Mohit Takalkar

In July 2022, it was announced that Takalkar would direct his next Marathi film Toh, Ti ani Fuji (Him, Her and Fuji). The film will be shot in Pune and Tokyo and stars Lalit Prabhakar and Mrinmayee Godbole.

During the COVID-19 pandemic in 2020, Takalkar directed a digital play, The Colour of Loss based on Booker Prize winner, Han Kang’s The White Book. When the theatres re-opened after the pandemic, he devised a multilingual theatre piece, Hunkaro which is based on the story Asha Amar Dhan by Vijaydan Detha. Deepa Punjani for Mumbai Theatre Guide wrote, “Mohit's directorial sensibilities put the story and the actor first, but the design though not obvious, is palpable. The simplicity belies the more abstract”.

In 2019 he went on to direct his debut Marathi feature film, Medium Spicy for Landmarc Films starring Sai Tamhankar, Parna Pethe and Lalit Prabhakar. The film released three years later in June 2022 because of the COVID-19 pandemic. Meenakshi Shedde for Mid-Day wrote, “Takalkar’s film is a nuanced reflection on the unreliable rewards of love and marriage. It is an astute, funny, thoughtful and philosophical film about people like us, with enough romance and romantic songs to make it a rather satisfying indie film that is streets ahead of Bollywood in many ways”. The film was screened at Norway Bollywood Film Festival, Pune International Film Festival, Dhaka International Film Festival, River to River Florence Indian Film Festival and the Stuttgart Indian Film Festival.

In 2017, he scripted, edited, and directed his debut non-feature in Marathi-English, Chirebandi on the life and works of celebrated Playwright Mahesh Elkunchwar, which was commissioned by the Sahitya Akademi, New Delhi.

In 2015, he directed the Hindostani production of Main Hoon Yusuf aur ye hai Mera Bhai translated from Palestinian playwright, Amir Nizar Zuabi's English play, I am Yusuf and this is my brother. It went on to win five awards at the Mahindra Excellence in Theatre Awards, including Best Play and Best Director. Critic Shanta Gokhale reviewing for Mumbai Mirror wrote, “Followers of this director’s work are accustomed to seeing a stage design that intrigues the eye. In this case, there was just a table at the beginning and a low white ‘rock’ later, that also served as diverse seating arrangements. As the stories of the characters unfolded, the starkness of the stage became part of the meaning of the play, reflecting the fear, confusion and misery that was invading their lives”. In 2017, Takalkar directed Chaheta in Urdu, based on another of Zuabi's plays, The Beloved.

In 2012, Takalkar scripted, edited, and directed his debut feature film The Bright Day in Hindi-English which premiered at the Toronto International Film Festival. It was in competition at the Shanghai International Film Festival, Mumbai International Film Festival, and was showcased at the London Indian Film Festival, Vancouver South Asian Film Festival, Calgary International Film Festival, Indian Film Festival -The Hague. It won the Grand Jury Prize and Best Director at the South Asian International Film Festival. The film stars Sarang Sathaye, Radhika Apte, Rajit Kapur, Shernaz Patel and Mohan Agashe. Katherine Matthews for Bollyspice wrote, “The Bright Day occasionally feels staged, the dialogues occasionally stilted, but there is much in Takalkar’s film that is thoughtful, joyous and charming”.

In 2011, he was diagnosed with Bipolar II disorder and has been quite vocal about it.

He received the Charles Wallace scholarship which enabled him to pursue his Masters degree in Theatre Practice from the University of Exeter in 2010 under the guidance of Phillip Zarrilli. This exposure changed his practice and upon returning to India he directed plays with large ensemble casts which include Comrade Kumbhakarna, written by Ramu Ramanathan, for the repertory company of the National School of Drama. Deepa Ganesh for the Hindu wrote, “The play, intense and multi-layered, is full of signs and metaphors, weaving into its polyphonic narrative, mythology, politics and life as it were”.

Takalkar started his theatre career with the Progressive Dramatic Association, Pune. He won the Maharashtra State Award for the Best Play and Best Director for Yayati and Nanephek and later for Tu (2007).

In 2003, he co-founded Aasakta Kalamanch to extensively work in cutting-edge theatre, experimenting with language, form, content and presentation. His plays are known for minimalism in staging with a high level of technical excellence and a strong visual language. Takalkar directed a flurry of plays for Aasakta repertory, which were mainly performed in Sudarshan Rangmanch, a small intimate theatre space for about 100 odd audiences, in the heart of Pune. Takalkar often acknowledges the contribution of this space in experiments with his craft.

In 2000, he met Geetanjali Joshi, an actor during rehearsals of his first playYayati. They married in 2005 but separated in 2007.

Mohit Ratnakar Takalkar (Marathi: मोहित टाकळकर) (born 18 August 1977) is an Indian theatre director, filmmaker, film editor, screenwriter and actor from Pune, Maharashtra. He has led and spawned a movement in Indian experimental theatre through his 25-year-long career by co-founding the theatre company, Aasakta Kalamanch in 2003.