Monica Byrne

Her first novel, The Girl in the Road (2014), is set in a future where India and Africa have become economic superpowers. It interleaves the stories of Meena, a young woman crossing the Arabian Sea westward from Mumbai to Djibouti on a floating power-generating bridge, and Mariama, a little girl riding a truck eastward across the African continent from Mauritania to Djibouti. The Wall Street Journal praised it as "a new sensation, a real achievement", whereas Jason Heller of NPR called it a "frustrating patchwork," albeit concluding "...it doesn't make The Girl in the Road's dizzying journey less than worthwhile."

In 2008, she attended the Clarion Workshop with Neil Gaiman. She began writing fiction and plays. In 2011, she was artist-in-residence at Vermont Studio Center and Elsewhere Collective. From 2012 to 2017, she was the playwright-in-residence at Little Green Pig Theatrical Concern, in Durham, North Carolina. Her plays have been performed in other theaters as well.

Monica Byrne (born July 13, 1981) is an American playwright and science fiction author. She is best known for her drama What Every Girl Should Know and her debut novel The Girl in the Road, which won the 2015 James Tiptree, Jr. Award and was nominated for the Locus and Kitschies awards.

Monica Byrne was born on July 13, 1981 in Harrisburg, Pennsylvania. The youngest of five children, she grew up in the college town of Annville, where her father was a lecturer at Lebanon Valley College. Her mother was diagnosed with brain cancer when Monica was seven, and died when Monica was 20.

Her drama What Every Girl Should Know, about girls at a Catholic girls school around 1914 who worship birth control and woman's rights activist Margaret Sanger, was performed in Durham, Berkeley, and New York. The title of the play is drawn from the name of Sanger's sex education column in the New York Call, published in 1912 and 1913. Robert Hurwitt of the San Francisco Chronicle remarked that "Byrne's often clever, provocative script isn't fully fleshed out" and "the swift pacing doesn't make up for how thinly Byrne has developed her story or characters". Pat Craig of the San Jose Mercury News praised the "often lighthearted banter and genuine humor that makes the piece float and deliver some powerful messages without sounding the least like proselytizing".