Nellie Wong

In 1983, Wong traveled to China on the first U.S. Women Writers Tour to China sponsored by the US–China Peoples Friendship Association with Tillie Olsen, Alice Walker, Paule Marshall. Also in 1983 she was a major organizer of the Merle Woo Defense Committee. Woo, a lesbian Korean-Chinese American feminist, had filed a complaint against their former employer alleging wrongful termination based on discrimination. Working with other Freedom Socialist Party and Radical Women members, Wong raised funds and awareness of the case. Two legal cases were won against the defendant.

From 1983 to 1985 Wong taught poetry writing at Mills College in Oakland and playwriting at the Asian American Theater Company in San Francisco.

During World War II, the Wong family worked in a grocery store in Berkeley. The internment of her Japanese American neighbors left a profound impact on her intellectual development, sensitizing her to issues of racism and the concerns of Asian Americans. The family borrowed $2,000 to start a restaurant, The Great China, in Oakland's Chinatown, where Wong worked as a waitress during her youth. She attended public school, graduating from Oakland High School, and started bull work as a secretary for the Bethlehem Steel Corporation, a position she held until 1982. She later served as senior analyst in affirmative action at the University of California, San Francisco (UCSF).

In 1981, Wong participated with Mitsuye Yamada in the documentary film Mitsuye & Nellie, Asian American Poets, produced by Allie Light and Irving Saraf. The film recounts the experiences and hardships that affected the writers and their families. Significant to the film's focus is how World War II and the bombing of Pearl Harbor encouraged divisive perceptions of Japanese as "bad" Asians, while the Chinese were seen as "good" Asians. "Can't Tell," one of the poems Wong recites in the film, highlights the author's attempt to understand why her Japanese neighbors were being sent to internment camps when she and her family, as Chinese Americans, were considered patriotic citizens.

During the 1980s and 1990s, Wong was keynote speaker at many national and regional conferences, including Third World Women and Feminist Perspectives, Women Against Racism, and the National Women's Studies Association. She has recited her poetry in China, Cuba, and throughout the U.S. She has also participated on panels concerning labor, Asian American literature, and poetry. Furthermore, Wong has taught Women's studies at the University of Minnesota and poetry writing at Mills College in Oakland, California.

Wong's first collection of poetry, Dreams in Harrison Railroad Park (1977), was published by Kelsey Street Press. This book went through four printings and was the most successful release in the history of Kelsey Street Press. Her other titles are The Death of Long Steam Lady (1986), published by West End Press and Stolen Moments (1997). Her work has appeared in approximately 200 anthologies and publications.

While a student at San Francisco State University, Wong was involved with the campus Women Writers Union, which organized around issues of race, sex, and class. In the late 1970s, alongside lesbian activist and writer Merle Woo, Wong organized the feminist literary and performance group Unbound Feet. The group performed at colleges, universities, and community centers. During this time she encountered members of two affiliated socialist feminist organizations, Radical Women and the Freedom Socialist Party, and within a few years had joined their ranks.

Nellie Wong (born 12 September 1934) is an American poet and activist for feminist and socialist causes. Wong is also an active member of the Freedom Socialist Party and Radical Women.

Wong was born in Oakland, California to Chinese immigrants. Her father had immigrated to Oakland in 1912. Wong is a Chinese American poet, feminist, and socialist who has organized and participated in activist groups working to create better conditions for women, workers, and minorities.