Sarah Cahill

with Sharon Mann. By twelve, she had started performing concertos with several local orchestras. At sixteen, she played Bach’s D major Toccata at the Sommermusikwochen chamber music festival in Trogen, Switzerland .

Sarah Cahill has commissioned, premiered and recorded numerous works for solo piano. Compositions dedicated to her include John Adams’ China Gates, Frederic Rzewski’s Snippets 2, Pauline Oliveros’ Quintuplets Play Pen, and Kyle Gann's Private Dances and On Reading Emerson. She has also premiered works by Lou Harrison, Terry Riley, Evan Ziporyn, Julia Wolfe, Ingram Marshall, Ursula Mamlok, George Lewis, Leo Ornstein and many others.

In late 2008 and 2009 Cahill developed and performed a new project known under two titles, A Sweeter Music, and Notes on the War: The Piano Protests, where she asked composers for piano music on the subject of peace. The second title was printed in The New York Times, but was not Cahill's original title. Commissioned composers include Preben Antonsen, Michael Byron, Paul Dresher, Ingram Marshall, Jerome Kitzke, Mamoru Fujieda, Kyle Gann, Peter Garland, Phil Kline, Jerome Kitzke, Meredith Monk, Pauline Oliveros, Yoko Ono, Larry Polansky, Bernice Johnson Reagon, The Residents, Terry Riley, Frederic Rzewski and Carl Stone. In later performances of A Sweeter Music, Cahill's spouse John Sanborn contributed video content to accompany the music, displayed across three screens and synchronized music.

Other projects developed by Cahill include Playdate, Bay Area Pianists and Garden of Memory. Playdate is a group of commissioned pieces about childhood combined with classical works; the commission of an evening of new scores for four hands by Terry Riley, performed with pianist Joseph Kubera; and a concert of recent Italian music, featuring premieres by Luciano Chessa, Andrea Morricone, and others. She founded the Bay Area Pianists in 1993. In 1996, in association with New Music Bay Area, Cahill created the annual Garden of Memory walk-through concert at the Julia Morgan-designed Chapel of the Chimes wherein audience members move through the environment with new music ensembles performing simultaneously throughout the spaces. In 2003 she co-curated the Berkeley Edge Fest at Cal Performances.

Cahill has written music reviews for Gramophone Explorations, Historical Performance, ClassicsToday.com, The New Grove Dictionary of Music and Musicians and other international publications, in addition to liner notes for recordings by John Adams, Terry Riley, and others. In 1985 she became the music critic for the East Bay Express and has been published in the San Francisco Chronicle, Village Voice Literary Supplement, and others.

Sarah Cahill (born 1960) is an American pianist based in the Bay Area. She has also worked as a writer on music and as a radio show host.