Philipp Keel

The younger of two sons, Keel, though lively and curious at home, was shy and inattentive at school. As early as kindergarten, he found himself more captivated with toys and books than with games or lessons. Diane Arbus’ photographs featured frequently in his imagination. When Keel was fourteen years old, he literally escaped from boarding school in Gruyère and used his birthday money to take a train to Paris. It was during this sojourn that he discovered a passion for photographing people and mysterious details, using a camera he found in a park. At the same time, Keel began to make drawings and caricatures inspired by the works of Tomi Ungerer, Saul Steinberg and Sempé.

That autumn, Keel started studying at University of Television and Film (formerly: HFF), Munich. Upon graduation three years later, Keel moved to Los Angeles. The city, in the aftermath of the Rodney King riots and the Northridge earthquake, was cheap and relatively empty. Keel wrote a few scripts and continued making art, but soon found himself overwhelmed and broke. Inspired by his observation that the privilege of talking about oneself seems to be reserved for famous people, Keel wrote All About Me, a candid questionnaire in twenty-five chapters about life and love, designed to help readers deepen their understanding of themselves. With over three million copies in print worldwide, other books in the All About series include All About Us, and All About Me – The Teenage Edition.

It was only after relocating to California that Keel started photographing in color, and that he discovered painting and printmaking. He collaborated with Don Weinstein, a printer who has worked with artists like Annie Leibovitz, Richard Avedon, and Helmut Newton, and who invited him to experiment with archival inks. A solo show at the Galerie zur Stockeregg marked Keel as the first artist to exhibit large-scale Imbue Prints. In a move toward closure with a chapter of his career, Keel undertook the task of editing and cataloging his entire black-and-white photography archives. The result was his first art publication, Look at Me. His next art book, Color, was released three years later, followed by AISA – Images from an Imaginary Continent in 2005.

Keel achieved critical and popular acclaim after the best-selling All About Me, a book series with over three million copies in print. Central to his work are caricature, the beauty of details, light, and the complexity of the human mind. Noted for pioneering the Imbue Print technique, Keel received recognition in the art world with a solo show at Art Basel in 2001. Two years later, Steidl Publishing released Color, the most comprehensive collection of his editions.

In 1992 Keel moved to Minneapolis, where he met John Dunkley, a Native American of the Ojibwe Tribe. The two became friends, and Keel was inspired with the idea for a docudrama about a Swiss man who decides to explore living in the poorest county in the United States. Keel moved onto the Pine Ridge Reservation in the Badlands, South Dakota. There, with the help of the Oglala Sioux, he completed the film under the influence of fluid morphine, which had been prescribed for a dislocated shoulder he suffered during a basketball game at a local orphanage. Greetings From Pine Ridge marked his first directorial turn.