Raimu

The 62-year-old actor died of a heart attack on September 20th following an allergic reaction to anesthesia while on the table for a minor leg operation. The outpouring of grief felt by his native country was monumental.

"Raimu returned to filming following the war with Hoboes in Paradise (1946) co-starring Fernandel.

In March of 1946, while shooting his next post-war film The Eternal Husband (1946), he was involved in a car accident that would require some surgery.

His film popularity continued to soar into the war years with roles in Pagnol's The Well-Digger's Daughter (1940), as well as The Man Who Seeks the Truth (1940), Les inconnus dans la maison (1942), Midnight in Paris (1942), Les petits riens (1942), Immortal France (1943) and the title role in Balzac's Le colonel Chabert (1943). He also returned to the theatre in such productions as "The Bourgeois Gentleman" and "The Imaginary Invalid.

For his superb work in both Julien Duvivier's Un carnet de bal (1937) and Pagnol's The Baker's Wife (1938), he won the National Board of Review award. Along the way Raimu worked with a host of legendary directors including Marc Allégret, Henri Decoin, Alexander Esway and Sacha Guitry.

(1936), Confessions of a Newlywed (1937), Heroes of the Marne (1938), Monsieur Brotonneau (1939) and Noix de coco (1939).

Survived by wife (from 1936) Esther Metayer (1905-1977) and daughter, Paulette Brun (1925-1992). Raimu was laid to rest in a cemetery in the town where he was born.

Raimu transferred the role of César brilliantly to the film trilogy Marius (1931), Fanny (1932) and César (1936) all co-starring Pierre Fresnay as Marius and Orane Demazis as Fanny. He went on to work with Pagnol quite frequently. Closely identifying himself with the iron-willed working class, Raimu swayed quite effectively from humor to great pathos in characters that reminded one in looks and flavor of a grubby, weary-looking Honoré de Balzac.

His star role with leads in Le blanc et le noir (1931), La petite chocolatière (1932), Mam'zelle Nitouche (1931), Théodore et Cie (1933), the title roles in Charlemagne (1933) and Tartarin de Tarascon (1934), The King (1936), Faisons un rêve. . .

Immortalized in Pagnol's trilogy, arguably celebrated as the greatest series ever put together, Raimu continued to charm in primarily 1930's social comedies.

Continuing to thrive on the live stage, Raimu's serious intentions as an actor were solidified with the 1929 stage production of the Marcel Pagnol play "Marius," which told story of a wanderlust sailor, his wife Fanny and father César.

Around this time, he also began to appear in minor roles in silent film shorts (1911-1917), but nothing much came from them and he left the screen.

Orson Welles once called beloved French character star Raimu (né Jules Auguste Cesar Muraire) "the greatest actor who ever lived. " It is hard to argue the compliment of one genius to another. The jowly, cigar-chomping comedian was born in Toulon, France on December 17, 1883 of very humble means, his father making ends meet as an upholsterer. Raimu began his stage career at age 16 as a music hall extra imitating famous French comic idols. Using the stage name of Raimut (he later dropped the "t"), he eventually gained a following in dance halls, cafe concerts, nightclubs and pubs as an entertainer but cemented his reputation on the Parisian comedy stages.