Ruth Roman

In September 1967, she jumped from her burning car, but still managed to make her scheduled performance in "Beekman Place" at the Ivanhoe Theatre.

Arguably, her last noteworthy performance on the big screen was in Alexander Singer's romance/drama Love Has Many Faces (1965).

By the 1960s, Ruth had made the transition to middle-aged character parts and began to appear mostly on television, in shows like The Outer Limits (1963), Mannix (1967), Gunsmoke (1955), and (in a recurring role) in The Long, Hot Summer (1965). She also toured nationally with theatrical productions of "Plaza Suite", "Who's Afraid of Virginia Woolf" and "Two for the Seesaw".

Starred in Desert Desperados (1959), a biblical epic that was made in Italy in 1955 and was released by RKO in the United States in 1959.

In The Bottom of the Bottle (1956), she was at her dependable best as the supportive wife of alcoholic Van Johnson.

For the actress, who was said to disdain the trimmings of Hollywood stardom, real-life drama came when she and her son counted among the 760 survivors of the sinking of the luxury cruise liner 'Andrea Doria' in 1956.

Another off-beat role was as a gangster's moll in the British-made updated Shakespearean adaptation Joe MacBeth (1955). As Lily, she is the power behind angst-ridden Paul Douglas ('Joe'), whom she easily manipulates to do her bidding.

A glamorous publicity photo of Ruth Roman adorns the wall of the publicist's office in A Star Is Born (1954). Ruth was a contract player and one of Warner Brothers' top movie stars in the early 1950s.

Roman and her son, Richard Roman "Dickie" Hall (born November 12, 1952), along with actress and writer Betsy Drake, were among the first-class passengers aboard the Andrea Doria when the ship collided with the Stockholm and sank in 1956. They were among the almost 1,700 souls saved in the sinking. Roman and her son were separated during the rescue. She arrived in New York first and waited for him, surrounded by news photographers and reporters. She was on the pier to greet him when the rescue ship arrived in New York the next day.

While many of her leads were in westerns (albeit mostly A-grade ones), Ruth was somewhat more memorable in support of Farley Granger (as his upper-crust lover and the raison d'etre for the planned murder of his wife) in Alfred Hitchcock's Strangers on a Train (1951).

Look Magazine billed her as the 'Big Time Movie Personality of 1950', and by the following year she was receiving some 500 fan letters per week.

Ruth finally got her big break when producer Dore Schary cast her (against character, as a murderess) in the RKO thriller The Window (1949).

That same year, she successfully auditioned for Stanley Kramer's boxing drama Champion (1949) as the dependable wife of the fighter (Kirk Douglas). After this turning point in her life, the shapely, smoky-voiced brunette secured a contract with Warner Brothers. During the next phase of her career, she moved effortlessly from glamorous and seductive to demure and wholesome, in films opposite stars like James Stewart, Errol Flynn and Gary Cooper.

Appeared with Gary Cooper in four movies: Good Sam (1948), Dallas (1950), Starlift (1951), and Blowing Wild (1953).

A sole speaking part of consequence was in the titular role of Jungle Queen (1945), a Universal serial (after subsequent acting lessons, Ruth was aghast, when the serial was re-released in 1951).

Her earliest credited role is Ann Martin, the romantic interest of Eddie Dean's character, in the Ken Maynard vehicle Harmony Trail (1944). In the film, Roman swoons over Dean and dances to his singing.

Ruth Roman was born in Lynn, Massachusetts, the youngest of three daughters of Lithuanian-Jewish parents, Mary Pauline (Gold) and Abraham Roman. Her father, a carnival barker, died when she was a small child, forcing her mother to support the family by working as a waitress and cleaning woman. Ruth grew up in the poor tenement district of Boston, Massachusetts, where she went to school. However, she left school after just two years to pursue an acting career. Her chosen path proved to be strewn with obstacles: in New York, she obtained a job posing for stills for a crime magazine, but theatrical work eluded her. She then worked as a hat check girl at a night club before calling it quits and returning to Boston. There, she made ends meet as an usherette during the day while at night performing with the New England Repertory Company, her first steady acting job. She also studied drama and eventually graduated from the Bishop-Lee Theatre School. Trying to get into films, Ruth unsuccessfully made the rounds of agents and producers for two years (1940-42), until a bit part as a WAVE came her way in the film Stage Door Canteen (1943). With $200 to her name, she purchased a one-way ticket to Hollywood, where she found shared accommodation with other aspiring starlets - naming it, optimistically, 'the House of the Seven Garbos'. After a screen test with Warner Brothers failed to result in a contract, Ruth had another run of six hard years playing bit parts, many of them uncredited, some ending up on the cutting room floor.

Her first husband, Jack Flaxman, worked at an art gallery. They were married on May 15, 1939, in Nashua, New Hampshire. According to a 1951 Photoplay article, Ruth's first marriage "lasted but a few months and both of them realized what a mistake it had been. Ruth seldom speaks of it and prefers to forget the unhappiness it brought".

Her mother, Mary Pauline Gold (born c. 1898), immigrated to the United States from Vilnius, Lithuania in 1909. She was the daughter of Jake Gold and Esther Bycofsky (or Bucofsky). Mary married Abraham "Anthony" Roman on October 2, 1916 in Boston.

According to the 1910 census, Ruth's paternal grandfather, Charles Roman, immigrated to the United States from Lithuania in 1905. He brought his wife, Martha, and his son, Anthony "Tony" (Ruth's father), to the States two years later. They settled in Boston, where Charles worked as a woodworker for a local factory.