Age, Biography and Wiki

Özkan Manav was born on 20 May, 1967, is a composer. Discover Özkan Manav's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 56 years old?

Popular As N/A
Occupation N/A
Age 56 years old
Zodiac Sign Taurus
Born 20 May 1967
Birthday 20 May
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 20 May. He is a member of famous composer with the age 56 years old group.

Özkan Manav Height, Weight & Measurements

At 56 years old, Özkan Manav height not available right now. We will update Özkan Manav's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Özkan Manav Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Özkan Manav worth at the age of 56 years old? Özkan Manav’s income source is mostly from being a successful composer. He is from . We have estimated Özkan Manav's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income composer

Özkan Manav Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

2012

Müzikte Alımlama (Reception in Music), Pan Yayıncılık, Istanbul, 2012. [with Mehmet Nemutlu]

2011

Uzun Hava, eight winds and two string instruments (2011)

2010

The Land of Beautiful Horses, string quartet (2010)

2008

Three Turkish Folk Songs, violoncello and piano (2008–09)

2007

Countryside Landscapes: Winter, fourteen string instruments (2007)

2005

Face-to-Face with Saygun: Proliferations on Five Pieces from Modal Music, violin (2005)

2001

Kız sen geldin Çerkeş’ten, polyphonic arrangement (2001)

1997

Nazım Hikmet Songs, baritone and piano (1997–98)

1996

Wanderings, two oboes, two clarinets and alto saxophone (1996−97, rev. 1998, 2004)

1995

Poems with Music, six musicians and narrator (1995–96)

1994

Allam alam, polyphonic arrangement for choir and percussions (1994)

1991

Dök zülfünü meydâna gel, polyphonic arrangement (1991)

1989

Sinfonietta, wind instruments, timpani and xylophone (1989–90)

1971

Born in Mersin, a Mediterranean city in Southern Turkey, his family moved to Istanbul in 1971. He was introduced to music by his mother, who was a ballet dancer before her marriage. He started private piano lessons with Hülya Saydam in 1980, his first compositions appeared in 1981. He entered at the Mimar Sinan University State Conservatory's composition department in 1984 and became a student of Erçivan Saydam (harmony and counterpoint), Adnan Saygun (composition, modal music and fugue) and Afşar Timuçin (history of thinking, literature and aesthetics). After his graduation in 1991, he was appointed as an instructor in the same institution. Between 1991-96 he was a student in the composition class of İlhan Usmanbaş; earned his master's degree in 1994, pursued qualification in arts studies until 1996. From 1996 to 1999 he studied at Boston University with Lukas Foss and Marjorie Merryman. Upon finishing his doctoral studies at Boston University, he returned to Turkey and began to teach composition at his native institution, Mimar Sinan Fine Arts University State Conservatory in Istanbul. At present he is a faculty member in the same institution.

1967

Ali Özkan Manav (born May 20, 1967) is a Turkish composer of contemporary classical music. His earlier works reveal influences of Saygun, Usmanbaş and Ligeti (in rhythmic and contrapuntal design), at times progressing through aleatoric sections (in orchestral works). Later works combine newer timbral concerns with maqamic pitch content, microtones and elements of folk music (ornamentations, vocal and instrumental practices, etc.).