Robert Evans

He has one grandson, Jackson, born in 2010 to son Josh Evans and daughter-in-law Roxy Saint (a singer).

His seventh wife, Lady Victoria White, filed for divorce on June 16, 2006 citing irreconcilable differences (June 21, 2006).

His autobiography, "The Kid Stays in the Picture", printed in 12 languages, and its film version premiered at Sundance Film Festival, Jan., 2002.

His 1998 marriage to Catherine Oxenberg lasted only ten days.

Was the inspiration for the Stanley Motss character played by Dustin Hoffman in Wag The Dog (1997). Hoffman emulated Evans' work habits, mannerisms, quirks, his clothing style, hairstyle, and wore large square-framed eyeglasses. After seeing the film, Evans reportedly said, "I'm magnificent in this film!".

Evans righted his career with a new Paramount deal in the 1990s, with his last producing credit having been on the blockbuster romantic comedy How to Lose A Guy In 10 Days (2003).

) Eased out of Paramount, he saw The Cotton Club (1984) turn from a musical "Godfather" into a fiasco of front-page proportions.

Was the basis for the Robert Vaughn character in Blake Edwards's S.O.B. (1981).

Accompanied Raquel Welch to Super Bowl (X) at Miami's Orange Bowl where eleven cameras were simultaneously shooting live crowd and football scenes for his movie Black Sunday (1977)

Was offered the role of Monroe Stahr in the biopic The Last Tycoon (1976) (inspired by Irving Thalberg) but declined. Coincidentally, Evans had earlier played Thalberg in his film debut.

(The latter film and Chinatown (1974) are the artistic highlights of Evans' Paramount career, though the amount of credit he deserves for them has been debated for decades.

Attended Henry Kissinger's 50th birtday party at New York's Harmony Club in 1973

Declined offers to produce then future blockbusters Airport (1970), The French Connection (1971), and Jaws (1975).

Attended Super Bowl (I) with friend Clint Eastwood in 1967

In his autobiography, producer David Brown recounts how his partner, Richard D. Zanuck, offered the lead in Lawrence of Arabia (1962) to Evans as a practical joke.

In the late 1960s and early '70s, he became the quintessential "new Hollywood" executive, with: slickly packaged productions like Rosemary's Baby (1968), Love Story (1970) and The Godfather (1972) revived Paramount.

Robert Evans was born in New York City, to Florence (Krasne) and Archie Shapera, a dentist with a thriving practice in Harlem. His family was of Russian Jewish descent. He was raised on Manhattan's Upper West Side. He began his show-business career as a teenage radio actor. After flopping in his first attempt at movie acting, he took a job promoting sales of ladies' slacks for Evan-Picone, the clothing company founded and run by his brother. Some years later, Norma Shearer spotted him hanging around the pool at the Beverly Hills Hotel; she successfully touted him for the role of Irving Thalberg in Man of a Thousand Faces (1957). In a New York nightclub, Evans also caught the eye of Darryl F.

Zanuck, who cast him as a bullfighter in The Sun Also Rises (1957). By the end of the fifties, Evans writes, "I was sure of one thing: I was a half-assed actor. " He determined to recast himself as a producer. Before launching his first picture, though, he was hired by Charlie Bluhdorn, head of the Gulf + Western conglomerate, as part of a shakeup of Paramount Pictures. Within months Evans was head of production.

Celebrity attorney Robert Shapiro celebrated his 50th birthday at the estate.

Two of his divorces were finalized on the date of July 21st. Another two were finalized on the date of July 22nd.