Monty Banks

Back in Hollywood he ended up at 20th Century-Fox, directing Stan Laurel and Oliver Hardy in Great Guns (1941), arguably one of their lesser efforts.

He helmed four features starring the popular entertainer Gracie Fields, who became his second wife in 1940.

In 1935 he directed a well-received George Formby comedy, No Limit (1935), about the TT motorcycle races on the Isle of Man, which were shot on location there. With the outbreak of World War II Banks--being an Italian citizen--would have faced internment in England as an enemy alien. He therefore deemed it necessary to flee to Canada, and from there to the neutral United States. He eventually obtained American citizenship, for which he had applied years earlier, but had forgotten to submit the necessary paperwork.

He therefore decided, after 1930, to concentrate on directing and producing.

He made several feature-length films for Pathe, including Play Safe (1927)) (generally considered his best work), which featured a climactic runaway train sequence. This style of fast-action slapstick made it inevitable that Banks suffered more than his fair share of injuries, especially since he continued to do many of his own stunts.

Most noteworthy entries in regard to inventive sight gags and Mack Sennett--style madcap plots are Pay or Move (1924) and The Golf Bug (1924). The success of this series prompted Banks to create an independent production company, the Monty Banks Pictures Corporation, in conjunction with writer/director Howard Estabrook.

He spent the early 1920s at Fox and Grand Asher, graduating to writing and directing two-reel comedies with himself as the star.

From the late 1920s Banks worked in England and made several appearances in sound films. However, his accent proved to be something of an obstacle.

By 1919 Banks had moved to Vitagraph to play a villain in The Grocery Clerk (1919), foil to star comic Larry Semon. Banks first came to the fore in his own right as star of the "Welcome Comedies" made by Warner Brothers.

By 1917 he was working as a dancer in New York's Dominguez Cafe. After this he turned to films, acting and doing stunt work at Keystone, Universal and for Al Christie. Changing his name from Mario Bianchi to Monty Banks may have been prompted by Roscoe 'Fatty' Arbuckle as a passing reference to his playing '"montebanks".

Monty Banks was a short, stocky but somehow debonair Italian-born comic actor, later also writer and director. In the US from 1914, he first appeared on stage in musical comedy and cabaret.