Age, Biography and Wiki
Muthuswamy Pillai was born on 24 October, 1921, is a Choreographer. Discover Muthuswamy Pillai's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 71 years old?
| Popular As |
N/A |
| Occupation |
Choreographer |
| Age |
71 years old |
| Zodiac Sign |
Scorpio |
| Born |
24 October 1921 |
| Birthday |
24 October |
| Birthplace |
N/A |
| Date of death |
(1992-01-18)1992-01-18 |
| Died Place |
N/A |
| Nationality |
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We recommend you to check the complete list of Famous People born on 24 October.
He is a member of famous Choreographer with the age 71 years old group.
Muthuswamy Pillai Height, Weight & Measurements
At 71 years old, Muthuswamy Pillai height not available right now. We will update Muthuswamy Pillai's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Muthuswamy Pillai's Wife?
His wife is Valambal
| Family |
| Parents |
Not Available |
| Wife |
Valambal |
| Sibling |
Not Available |
| Children |
M. Thaiyanayagi, M. Balu, M. Charubala, Kalaimamani Kuttalam M. Selvam, M. Arumugam, M. Vijayalakshmi, M. Geetha, M. Sambandam, M. Nirmala |
Muthuswamy Pillai Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Muthuswamy Pillai worth at the age of 71 years old? Muthuswamy Pillai’s income source is mostly from being a successful Choreographer. He is from . We have estimated
Muthuswamy Pillai's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Choreographer |
Muthuswamy Pillai Social Network
| Instagram |
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| Wikipedia |
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| Imdb |
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Timeline
In 1989, the Sruti Foundation organised the Parampara Seminar where eminent gurus from five bharatanatyam traditions demonstrated their art. In this seminar, Muthuswamy Pillai demonstrated the style of his guru Kattumannarkoil Muthukumara Pillai and his own ideas.
As the need for bharatanatyam choreographies was declining in the film industry, Muthuswamy Pillai was forced to enter a sabbatical period. While his family was staying in the village of Kuttalam, he settled in a small place in 7, East Mada Street, Mylapore and focused on his art. He developed his creativity on European students, mostly French, who came to Madras in order to learn from him in the 1970s and 1980s. They had to abandon the material comfort of their rich country of origin in order to live in Madras on small amounts of money even though some of them could rely on scholarships from the Indian Council for Cultural Relations and the French Government. Many of them were given Indian names that most of them are still using after returning to Europe : Menaka, Shakuntala, Maïtreyi, Padmavati, Kunti, Kalpana, etc. Other of his students are known by their original names like Tiziana Leucci, Élisabeth Petit, Armelle Choquard and Dominique Delorme.
Similarly as other nattuvanars like Vazhuvoor Ramiah Pillai and his foster father Vaitheeswarankoil Meenakshisundaram Pillai, Muthuswamy Pillai became a sought after choreographer for the film industry. He was the dance director for movies in Tamil, Malayalam, Telugu and Hindi from the 1940s until the middle of the 1960s. He choreographed for more than 30 movies.
Vaitheeswarankoil Sethuraman Muthuswamy Pillai (24 October 1921 – 18 January 1992) was a Bharatanatyam guru.
After his marriage to Valambal, daughter of Milagu Nattuvanar Ramaswami Pillai (1911-1991), he accepted to become a faculty at Nrithyodaya, the dance school of the film director K. Subrahmanyam in Madras. He was also associated to the performing group of this school, Natana Kala Seva. There, he was exposed to a fusion of various Indian classical dance styles and he could experiment with group choreography and dance dramas.
