Polly Bergen

In the spring of 2008, she played the role of "Madame Armfeldt" in Stephen Sondheim's "A Little Night Music" at Baltimore's Center Stage -- to standing ovations. [April 2008]

Had to leave the 2007 musical "Camille Claudel" (due) following minor surgery. She was replaced by Joan Copeland.

When not working, she lived quietly among her Hollywood pals in the hills of Litchfield County, Connecticut. [October 2006]

Joined the cast of Commander in Chief (2005) as the President's mother. [November 2005]

In a six-decade-plus career (she started out as a radio performer at age 14), there are very few facets of entertainment that lovely singer/actress Polly Bergen has not conquered or, at the very least, touched upon. A nightclub and Columbia recording artist of the 50s and 60s, she is just as well known for her film and Emmy-winning dramatic performances as she is for her wry comedic gifts. In the leaner times, she has maintained quite well with her various businesses. Truly one for the ages, Polly has, at age 70+, nabbed a Tony nomination for her gutsy "I'm Still Here" entertainer Carlotta in Stephen Sondheim's "Follies", and was still dishing out the barbs as she recently demonstrated as Felicity Huffman's earthy mom on Desperate Housewives (2004).

As of March, 2002, Ms. Bergen was playing Fraulein Schneider in the long running Broadway Revival of "Cabaret" at Studio 54 in New York City.

Quite huskier in tone, she went on to delight the New York musical stage with stand-out performances in "Follies" (2001), "Cabaret" (2002) and "Camille Claudel" (2007). Polly still made nightly appearances and had even put together singing concert tours on occasion. Polly has authored three best-selling beauty books outside the acting arena and has demonstrated a marked level of acumen in the business world.

In the years to come, she would find herself still in demand displaying her trademark comic grit in such shows as The Sopranos (1999), Commander in Chief (2005) and Desperate Housewives (2004).

Polly returned to singing in 1999 after nearly a three-decade absence (due to health and vocal issues).

This, along with her participation in the sequel, War and Remembrance (1988), earned Polly supporting Emmy nominations.

Hard-hit by the financial crisis of 1987, Bergen sold her 4,000-square-foot Park Avenue apartment, appeared in a few television movies, and moved to Montana for a few years. "I just couldn't bear the humiliation of what I was doing," she told the New York Times. "I just can't stand in these lines with 35 actresses who've each got 63 million miles of film, waiting to audition for some idiot who's 12 years old." Bergen later returned to singing, working with a vocal coach to freshen her skills. In 1999, Bergen performed at a Miami Beach benefit performance of Stephen Sondheim's "Company." The audience loved her. "They were like, 'Is she still alive?'" she said. "It felt like I'd never been gone, but I knew I could get better." At 70, Bergen was back on Broadway, nominated for a Tony award in Sondheim's "Follies." Her hit song was "I'm Still Here": Good times and bad times -- I've seen them all. And, my dear: I'm still here......

A third marriage in the 1980s also ended in divorce.

An assertive voice when it comes to women's rights and issues, her memoir "Polly's Principles" came out in 1974.

A mild string of TV-movies came her way as she matured into the 1970s and 1980s, most notably the acclaimed miniseries The Winds of War (1983), which reunited her with Robert Mitchum, this time as his unhappy, alcoholic wife.

For 30 years, from 1969 to 1999, the husky-voiced Bergen did a lot of showing up for work without singing a note. Excessive smoking and respiratory problems were the primary causes.

Founding a mail-order cosmetics business in 1965, she sold it to Faberge eight years later. She also developed her own shoe and jewelry lines.

Played the first woman president in the movie Kisses for My President (1964) and played the mother of the first woman president on the TV show Commander in Chief (2005)

Other opportunities came in the form of her distraught mental patient in The Caretakers (1963), which found her at odds with nurse Joan Crawford and doctor Robert Stack; the sparkling comedy Move Over, Darling (1963), which placed her in a comedy triangle with "other wife" Doris Day and husband James Garner; and as the first woman Chief Executive of the White House in the frothy comedy tidbit Kisses for My President (1964) opposite bemused "First Gentleman" Fred MacMurray. In what was to be a tinge of deja vu, Polly again saw her movie career dissipate after only a couple of vehicles. True to form, the indomitable Polly rebounded on TV.

As the wife of Gregory Peck and designated victim of revengeful psychopath Robert Mitchum in the taut movie thriller Cape Fear (1962), her film career reignited.

In the early 1960s, Bergen formed a cosmetics firm that marketed beauty preparations made from "the oil of the turtle." In 1973, Bergen sold the cosmetic company to Fabérge.

This culminated in her own variety program, The Polly Bergen Show (1957). The song "The Party's Over" became her traditional show-closer and signature tune. Polly also showed some marquee mettle on the cabaret and nightclub circuits, performing at many of the top hotels and showrooms throughout the country.

For her role as alcoholic torch singer Helen Morgan in the special TV showcase Days Of Wine & Roses - Cliff Robertson & Piper Laurie, "Playhouse 90" Original TV Version: The Helen Morgan Story (1957) , she took home the Emmy award. Unfortunately for Polly, Ann Blyth took on the role of the tragic singer in the film version (with Gogi Grant providing the vocals), in what could have been a significant return to films for her. Instead, Polly had to wait another five years for that to happen.

A delightfully engaging game show panelist to boot, she took a regular seat on the To Tell the Truth (1956) panel for five seasons. Polly tended to display a looser, down-to-earth personality to induce laughs but she was also was formidable dramatic player and fashion plate quite capable of radiating great charm, poise and elegance.

Bergen's personal life, over the years, was not as smooth as her career. Her four-year marriage to actor Jerome Courtland ended in an acrimonious divorce in 1955. Her second marriage was to super-agent and producer Freddie Fields -- they divorced in 1975 after 18 years. In 1982 she married entrepreneur Jeff Endervelt. She co-signed his loans and gave him millions to invest from her beauty company profits. She said in a 2001 New York Times interview: "He would come home and say, 'Honey, sign this.' I wouldn't even look at it. Because you trust your husband." The stock market crash of the 1980s wiped out the investments. She divorced him in 1991, and she said he left her with so many debts she had to sell her New York apartment and other belongings to avoid bankruptcy.

MGM and Universal had the idea to cast her in a more serious vein with co-starring roles in their dramas Escape from Fort Bravo (1953), Arena (1953) and Cry of the Hunted (1953), but again she was overlooked. Disasppointed, she decided to abandon her lucrative film contract and seek work elsewhere.

She made her Broadway debut along with Harry Belafonte in "John Murray Anderson's Almanac" in 1953, and went on to appear in such stage shows as "Top Man" and "Champagne Complex".

Pollly Bergen, an outspoken actress who also gained acclaim as a nightclub singer, a cosmetics entrepreneur and a ubiquitous quiz-show panelist, did not start out as an overnight smash. Bergen was 20 and already an established singer when she starred in her first Hollywood feature film -- a Dean Martin-and-Jerry Lewis comedy called "At War With the Army" -- that was released by Paramount Pictures in 1951. Los Angeles Times reviewer Philip K. Scheuer allowed that there might be hope for the attractive but inexperienced newcomer. "Miss Bergen looks like a nice person and her voice is pretty good, but she doesn't know how to face a camera," Scheuer wrote. "Give her time. She's new." She joined Martin and Lewis in two more Paramount film comedies, "That's My Boy" and "The Stooge." In 1953, she made her Broadway debut with Harry Belafonte in the revue "John Murray Anderson's Almanac." From 1956-1961 she became a regular panelist on the popular New York based CBS Mark Goodson - Bill Todman produced television game show "To Tell the Truth" with Bud Collyer, Kitty Carlisle and Tom Poston. In 1958, seven years after her first Hollywood feature film with Martin and Lewis, Bergen won a best-actress EMMY for her compelling CBS' William S. Paley's Television anthology series "Playhouse 90" in her portrayal of Helen Morgan, the troubled torch singer of the 1920s and '30s. In 1964's "Kisses for My President," Bergen was cast as the first female U.S. President, with Fred MacMurray as First Gentleman. In the end, the president quits when she gets pregnant. Most importantly in the Dan Curtis Productions' ABC Television 1983 seven episodic mini-series "The Winds of War," and the 1988 sequel, Bergen was nominated for another EMMY in 1989 for best supporting actress in a network television mini-series or special for Dan Curtis Productions' ABC Television "War and Remembrance." She appeared as the troubled wife of high-ranking Navy officer Pug Henry, played by Robert Mitchum. Mitchum also had the key role in the original 1962 landmark Universal-MCA feature suspense film, "Cape Fear," as the sadistic ex-convict who terrorizes a lawyer (Gregory Peck) and his wife (Bergen) and daughter because he blames Peck for sending him to prison.

But At War with the Army (1950), That's My Boy (1951) and The Stooge (1951) did little for Polly although she presented herself well.

That "elsewhere" came in the form of 1950s TV. Focusing on her singing, she promoted her many albums for Columbia by guest-starring on all the top variety shows of the times.

Married (1950-1955) to MGM actor Jerome Courtland during her first movie career peak, she later wed topflight agent/producer Freddie Fields in 1957, a union that lasted 18 years and produced two adopted children, Pamela and Peter.

Having made an isolated film debut (as Polly Burgin) a year earlier in the Monogram western Across the Rio Grande (1949), Wallis showcased her as a decorative love interest in the slapstick vehicles of Dean Martin and Jerry Lewis, the (then) hottest comedy team in Hollywood.

Born in Knoxville, Tennessee as Nellie Burgin on July 14, 1930, her family, which included father William, mother Lucy and sister Barbra, eventually moved to Los Angeles. By the time she was 14, Polly was singing professionally on radio and managed to scrape up singing gigs with smaller bands around and about the Southern California area. She attended Compton Junior College before Paramount mogul Hal B. Wallis caught sight of her and signed her up with his studio.