Nicolas Hodges

In 2019, it was announced that the tenth Roche Commission would go to Rebecca Saunders. The work will be premiered in Lucerne in 2020. Saunders has already announced that the work is to be a major piano concerto for Hodges.

Nicolas Hodges has been a member of Trio Accanto since 2013. Hodges performs in duo with the Finnish cellist Anssi Karttunen, and with German pianist Michael Wendeberg with whom he has recorded Boulez's two books of Structures.

In rehearsal for a performance of Sotto Voce II – the piece Wolfgang wrote for the Busoni Competition, and which I had the honour of premiering – he provided an exemplary example of at least one kind of performer-composer relationship. At one point the conductor turned to Wolfgang and asked (over my head, literally and figuratively) whether I was “allowed” to play a certain phrase in the way I was choosing to. Without hesitation, Wolfgang said “He’s the interpreter: he can do what he wants.” Apart from immediately resolving the power-struggle that sometimes exists between concerto soloist and conductor (I could have kissed him for that), Wolfgang’s gesture was a hugely important one for me: it was an expression of trust, and curiosity about what I would produce.

Since April 2005 Hodges has been Professor of Piano at the Musikhochschule, Stuttgart.

Carter wrote Hodges the piano concerto Dialogues. The work was commissioned by the BBC and completed in 2003. It was first performed on 23 January 2004 at the Queen Elizabeth Hall in Southbank Centre, London, by Hodges with the London Sinfonietta under the conductor Oliver Knussen.

Hodges is known mainly as a player of contemporary music. Many composers have written works for Hodges to perform, notably Elliott Carter (Dialogues for Piano and Orchestra, 2003), Salvatore Sciarrino, James Clarke, Michael Finnissy, Jeroen Speak, Konrad Boehmer, Harrison Birtwistle and Betsy Jolas.

Hodges met Dusapin around 2002. Hodges premiered Jetzt Genau, and subsequently Slackline for cello and piano, with Anssi Karttunen. He recorded the concerto A Quia for BIS, a recording Dusapin described as "the work's real premiere". Dusapin is writing Hodges a new cycle of solo pieces, Piano Works.

Rebecca Saunders and Hodges first met at Darmstadt in 2000. Saunders wrote the double concerto Miniata for Hodges, and subsequently Crimson for solo piano, Choler for two pianos (premiered and recorded with Rolf Hind), and Shadow for solo piano, which was part of Hodges' Studies project. She is currently composing a trio for Trio Accanto, with Hodges at the piano.

Hodges first met Birtwistle in 1987, at the Queen Elisabeth Hall foyer, as recounted in an interview with Tom Service:

It was in 1987 - I just went up to him and asked him if he had heard any news about the composer Morton Feldman, with whom I'd studied at Dartington the previous year, and who I knew was very ill. He told me Feldman had died that morning.

Hodges studied the piano with Robert Bottone at Winchester, and subsequently with Susan Bradshaw and Sulamita Aronovsky. He also took lessons with Yonty Solomon and, as a Lieder accompanist, with Geoffrey Parsons and Roger Vignoles; he studied composition at school with Michael Finnissy, and at University of Cambridge with Robin Holloway and Alexander Goehr. He also attended master classes at Dartington by Morton Feldman (1986) and Robert Saxton (1988).

Hodges still plays classical repertoire occasionally, bringing praise from critics. Andrew Clements wrote "There was the Op 77 Fantasie [...] and the late A major sonata Op 101, which Hodges played with an intelligence and insight that suggests he ought to be heard more in the 19th-century repertoire." Of a performance of Beethoven's Bagatelles op. 126, Suzanne Yanko wrote that "his performance was engrossing... What we heard was an authoritative, assured and, at times, stunning rendition of the bagatelles that brought out their many contrasts."

Nicolas Hodges (born 1970, in London) is a pianist living in Germany.