Roger Nichols (recording engineer)

Steely Dan biographer Brian Sweet disclosed in 2018 that Nichols had been fired in early 2002 when recording sessions for Everything Must Go at New York City's River Sound resumed, having been suspended after the 9-11 attacks, without Nichols' participation or knowledge. Sweet's updated revision of his book Reelin' in the Years stated he was "... cut off without any notification or justification. Nichols was devastated to be treated in such a manner by his friends and after 30 years of working together."

The Roger Nichols Recording Method, his guide to audio engineering, was released by Alfred Music Publishing on June 17, 2013.

Roger Nichols was a pro audio columnist and gear reviewer for many years at EQ, a professional audio magazine. He also wrote prose extensively, including material for master classroom use, which he intended to turn into a textbook on recording technique. He did not live to see the final publication of his works, the first of which, The Roger Nichols Recording Method, has been compiled and edited by his wife Conrad Reeder and Mike Lawson for Alfred Music Publishing, under the oversight of Alfred CEO Ron Manus, who in early 2013 stated "We are so thrilled to have the opportunity to publish Roger's work. I can think of no better way to honor his memory and legacy than by making his unparalleled experience and knowledge available to the world." Reeder stated, "I am especially grateful to Ron Manus, Mike Lawson and the entire Alfred Publishing team for ensuring that a new generation will benefit from Roger's artistry and inventive brilliance in the recording studio by releasing The Roger Nichols Recording Method. Roger would also be thrilled about it, especially since Alfred CEO Ron Manus, was once his 2nd Engineer in the studio."

Nichols is best known for his work with the group Steely Dan and John Denver. He was also the audio engineer for numerous major music acts including the Beach Boys, Stevie Wonder, Frank Zappa, Crosby Stills & Nash, Al Di Meola, Rosanne Cash, Roy Orbison, Cass Elliot, Plácido Domingo, Gloria Estefan, Diana Ross, Béla Fleck and the Flecktones, Rickie Lee Jones, Kenny Loggins, Mark Knopfler, Eddie Murphy, Michael McDonald, James Taylor, and Toots Thielemans, among others. On February 11, 2012, Nichols was awarded a Special Merit/Technical Grammy Award, his eighth Grammy overall.

In May 2010 Nichols was diagnosed with stage IV pancreatic cancer. He died from the disease at his home on April 9, 2011. In his subsequent New York Times obituary, Nichols was referred to in the headline as an "Artist Among Sound Engineers."

Nichols was diagnosed with stage 4 pancreatic cancer on May 29, 2010. In early 2011 he was reported to be "fighting for his life." Nichols died on April 9, 2011, aged 66.

In 2006 Nichols' work was formally recognized by The Recording Academy (Grammys) Producers and Engineers Wing.

Nichols was also a scuba diving instructor, an avid photographer, and an airplane pilot, and was close friends and flying buddies with singer/songwriter John Denver. Nichols engineered and produced albums for Denver over a nearly twenty-year period, including the 1998 children's railroad train album titled All Aboard! which earned Denver his first Grammy, awarded posthumously. Nichols was on his way to California to fly with Denver in his new experimental Long-EZ plane when he learned of the crash in which Denver was killed.

Interviewed in 1993 for 'Metal Leg, the Steely Dan Magazine', Nichols stated (regarding his nickname that appears on many of his credits):

In 1978, Nichols pioneered the technique of "digital drum replacement" by inventing the Wendel sampling computer, which was used to provide some of the drum and percussion sounds on Steely Dan's album, Gaucho, notably the song "Hey Nineteen." This technology is now commonplace in music production around the world. He invented and produced a rubidium nuclear clock under his company name Digital Atomics. The purpose of the clock was to provide the accuracy of nuclear timekeeping to better synchronize digital recording equipment in the studio, but at a lower cost than the typical cesium clocks such as those used in military and aviation applications.

As a result of working with Nichols, Becker and Fagen and producer Katz were determined to have him seated behind the recording console for the 1972 start of studio sessions their first album, Can't Buy a Thrill. This conflicted with Nichols' summer vacation, and the decision was made to postpone recording until Nichols returned, much to ABC president Jay Lasker's annoyance, due to the amount of money advanced to the fledgling band. Once begun, the process was exacting. Nichols later commented:

In 1971 Nichols met Gary Katz, newly hired at the ABC Dunhill label as a record producer. Walter Becker and Donald Fagen were also working at ABC as song writers; one night Nichols was drafted, when no one else on the staff wanted to be involved, to stay and engineer a demo session that Becker and Fagen were holding to record their tunes for use by other artists. Nichols discovered he had a great deal in common with the then-unknown duo, including sharing a taste for impeccable audio quality. Nichols was asked to engineer their first record album in 1972, and he would wind up working with Katz, Becker and Fagen in recording the first, decade-long incarnation of the band that became known as Steely Dan.

Sales of recording equipment and machinery to ABC Records' first recording studio led to a contact with Phil Kaye, who was in charge of the facility. Nichols was hired in 1970 to maintain the equipment and do engineering work with Kaye and Steve Barri. Some of the clients Nichols recorded at this time included John Phillips and Denny Doherty of the Mamas and the Papas, the Grass Roots, and Hamilton, Joe Frank and Reynolds.

Nichols would win his initial three Grammy Awards (Best Engineered Recording — Non-Classical) for his late 1970s-early 80s "meticulous studio work" with Steely Dan on the 1977 album Aja, which was his first Grammy, the hit single "FM (No Static at All)" and then for his engineering contributions to the 1980 release Gaucho. Nichols won three additional Grammys with Steely Dan, including the notable achievement 'Album Of The Year' for his sonic accomplishments on their comeback album, Two Against Nature (2000).

Nichols and some friends created their own recording studio, Quantum Studios, in Torrance, California in 1965. The facility originally was a four-car garage; it was converted into a four-track studio to record high school bands. A hi-fi supply store, created as a side business by Nichols and his partners, brought in clients and contacts that led to recording commercials, with future stars Karen Carpenter and Larry Carlton performing on some of the spots; another musician Nichols recorded in this era was the former Mouseketeer Cubby O'Brien, on the drums. Nichols also recorded Kenny Rogers, then with the First Edition; the studio was expanded into a former post office and upgraded to 16 tracks.

Roger Nichols was born in Oakland, California. His father was a U.S. Air Force B-47 pilot; as a result the Nichols family lived in various spots in the U.S. for the first eleven years of his life. In 1957 his family settled in Cucamonga, California, where Nichols attended High School. One of his classmates was Frank Zappa; Zappa would drop by Nichols' house to "play guitar, and we would do multiple passes of guitars and bounce them together" on Nichols' first recording device, a reel-to-reel tape deck using quarter inch tape. He attended Oregon State University where he studied nuclear physics. From 1965 to 1968 he was a nuclear operator at the San Onofre Nuclear Generating Station (aka SONGS).

Roger Scott Nichols (September 22, 1944 – April 9, 2011) was an American recording engineer, producer, and inventor.