Nancy B. Reich

In June 2019, a few months after her death, the Women's Philharmonic Advocacy established the Nancy B. Reich fund to support orchestras in the performance of major works by women composers.

In 1985 she published her seminal biography Clara Schumann: The Artist and the Woman, the first scholarly biography of a woman composer. The first half of the book is a straightforward chronological treatment; the second half a thematic treatment. This book established Clara as an important musical figure independent of her husband, the composer Robert Schumann. Her research in the early 1980s took her behind the Iron Curtain. She also collaborated with psychoanalyst Anna Burton, who had been analyzing Clara Schumann since 1968. The success of the book, which was translated into several languages, is credited with significantly increasing and re-evaluating female subjects in musicology. A revised 2nd edition was published in 2001. She was asked to review others' works about or inspired by Clara Schumann, and authored the New Grove Dictionary of Music's Clara Schumann entry.

In the 1960s she studied application of computers to music making, music reading, and music pedagogy. At NYU she worked at the Institute for Computer Research in the Humanities, and released an early catalog of composer William Jay Sydeman's compositions (Sydeman lived until 2021); this was a notable early effort in creating a machine-readable document. A 2nd edition was released in 1968. 35 years later, in 2001, she would write the Grove Dictionary of Music's entry for Sydeman. She investigated music notation digitization and replay on early IBM 1130 computers.

She attended the High School of Music and Art, where she played viola and violin. She obtained a bachelor's degree in music in 1945 at Queens College, and a master's degree in 1947 at Columbia University's Teachers College. She received her PhD in 1972 from New York University.

Nancy Bassen Reich (July 3, 1924 in New York City - January 31, 2019 in Ossining, NY) was an American musicologist, most renowned for her 1985 biography of Clara Schumann.

She was a visiting professor at Bard and Williams, and was a visiting scholar at the Center for Research on Women at Stanford University. She was heavily involved in advancing feminist musicology studies, including chairing the College Music Society's Committee on the Status of Women in Music, and editing its major bibliographic report CMS Report No. 5: Women's Studies/Women's Status. She contributed the chapter European composers and musicians, ca. 1800-1890 to the college textbook Women & Music, A History. Joan Tower, who joined the faculty of Bard College in 1972, credits Reich's course on the history of women in music with changing her life.