Age, Biography and Wiki
Peter Bagge is an American cartoonist and comic book artist. He is best known for his work on the comic book series Hate, which he created in 1990. He has also worked on other titles such as Neat Stuff, Sweatshop, and Apocalypse Nerd.
Bagge was born on December 11, 1957 in Peekskill, New York. He attended the School of Visual Arts in New York City, where he studied cartooning and illustration.
Bagge has been married to cartoonist Joanne Bagge since 1985. They have two children.
Bagge's net worth is estimated to be around $2 million. He has earned his wealth through his career as a cartoonist and comic book artist. He has also written and illustrated several books, including The Bradleys, Other Lives, and Apocalypse Nerd. He has also written for television shows such as The Simpsons and King of the Hill.
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66 years old |
Zodiac Sign |
Sagittarius |
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11 December 1957 |
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11 December |
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Peekskill, New York, U.S. |
Nationality |
United States |
We recommend you to check the complete list of Famous People born on 11 December.
He is a member of famous with the age 66 years old group.
Peter Bagge Height, Weight & Measurements
At 66 years old, Peter Bagge height not available right now. We will update Peter Bagge's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Peter Bagge Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Peter Bagge worth at the age of 66 years old? Peter Bagge’s income source is mostly from being a successful . He is from United States. We have estimated
Peter Bagge's net worth
, money, salary, income, and assets.
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$1 Million - $5 Million |
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Peter Bagge Social Network
Timeline
Bagge was also the recipient of a 2014 United States Artists award, and was named a Rockefeller Fellow for Literature.
Reset is a four-part, monthly comic-book miniseries written and illustrated by Bagge and published by [[Dark Horse Comics]. The story revolves around a middle-aged, washed-up comic actor who agrees to take part in the development of a computer application that allows him to relive his life in a virtual sense. The first issue was released in April 2012. It was collected into a book that same year.
Other Lives is a graphic novel written and drawn by Bagge, and published by DC Comics on their Vertigo imprint in 2010. The story revolves around four people, whose real lives—along with their online virtual personas—interact in ultimately disastrous ways.
Bagge was presented with an Inkpot Award at San Diego Comic-Con International 2010 in recognition of his achievements in comics.
Starting with the February 2009 issue, the popular science and technology magazine Discover has featured a continuing series of History of Science comic strips created by Peter Bagge. Bagge's comics feature key characters and events from scientific history.
Bagge is the subject of the first volume of TwoMorrows Publishing's new Comics Introspective series of books, published in 2007. Peter Bagge: Conversations, a collection of interviews with Bagge spanning three decades was published 2015 by the University Press of Mississippi.
From 2005–2007, Bagge worked on Apocalypse Nerd, a comic published by Dark Horse Comics about two average, urban males dealing with the aftermath of a nuclear attack on the Pacific Northwest. Backup stories in Apocalypse Nerd featured historically researched anecdotal tales of America's "founding fathers". The final issue of the six-issue series was published in 2007. A trade paperback collection was released in 2008.
In 2003, Bagge became a contributing writer with the libertarian magazine Reason in whose pages he has published both prose and comics pieces over the years. 2009 saw the release of a collection of Bagge's Reason work called Everybody Is Stupid Except for Me (And Other Astute Observations). A second edition was released in late 2013. Bagge continues to contribute to Reason.
In 2002, Bagge did his version of Spider-Man for Marvel Comics. He followed this with a Hulk comic, The Incorrigible Hulk, which was completed but never released due to a management change at Marvel Comics at the time. In August 2009, The Incorrigible Hulk was finally released in serialized form for the Marvel Knights imprint's Strange Tales miniseries.
Bagge made a series of animated commercials for Round Table Pizza. In 2001 Bagge collaborated with comedian Dana Gould to produce the Macromedia Flash Internet cartoon Murry Wilson: Rock 'N' Roll Dad. The four-episode series premiered on Icebox.com.
Bagge has long been openly libertarian in his politics, and many of his comics feature references to this. He opposed the Iraq War and criticized George W Bush. Bagge voted for Libertarian presidential candidate Harry Browne in 2000 and Democrat John Kerry in 2004 because he "wanted to fire Bush." When asked who he was voting for in the 2008 election, he wrote: "If the polls in my home state are close: Obama (McCain is simply too incompetent these days to be president). If not, I'll make a protest vote for [Bob] Barr." In a follow-up article in Reason, Bagge stated, "I wound up voting for Barr, and I stand by that vote more now than I did then!"
Bagge created and wrote an all-ages comic series for DC Comics called Yeah!, about an all-girl rock band, drawn by Gilbert Hernandez. The series ran nine issues (1999 to 2000). Sweatshop, published by DC Comics in 2003, was produced, unlike early issues of Hate, with the help of an art team. The series ran six issues.
Starting in 1998 (in a piece for Details magazine), and really intensely in the years 2000 to 2002, Bagge did a number of comics journalism stories — on such topics as politics, the Miss America Pageant, bar culture, Christian rock, and the Oscars — mostly for Suck.com.
Bagge won the 1991 Harvey Award for Best Cartoonist. In addition, Hate won the 1991 Harvey Award for Best New Series, and has been nominated for various Harvey awards in 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998 and 1999.
Bagge won the UK Comic Art Award for Best Writer/Artist in 1990 (and was nominated for the same award in 1992 and 1993). In addition, Buddy Bradley from Bagge's Hate won the 1991 UK Comic Art Award for Best Character.
In 1985, Bagge entered into a long professional association with the alternative-comics publisher Fantagraphics, beginning with his first solo series, Neat Stuff. This omnibus introduced such characters as Girly-Girl, Junior, Studs Kirby, The Bradleys, and Buddy Bradley. Neat Stuff ran until 1989. Its sequel series, Hate (1990–1998), is Bagge's best-known. After ending Hate as a regular title, Bagge has produced a series of Hate Annuals.
When Punk ceased publication in 1980, Bagge and Holstrom co-published Comical Funnies. Bagge sent copies of Comical Funnies to underground comics legend Robert Crumb, who published some Bagge strips in the anthology Crumb was editing, Weirdo. In 1983, Crumb passed on the editorial reins of Weirdo to Bagge, who edited it for three years (and one guest issue in 1989).
Moving to New York City in the mid-1970s, Bagge attended the School of Visual Arts for three semesters in 1977 before dropping out to work on Punk Magazine.
Peter Bagge (pronounced /b æ ɡ / , as in bag; born December 11, 1957) is an American cartoonist whose best-known work includes the comics Hate and Neat Stuff. His stories often use black humor and exaggerated cartooning to dramatize the reduced expectations of middle-class American youth. He won two Harvey Awards in 1991, one for best cartoonist and one for his work on Hate. In recent decades Bagge has done more fact-based comics, everything from biographies to history to comics journalism. Publishers of Bagge's articles, illustrations, and comics include suck.com, MAD Magazine, toonlet, Discover, and the Weekly World News, with the comic strip Adventures of Batboy. He has expressed his libertarian views in features for Reason.
Bagge's signature elastic, kinetic art style is a product of his love for 1940s Warner Brothers cartoons (especially those directed by Bob Clampett). Bagge has said that he "always wanted to capture that sense of movement and exaggeration in a static format. In retrospect this sounds like a futile thing to attempt, but I think I wound up pulling it off better than I ever thought I would."