Miyoshi Umeki

As of 2011, she is the only person of East Asian descent to win an Academy Award for acting.

Retired in a small town in Missouri near her son and family. [November 2004]

Livingston, the housekeeper and quiet pillar of strength to a widower and his young son, in the heart-tugging TV comedy The Courtship of Eddie's Father (1969). Following this renewed attention, Umeki went into a complete self-imposed retirement. She lived a predictably sedate family life for better than three decades.

She subsequently married TV director Randall Hood in 1968 and the couple ran a business renting editing equipment to film studios and university film programs until his sudden death in Los Angeles in 1976. A longtime resident of North Hollywood, she eventually moved to Missouri with advancing age to be nearer to her son and his family.

Gave birth to her only child at age 34, a son Michael H. Opie - later renamed Michael Randall Hood - on February 11, 1964. Child's father is her 1st husband, Win Opie.

She scored additional points after recreating her role for the film version of Flower Drum Song (1961). Ms. Umeki made only five American films in all.

Her other appearances were support roles in the naval comedy Cry for Happy (1961) in which she and her Sayonara (1957) co-star Miiko Taka were paired with Glenn Ford and Donald O'Connor; the Jim Hutton / Paula Prentiss service comedy The Horizontal Lieutenant (1962); and the Laurence Harvey / France Nuyen racial drama A Girl Named Tamiko (1962).

Kildare (1961), Rawhide (1959) and Mister Ed (1958), among others.

Was nominated for the 1959 Tony Award as best actress in a musical for Flower Drum Song, a role she recreated in the film version, Flower Drum Song (1961).

Following this Oscar-winning endeavor, Umeki conquered Broadway with the 1958 musical Flower Drum Song in which she proved a highlight as a starry-eyed Chinese immigrant / mail-order bride with her captivating rendition of A Hundred Million Miracles, earning a Tony nomination in the process.

She also tread fairly lightly on TV with random 60s appearances on The Donna Reed Show (1958), Dr.

Her 1958 marriage to TV producer/director Win Opie ended in divorce after 9 years.

Although she projected the typical Japanese female stereotype of humbleness, delicacy and subservience in most of her prime film and stage roles, beguiling, tiny-framed Miyoshi Umeki was nevertheless an assertive scene-stealer. This docile and deceptive-looking talent with the cropped hair and heart-shaped face radiated charm and innocence so effortlessly, she managed to make history at Academy Awards time as the first Asian performer to receive an acting Oscar for her superb work in the tragic post-WWII film drama Sayonara (1957).

From this recognition she was immediately cast in the Marlon Brando/Miiko Taka, Sayonara (1957) based on James A. Michener's best-selling romantic tale. She had made a minor movie debut a few years earlier in a Japanese musical. Inspired casting opposite comedian Red Buttons in a tragic, counterpoint romance as a WWII airman and his naive Japanese war bride who fall victim to post-war prejudice led to supporting Academy Awards for both actors. Despite her win, she would not make another film for four years.

She became an extremely popular radio and nightclub artist which triggered a move to the United States in 1955.

Again, the diminutive vocalist demonstrated a demure prowess for gaining attention with her one-season regular role (1955-1956) on the musical variety show Arthur Godfrey and His Friends (1949). With that popularity, she was able to sign with Mercury Records and eventually released two albums. The timing couldn't have been more perfect.

Duing the 1950s and 1960s, Umeki was an occasional guest on variety shows for such TV titans as Perry Como, Dinah Shore, Merv Griffin, Andy Williams and Ed Sullivan. Arguably her biggest claim to fame was as Mrs.

Miyoshi Umeki was born on May 8, 1929, in Otaru on the large northern island of Hokkaido. The daughter of a prominent Japanese iron factory owner and the youngest of nine children, she developed an early passion for music and learned to play the mandolin, harmonica and piano. She also enjoyed singing American-styled tunes much to the chagrin of her parents. This propensity for Americanized pop songs later paid off. Following WWII she traveled with a U. S. Army G. I. jazz band in Japan as Nancy Umeki and was the first to record American songs, for RCA Victor Japan, in her homeland.