Patrice Roberts

Patrice Roberts was born and grew up in Trinidad. Trinidad is a nation having remarkable carnival culture, and it is also known to be the hub of the soca and the calypso music. The soca music is also called the soul calypso. Both genres represent the carnival culture in Trinidad. Trinidad carnival music exhibits three themes including the tradition, the social identity, and the performance context and function. The tradition component of the carnival music includes the usage of music in religious ceremonies and weddings. In these occasions, the instruments such as guitar, cautro, and maracas are used. In additional, vocal, clapping, stamping and special breathing sound "doption" are also used in the soca and calypso music. People dance in the Trinidad carnivals. The social identity component reflects the ethnic diversity in Trinidad. There are huge population of Indians, Africans, and other ethnicities. The soca music mixes the calypso with East Indian music. Comparing to calypso, the soca music has faster tempo and it is more energetic. The soca music is designed for festivity and cheerful dance. While the soca lyric has less storytelling, it is calling the audiences to respond to the singer. The soca music is also having more sound effects from the studio production. As a Trinidadian, Patrice Roberts’ songs exhibit characteristics of the soca music and the Trinidad carnival dynamic. As a popular singer, she performs the soca music to broad global audiences and fosters cultural exchanges. In 2006, Patrice Roberts sang with Machel Montano, an internationally known soca singer. Together, their song "Band of De Year" won the 2006 Carnival Road March. This achievement brought fame to both singers, the soca music, and the Trinidad carnival culture.

To understand her career one must understand her struggles, obstacles and successes, a simple word of advice from her to anyone interested in following their dreams is, "Believe in them." To date Roberts has been recognized for some of her hit singles namely, 'Big Girl Now', 'Old and Grey', ‘A Little Wine’, ‘Sweet Fuh Days’, ‘Like It Like This’, 'Touch Me', ‘Into You’, ‘Criminal Wine’, and 'B.O.D.Y' with Machel Montano, among others.

On 1 January 2017 Patrice Roberts released a song called Big Girl Now. In the context of Caribbean and Trinidadian history and Roberts’ role as a female soca artist, the song serves as a modern repudiation of a male dominated culture. Trinidadian culture has historically been male dominated and the same can be said of soca since its inception. Before and after Trinidad's independence from Britain, the country has kept a strict binary of male and female roles. Men dominated the "rational" public sphere thus laying claim to the spoken word and women were relegated to the private sphere as was much of the rest of the Caribbean. The gendered authority over the spoken word in the Caribbean and Trinidad gives great meaning to women who challenge such notions. In the 1980s, the male dominated field of soca music began to shift as Trinidadian vocal performers began to emerge. Enter Patrice Roberts who was born in 1985 just as women began to dominate soca music. In Big Girl Now, Patrice Roberts brushes past traditional notions of who can and can't produce soca music and takes back her own sexuality as a grown woman from a society that attempts to tell her what she can and can't do. Much of gendered Trinidadian society can be traced back to early post-independence. Just after the independence of Trinidad from Britain on 31 August 1962, the country set about creating the imagined community of "nation" and citizenry (state). In this light the creation of cultural borders such as that on sexuality is one of the modern nation-state. For example, the Sexual Offenses Bill of 1986 that attempted to regulate women's bodies by dictating what was allowed sexually. The bill stated that " promiscuity" was a "contaminant of the West". Soca music as performed by female soca performers, such as Patrice Roberts in Big Girl Now, can be thought of as a repudiation of the nation-state evident in lyrics such as "mind your business, hush your mouth" while Patrice Roberts and her friends in the music video for Big Girl Now take part in what might be considered "promiscuous behavior" by traditional norms. Some critics of Caribbean music and the soca music scene such as author Kevin Frank believe the role of women to be a solely exploitative and poisonous one while looking at the lyrics of male soca artists and the dance "winning". These critics fail to take into account contemporary female soca performers and the colonial history of pre-independence Trinidad as well as early post-independence Trinidad. Both periods sought out to control the sexuality of women. According to Susan Harewood, national narratives that make up the conception of "nation" are multi-authored but rarely egalitarian. Throughout Trinidad's history these narratives have been written by men. Artists and Trinidadian women such as Patrice Roberts are authoring their own narrative of what it means to be a Trinidadian woman.

In 2006, shortly after Patrice shot into the spotlight she became one of the frontline vocalists and the only female vocalists in the internationally recognized Soca Band, which at that time was known as Xtatik (now HD). For Patrice

Patrice Roberts has also competed in the International Soca Monarch in Trinidad on several occasions. In 2006, she placed second alongside Zan with the track "Always Be" in the "Groovy" category. Her collaboration with Machel Montano, "Light it Up" placed 4th in the "Power" category in 2007. In 2008, she placed second in the "Groovy" category with her song "More Wuk".

Her greatest achievement so far has been winning the 2006 Road March competition with the song "Band of the Year" sung with Machel Montano.

She came to national attention in 2005 with the huge hit collaboration "The Islands" alongside Bunji Garlin, written by Kernal Roberts and produced by Shawn Noel (Da Ma$tamind), which was used in promotional commercials by the Ministry of Tourism.

It was in 2005 when Patrice Roberts shocked the entertainment industry in Trinidad and Tobago with her talent. Her introduction through a vocal collaboration was with Bunji Garlin, who at that time was in the spotlight. It was her refreshingly soothing and powerful vocals that quickly got her the attention that many established entertainers desired. Very few were able to provide accurate answers about her and her career, appearing mystery like. Patrice Roberts has assumed her position in the Caribbean music industry as a force to be reckoned with.

the "Soca World." This is how 2005 began. One of her greatest achievements followed soon after when she was named the youngest female Road March winner for her collaboration with Machel Montano titled “Band Of The Year”. This achievement would solidify her existence in the Soca world and prove to critics that she was more talent than they expected. Her talent has provided her with opportunities to travel extensively throughout the Caribbean, The USA and Europe with more opportunities still presenting themselves.

In her early career, Roberts first won the 1995 Sangre Grande Junior Calypso Monarch competition. In 2000, she became a top finalist in the competition, marking her ascent in the calypso arena. In the year 2001, she became the National Soca Monarch, the National Library Calypso Monarch and the National Junior Calypso Monarch. She again won the National Junior Calypso Monarch in 2002. Other achievements include Toco Personality Winner 2000 and U.N.D.P. second-runner up 2001.

Patrice Roberts (born 11 April 1985) is a Trinidadian soca singer.