Age, Biography and Wiki
Mohammad Yamin was born on 24 August, 1903 in Sawahlunto, West Sumatra, Dutch East Indies, is a poet. Discover Mohammad Yamin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 59 years old?
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Age |
59 years old |
Zodiac Sign |
Virgo |
Born |
24 August 1903 |
Birthday |
24 August |
Birthplace |
Sawahlunto, West Sumatra, Dutch East Indies |
Date of death |
(1962-10-17) |
Died Place |
Jakarta, Indonesia |
Nationality |
Indonesia |
We recommend you to check the complete list of Famous People born on 24 August.
He is a member of famous poet with the age 59 years old group.
Mohammad Yamin Height, Weight & Measurements
At 59 years old, Mohammad Yamin height not available right now. We will update Mohammad Yamin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Mohammad Yamin Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Mohammad Yamin worth at the age of 59 years old? Mohammad Yamin’s income source is mostly from being a successful poet. He is from Indonesia. We have estimated
Mohammad Yamin's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
poet |
Mohammad Yamin Social Network
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Timeline
Yamin died in Jakarta on 17 October 1962. The originator of significant ideas, Yamin dominated modern Indonesian political and cultural history. His ideas contributed to the political awakening and the surge in national pride in Indonesia. In 1973, he was proclaimed a National Hero of Indonesia.
Yamin's claim of authorship for Pancasila was questioned by Dr. Mohammad Hatta, Mr. Subarjo, Mr. A. Maramis, Prof. A.G. Pringgodigdo, Prof. Sunario and all of the surviving members of BPUPK who were subsequently interviewed. However, the fact that Yamin was seemingly the only person to possess complete records of the BPUPK sessions, which he used for his 1959 book Naskah persiapan Undang-undang Dasar 1945 (Documents for the preparation of the 1945 Constitution) was particularly useful for the New Order regime, which took power in Indonesia following the coup attempt of September 1965. As part of the de-Sukanoization process to discredit the former regime, it was in the interests of the government to claim that Yamin had come up with the Pancasila concept, and that Sukarno was simply the first person to use the term 'Pancasila'. To this end, Nugroho Notosusanto, the official historian, used Yamin's 1959 work as the basis of an official book to reinforce this claim.
Yamin served in the cabinet of successive, post-colonial administrations, notably as Minister of Education and Culture (1953–1955) in the First Ali Sastroamidjojo Cabinet, Minister without portfolio (1957–1959) in the Djuanda Cabinet, Minister for Social Affairs and Culture (1959–1960) in the First Working Cabinet, Minister and deputy director of the National Planning Board (BAPPENAS)(1960–1962) in the Second Working Cabinet and Deputy Prime Minister, Minister of Information and Director of BAPPENAS (1962 until his death) in the Third Working Cabinet.
In the above poem, one imagines Yamin standing on the hills near the town of Bukittinggi, the site of the prehistoric canyon now verdant with rain forest and paddy fields. Note that he refers to Sumatera, specifically the part that is called the Alam Minangkabau which lies on the western part of the large island, as his land and water (tanah airku) as well as that to which he will defend with his blood (tumpah darahku), and not Indonesia as it became independent in 1945. This may reflect the early development of his concept of nationhood.
Yamin was also one of the sixty-two founding members of the Japanese-established Investigating Committee for Preparatory Work for Independence (BPUPK). He suggested to the body that the new nation should include all the Malay-speaking world: not only the territories of the Netherlands Indies, but also Sarawak, Sabah, Malaya, and Portuguese Timor. Yamin later claimed that on 29 May 1945 he delivered a speech on certain philosophical and political foundations for the proposed new nation and enumerated five principles for the nation, which came to be known as Pancasila and were later incorporated in the Preamble of the 1945 Constitution. This would have been two days before Sukarno's speech outlining Pancasila on 1 June.
On 17 August 1945, Sukarno proclaimed Indonesian independence and the next day, the Preparatory Committee for Indonesian Independence (PPKI) met and tasked a commission of seven: Sukarno, Mohammad Hatta, Soepomo, Subardjo, Otto Iskandardinata, Yamin and Wongsonegoro to produce a final version of the Constitution.
Although Yamin was intelligent, he had a reputation for overstating his own accomplishments, and for being argumentative. Thamrin referred to him as "the eternal splitter" because of his confrontational attitude in the Volksraad. As well as his false claim to have come up with the concept of Pancasila in a speech at the BPUPK on 29 May 1945, when he was minister of culture in the First Ali Sastroamidjojo Cabinet from 1953 to 1955, Yamin claimed to have led the restoration of the Borobudur temple. A plaque that he ordered installed on the temple claiming he played a key role was removed once Yamin was no longer culture minister. Indonesia's first vice-president, Mohammad Hatta called Yamin 'crafty' (licik).
During the Japanese occupation (1942–1945), Yamin was appointed to the advisory board of the Center for People's Power (Pusat Tenaga Rakyat - PUTERA), a Japanese-sponsored confederation of nationalist organizations. Putera was established on 9 March 1943, with Sukarno as chairman. Concurrent with his role in Putera's advisory board, Yamin was appointed a senior official at the Sendenbu (the Japanese Propaganda Office).
In the early 1930s, Yamin was active in journalist circles, joining the editorial board of the newspaper Panorama, together with Liem Koen Hian, Sanusi Pane and Amir Sjarifuddin. In mid-1936, together with his colleagues Liem, Pane and Sjarifuddin, Yamin started another newspaper, Kebangoenan (1936–1941), which—as with Panorama—was published by Phoa Liong Gie's Siang Po Printing Press.
Yamin's second collection, Tumpah Darahku, appeared on 28 October 1928. The date was historically important, because it was on that date that Yamin and his fellow nationalists recited an oath: One Country, One Nation, One Language, popularly known as the Youth's Oath (Sumpah Pemuda). The date is celebrated as a national holiday in Indonesia. His play, Ken Arok dan Ken Dedes, which took its subjects from Java's history Pararaton, appeared in one of the 1934 issues of Poedjangga Baroe, the only literary publication that featured the rebuke to the predominantly Dutch-speaking indigenous intellectuals. His compatriots included Roestam Effendi, Sanusi Pané and Sutan Takdir Alisjahbana, founders of Poedjangga Baroe.
Yamin was leader of the Jong Sumatranen Bond (Association of Sumatran Youth) from 1926 to 1928, and also Indonesia Muda (Indonesian Youth) in 1928. . He then became an active member of the Association of Indonesian Students (PPPI) and the Indonesia Party (Partindo). Upon the dissolution of Partindo, Yamin was one of the founders of Indonesian People's Movement (Gerindo) in May 1937 along with A. K. Gani and Amir Sjarifuddin. Gerindo's aim was to raise public consciousness of nationalist ideas by organizing the people. Gerindo's founding, however, also reflected a growing willingness on the part of many left-wing nationalists to cooperate with the Dutch. This willingness arose both from despair over the prospects for organizing effective nationalist resistance in the face of Dutch military and police power and from a conviction that collaboration against fascism (especially Japanese fascism) had the highest priority in world affairs. Gerindo hoped that through cooperation the Dutch would establish a separate legislature in the colonial territory. Yamin was expelled from the organization in 1939 for breaches of regulations, including campaigning against another Gerindo candidate in the Batavia municipal council elections. He then established the Party of Indonesian Unity (Parpindo). In 1939, Yamin became a member of the Volksraad, an advisory body created in 1917 by the Dutch in the Netherlands East Indies.
Yamin started to write in Malay in the Dutch-language journal Jong Sumatra, the literary publication of the Jong Sumatranen Bond, a semi-political organization of Sumatran youth. Yamin's early works were tied to the clichés used in classical Malay. He debuted as a poet with "Tanah Air" ('motherland') in 1922. It was the first collection of modern Malay verse to be published. Quoted below is the first stanza of "Tanah Air", his ode to the natural beauty of the highlands in present West Sumatra:
The credit for the first important modern prose in Malay belongs to his fellow Minangkabau, Marah Roesli, author of the novel Sitti Nurbaya which also appeared in 1922. Rusli's work enjoyed years of great popularity.
Yamin began his literary career as a writer in the 1920s, when Indonesian poetry was marked by an intense and largely reflective romanticism. He was a pioneer in that art form.
Mohammad Yamin (24 August 1903 – 17 October 1962) was an Indonesian poet, politician and national hero who played a key role in the writing of the draft preamble to the 1945 constitution.
Yamin was born on 28 August 1903 in Talawi, Sawahlunto on the island of Sumatra, Indonesia. He was educated at Dutch schools for natives, firstly at a Hollandsch-Inlandsche School, then at a Algemene Middelbare School in Yogyakarta. In 1932 he obtained a law degree in Jakarta.
In his poetry, Yamin made much use of the sonnet form, borrowed from Dutch literature. At that time among the major writers was the national activist Abdul Muis (1898–1959), whose central theme was the interaction of Indonesian and European value system. In 1936 appeared Pandji Tisna's (1908–1978) Sukreni: Gadis Bali, possibly the most original work of pre-independence fiction, which dealt with the destructive effect of contemporary commercial ethics on Balinese society. Distinctly innovative poetry had appeared in the 1910s. The European sonnet form was especially popular, but the influence of traditional verse forms remained strong. Although Yamin experimented with Malay in his poetry, he upheld the classical norms of the language more than the younger generation of writers. Yamin also published plays, essays, historical novels and poems, and translated works from such authors as Shakespeare (Julius Caesar) and Rabindranath Tagore.