrospective, it shows us that perhaps only now are we really seeing the very best of Mikey Georgeson.'

In 2014, Georgeson began a doctorate in fine art, which he was awarded by the University of East London in 2019. In June 2015, he exhibited his first year paintings in the 'East London Artists' show at the UEL. At the opening, he staged a live performance with the accordionist, Martin White, singing the song "Is David Bowie Happy?". Georgeson explained, 'The show explores the idea that David Bowie saved his disciples from anomie (Is there life on Mars?) but potentially at the cost of the individuation of his psyche. In the face of the vacuum of meaning created by post-history culture, rather than resorting to appropriate irony, meaning becomes the mystery of creation itself.'

The Deadends is a 'made up culture', which Georgeson has investigated in a series of exhibitions, printed matter, and a film, The Deadends – in Search of Truth. This was shown at the ICA in May 2016, as part of Film is Dead - 100 Years of Dada. On the Deadends website, Georgeson asks, 'Who or what were the Deadends or deadEnds depending on whom you’re speaking to? What exactly is the meaning behind the signature shapes and forms analysts have chosen to name them after?....Unfortunately the deadends left behind no written evidence or documentation of their culture or thought process leaving scholars to project or speculate as to the exact structure of their intended passage through their geographic specificity.'

In June 2012, Georgeson exhibited a new solo show, 'Trope' at the Royal Standard in Liverpool. According to the gallery website, Georgeson identifies the 'Trope' as 'the crack that opens between the audience (life) and the artist (art). Eleven paintings in the show focus on Georgeson's ongoing love of Liverpool Football Club as a trope through which he can explore 'sending an emissary from his adult rational self to mix with the transcendental awe of his childhood'. He taps into memories of his boyhood bedroom in which his father had created a large scale recreation of the Kop, pasted together with faces cut from the Observer Magazine.'

In 2012, Georgeson began to make music with Rob Jones (The Voluntary Butler Scheme), Simon Love, Simon Breed, Arec Koundarjian, Nathan Thomas, Iain McCallum and Ben Handysides. The new band, called The Civilised Scene, released a single "Moth in the Flame"/"Bringing Rocks Back from the Moon" (Corporate Records). In 2013, the band recorded for a new label, Popianosz, releasing a single, "Candy Floss". Georgeson has said, 'With the Civilised Scene there's a similar thought process as with the paintings.' Debut album Blood and Brambles was released in 2014 to positive reviews.

Georgeson describes his paintings, which use thickly applied bright oil colours, as "a distillation of a desire to capture what I consider to be episodic globules in the glistening, sticky fluid called paint." With My Magic Life, his 2008 exhibition inspired by magic and David Devant, he brought the different strands of his work together. Georgeson explained in the exhibition catalogue:

In 2008, Georgeson collaborated with Eddie Argos to create Glam Chops, inspired by the stomping rhythms of The Glitter Band and the image of Sweet. The critic Simon Price described the new band: "Think Evel Knievel jumpsuits, Red Indian head-dresses and star-shaped warpaint, think lyrics about Bowie vs. Gary rivalry, think parping saxes and stomping stack-heeled beats." The band released a Glam cover of Bruce Springsteen's Born in the USA, with a video showing Georgeson and Argos singing the song while driving down the M4. The version was a showcase for their different singing styles, with Argos speak-singing the verses, and Georgeson providing a soaring operatic refrain. There was also a Christmas single, "Countdown to Christmas", released as a free download.

In 2005, Georgeson began to perform as a solo act. Using the stage name Mr Solo, he accompanied his new songs with backing tapes while playing ukulele, keyboards or acoustic guitar. As Mr Solo, he has released two albums, All Will Be Revealed (2006) and Wonders Never Cease (2009). Mr Solo has performed at live art events, as a member of The School of English Dada and Daniel Lehan's This Happy Band, a group of roving musicians, inspired by medieval troubadours. As part of Margate's 'Dead Season Live Art' festival of 2010, This Happy Band paraded 'around the seaside town, commemorating its past, and the themes of Winter Dormancy, and Glorious Resurrection'. In 2011, in honour of the Royal wedding, he performed with the English School of Dada, at Cabaret Voltaire, the home of Dada, in Zurich. In London, he has appeared at three other live art events: 'Mr Solo' Whitechapel Gallery (2009), 'Return of the Repressed' Portman Gallery (2009) and 'Artist As Scapegoat' Norn Projects (2010).

In 2001, while Devant were not performing, Georgeson began to work with Jyoti Mishra of White Town, whom he met at a Devant concert. As Carfax, they released two albums, Momento from a Digital Age and Minky Pauve. According to Georgeson, the band took its name from 'the centre of Horsham where the last public hanging took place'.

The elaborate stage show created a false impression that the band was a novelty act. But, as a songwriter, Georgeson was easily the equal of any of his Britpop contemporaries. In 1997 the band released their first album, Work, Lovelife, Miscellaneous. Its tour was accompanied by a Channel 4 film crew from The Other Side series. The documentary, shown in 1999, marked a farewell to the first incarnation of David Devant as, in the final sequence, filmed in 1999, Georgeson symbolically set fire to his wig.

In Brighton, in May 1992, Georgeson formed his first band, David Devant & His Spirit Wife, with Foz Foster, ex-guitarist of the Monochrome Set, Jem Egerton, a classically trained musician, who played bass, and drummer Graham Carlow. Georgeson took the name for his band from a second-hand copy of My Magic Life, the autobiography of the great English stage magician, David Devant. A Devant show was conceived as an act of invocation, in which the spirit of the late magician would speak through Georgeson, and the songs would summon down the Spirit Wife. In concert, Georgeson performed as "the Vessel", wearing a black pompadour wig and a pencil moustache.

After a childhood in Bexhill-on-Sea and Horsham, Mikey Georgeson attended Worthing College of Art (1985–86) and Chelsea School of Art (1986–1989), where he studied illustration when it was a figurative painting course. In 1989, he moved to Brighton, for a postgraduate illustration degree at Brighton University (1989–91). As an illustrator, he published a series of quirky screenprinted booklets, which he sold in Brighton gallery shops. A Shady Tale (1993) contained a series of unlikely shadowgraphy images. The Hat He Mistook for His Wife (1993), reversing the title of Oliver Sacks' famous book, showed a fedora hat in various marital situations – covered with confetti, posing for a honeymoon photograph beside the Eiffel Tower, on a caravanning holiday, and being weighed on bathroom scales. Georgeson lectures in art at the University of East London, and is a practising painter. He has exhibited his work in the following group exhibitions: 'Wapobaloobop', Transition Gallery London 2008, 'Legends of Circumstance' Whitecross Gallery London 2009, Bargate Gallery Southampton 2010 and the Liverpool Biennial 2010. In London, he has had three solo shows: 'My Magic Life' Sartorial Art 2008, 'Father, Son & Holy Smoke', Bear Gallery 2009, and 'Tragicosmic' at Sartorial Art in 2010

Mikey Georgeson (born 1967) is an artist, working in various media. He is a painter and illustrator, who regularly exhibits his work at Sartorial Contemporary Art and other galleries. As "the Vessel", he is songwriter and singer of the cult art-rock band, David Devant and his Spirit Wife. Side projects have included Carfax, a collaboration with Jyoti Mishra, Glam Chops, a glam rock band formed with Eddie Argos of Art Brut, This Happy Band and Mikey Georgeson and the Civilised Scene. Georgeson has also performed and recorded on his own, as Mr Solo. Peter Kimpton, writing in The Guardian praised Georgeson's "impish genius for melody". Ashley Hames, in the Huffington Post, described Georgeson as 'an original British songwriter of lasting quality. He remains a presence somehow transcendent and other-worldly, bringing us songs that seem to have always existed, holding up the mirror to connect us to something we can truly love.'