Age, Biography and Wiki
Patrick Martinez was born on 1980, is an artist. Discover Patrick Martinez's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 43 years old?
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We recommend you to check the complete list of Famous People born on 1980.
He is a member of famous artist with the age 43 years old group.
Patrick Martinez Height, Weight & Measurements
At 43 years old, Patrick Martinez height not available right now. We will update Patrick Martinez's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Patrick Martinez Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Patrick Martinez worth at the age of 43 years old? Patrick Martinez’s income source is mostly from being a successful artist. He is from . We have estimated
Patrick Martinez's net worth
, money, salary, income, and assets.
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$1 Million - $5 Million |
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Timeline
In the Fall of 2021 Patrick's artwork will also be exhibited in the Tucson Museum of Art as part of a solo exhibition.
His most notable artworks are his "Po-lice Misconduct Misprint- Lost Colors Series". This series depicts victims of police brutality and pays homage to those victims. In the wake of the murder of George Floyd on May 25, 2020, Martinez responded through art with the creation of his "Racism Doesn't Rest During a Pandemic Pee Chee" (No Justice No Peace 2020). This piece depicts the faces of George Floyd, Breonna Taylor, and Ahmaud Arbery, who all died at the hands of police. Patrick Martinez's childhood experiences of racism and his diverse ethnic background gave him a voice to speak out against racism and police brutality through his art.
WHAT RESONATES: SOUTHLAND AT CHARLIE JAMES GALLERY - ESSENCE HARDEN — AUGUST 22, 2016
Splinter - June 29, 2016 - Iconic ‘Pee-Chee’ folders reimagined with familiar scenes of police brutality - By Jorge Rivas
Martinez earned a Bachelors in Fine Arts with Honors from Art Center College of Design in 2005. In 2021, he was awarded the Rauschenberg Residency, an artist-in-residence program at artist Robert Rauschenberg's former residence in Captiva Island, Florida, but due to the outbreak of Covid-19, the residency was postponed.
Patrick Martinez (born 1980) is a visual artist based in Los Angeles. He works in mixed-media landscape paintings, neon sign artwork, as well as his Pee Chee collection of works. One of his signature styles of art is depicting and memorializing victims of abuse as the subjects of his art.
Patrick Martinez was born in Los Angeles in 1980 to mixed race parents of Filipino, Mexican, and Native American descent. He spent his childhood residing in Los Angeles which influences much of his art. He is known for mixed media landscape, painting, and neon artwork that often speaks out for diversity and justice. His work has been exhibited all over the world but can be seen at LACMA as well as the Charlie James Gallery in Los Angeles. The importance of diversity, immigration, and racism are all common themes of his work, which aims to shed light upon the growing issue of inequality. Growing up in Los Angeles, California, Patrick Martinez has recounted unfair interactions with police officers. These interactions with law enforcement often left him feeling harassed. One of his first known pieces is his Pee- Chee All Season Portfolio, which was a collection of illustrations, doodles, and helpful tips for how to conduct oneself during a police encounter. Many of his works draw upon feelings of profiling and mistreatment from police. The art of Patrick Martinez often falls into the category of Social History of Art. This is because many of his pieces are indistinguishably linked to social and political events that occurred at the same time he created them. These social events which occurring alongside his art gave them context in how the art should be viewed.