Sergei Parajanov

2003 - 2010: Retrospectives in Berlin, Seoul, Uherske Hradiste, Singapore, Moscow, Yerevan, Hollywood, Wroclaw, Paris, Los Angeles, Potenza, St. Petersburg, London, Ljubljana.

Pictured on a postage stamp in Armenia (April 1999).

Best friend of documentary filmmaker Mikhail Vartanov whom he considered to be the only authentic expert of his art and who was one of only a handful of Parajanov's (many) friends to passionately campaign for his release from the Soviet GULAG - their brave prison correspondence later became a chapter of Parajanov: The Last Spring (1992).

He followed this up with the even more innovative The Color of Pomegranates (1969) (which explored the art and poetry of his native Armenia in a series of stunningly beautiful tableaux), but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on almost certainly rigged charges of "homosexuality and illegal trafficking in religious icons".

Won the British Academy Award for Shadows of Forgotten Ancestors (1965) and the European Academy Award for Ashug-Karibi (1988).

However, in 1964 he was able to make Shadows of Forgotten Ancestors (1965), a rhapsodic celebration of Ukrainian folk culture, and the world discovered a startling and idiosyncratic new talent.

One of the 20th century's greatest masters of cinema Sergei Parajanov was born in Georgia to Armenian parents and it was always unlikely that his work would conform to the strict socialist realism that Soviet authorities preferred. After studying film and music, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage".