Russel Wright

Wright designed several popular lines of Melmac melamine resin plastic dinnerware for the home and did early research on plastic Melmac dinnerware for restaurant use. Wright's first Melmac line of plastic dinnerware for the home, called "Residential" was manufactured by Northern Plastic Company of Boston, MA beginning in 1953. "Residential" received the Museum of Modern Art Good Design Award in 1953. Also "Residential" was one of the most popular Melmac lines with gross sales of over $4 million in 1957. The line remained popular for many years continuing in production by Home Decorators, Inc. of Newark, NY. Wright introduced his Melmac dinnerware line called "Flair" in 1959. One of the patterns of "Flair", called "Ming Lace" has the actual leaves of the Chinese jade orchid tree tinted and embedded inside the translucent plastic. As with his ceramic dinnerware, Wright began designing his Melmac only in solid colors, but by the end of the 1950s created several patterns ornamented with decoration, usually depicting plant forms.

Wright's only child, Annie, was only two years old when Mary died in 1952, necessitating Wright's raising their adopted daughter as a single parent. Annie Wright continues to manage her father's designs and products through Russel Wright Studios.

Wright also worked with the Old Hickory Furniture Company in Martinsville, Indiana on unique rustic furniture with Wright's modern stylings. The collection was introduced in 1942 and some of the designs stayed popular through the 1950s.

Wright is best known for his colorful American Modern design, the most widely sold American ceramic dinnerware in history, manufactured between 1939 and 1959 by Steubenville Pottery in Steubenville, Ohio. Another iconic design was Wright's "American Modern" flatware designs for John Hull Cutlers Corporation in c. 1951. He also designed top selling wooden furniture, spun aluminum dining accessories and textiles. His simple, practical style was influential in persuading ordinary Americans to embrace Modernism in the 1930s, 1940s and 1950s. Wright's trademarked signature was the first to be identified with lifestyle-marketed products.

The "Russel Wright Papers" from 1931–1965 are held in an archive at Syracuse University Library Special Collections Research Center, containing 60 feet (18 m) of architectural drawings, photographs, manuscripts, models and ephemera.

Wright designed a succession of popular furniture lines for many furniture companies beginning in the early 1930s through the 1950s. His most popular line of essentially Art Deco American Modern "blonde" wooden furniture was produced by the Conant-Ball company of Gardner, Massachusetts between 1935 and 1939, and bore the branded mark "American Modern Built by Conant-Ball Co. Designed by Russel Wright".

In 1927 Wright married Mary Small Einstein, a designer, sculptor, and businesswoman, after a short yet carefree summer together in Woodstock, New York, where they were involved in the New York artist's Maverick Festival and artist colony. Mary studied sculpture under Alexander Archipenko. Together Mary and Russel went on to form Wright Accessories, a home accessories design business, and began creating small objects for the home consisting of cast metal animals and informal serving accessories of spun aluminum and other materials. The couple also wrote the best-selling Guide to Easier Living in 1950, which described how to reduce housework and increase leisure time through efficient design and household management.

Wright left Princeton for the New York City theater world and quickly became a set designer for Norman Bel Geddes. This early association with the theater led to further work with George Cukor, Lee Simonson, Robert Edmond Jones, and Rouben Mamoulian. His theater career came to an end when George Cukor closed his Rochester, New York stock company at the end of 1927. Upon returning to New York City, he started his own design firm making theatrical props and small decorative cast metal objects.

Russel Wright (April 3, 1904 – December 21, 1976) was an American industrial designer. His best-selling ceramic dinnerware was credited with encouraging the general public to enjoy creative modern design at table with his many other ranges of furniture, accessories, and textiles. The Russel and Mary Wright Design Gallery at Manitoga in upstate New York records how the "Wrights shaped modern American lifestyle".